Tipo di articolo
Condizioni
Legatura
Ulteriori caratteristiche
Paese del venditore
Valutazione venditore
Editore: Princeton University Press, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: Big Star Books, Santa Fe, NM, U.S.A.
Libro Prima edizione
hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. First printing. Hardcover, in jacket. Clean, unmarked, tightly bound. Light wear. Jacket has some edgewear and superficial scuffing. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).
Editore: Princeton University Press, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Editore: Princeton University Press, Princeton, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: art longwood books, Gloucester, MA, U.S.A.
Libro Prima edizione
Hard Cover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition/First Printing. cloth, hardcover in dust jacket., very minor signs of use- no writing or markings, no bumps.strong binding/hinges, a lightly used copy.; 192pp., 100 color plates, 15 halftones. three essays, and reference material. a painter's painter. staple-bound 2010 pamphlet from parrish art museum laid-in. Size: Oblong 4to.
Editore: Princeton University Press, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: Koster's Collectible Books, Farmingville, NY, U.S.A.
Libro
Condizione: Very Good, Very Good. 2005. Oblong 4 TO, Color Illus, Hardcover Hardcover in dust jacket. Previous owner's name and address on first endpaper. Clean grey cloth boards with title in silver. Text/illustration pages are crisp and clean. Color illustrated dust jacket shows light wear and looks very nice in new protective mylar. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.
Editore: Princeton University Press, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Editore: Princeton University Press April 2005, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Libro
Hardcover. Condizione: Used - Very Good. Rackstraw Downes paints down-to-earth, often gritty features of today's American environment in an unflinching and highly realistic style. This book is the first to provide a multifaceted picture of his work, its intellectual foundations, and its place in the history of art--from both outside commentators and Downes himself. Beautifully illustrated, with copious examples from thirty years of the artist's work, the book makes eminently clear why Downes is widely regarded as a 'painter's painter.' It showcases many of the artist's panoramic pictures--painted with a strong sense of place and a miniaturist's sense of scale. The images, which depict industrial parks, construction sites, housing projects, refineries, razor wire, and landfills, stimulate fresh thoughts about these supposedly unattractive sights. Bathed in the light of a precise time, the paintings resonate with a strikingly evocative quality. The three essays that accompany Downes's art provide rare insights into the way a painter thinks and works. Sanford Schwartz explores the relationships between the artist's personal and intellectual background and his oeuvre. Robert Storr situates Downes in the context of a number of highly prominent contemporary artists such as Chuck Close, Bernd and Hilla Becher, Jasper Johns, Gerhard Richter, and Robert Smithson in a way that offers a new interpretation of Downes's work, while making clear its importance within twentieth-century art. Downes's own essay, 'Turning the Head in Empirical Space,' presents a direct, firsthand account of his working methods within a larger discussion on spatial paradigms of Renaissance and post-Renaissance modes of painting. 'Beyond bringing before the public the work of this important and uncommonly independent artist, this book will have an impact on the larger discourse on contemporary art. Its three essays are diverse in their purpose and thrust and provide a complex picture of Downes's art, its intellectual foundations, and its place in relation to the work of some of his most discussed and celebrated contemporaries. The book will be widely read by painters, critics, theorists, and art historians, as well as anyone interested in the social implications of our use and misuse of the environment.'--Robert Berlind, Purchase College, State University of New York'This book will force us to change our thinking about the art of the last thirty years. It truly illuminates Rackstraw Downes and makes us understand just how important he is and has been--a truly outstanding artist of the top rank.'--William Agee, Hunter College, author of 'Sam Francis, Paintings 1947-1990' Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.
Editore: Princeton University Press, Princeton, NJ USA, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: Village Works, New York, NY, U.S.A.
Libro Prima edizione Copia autografata
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Signed by Rackstraw Downes on front end page. Some minor wear to dust jacket. Signed by Author(s).
Editore: Princeton University Press, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Libro
Hardcover. Condizione: new. New. Fast Shipping and good customer service.
Editore: Princeton University Press, 2005
ISBN 10: 0691120471ISBN 13: 9780691120478
Da: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Libro
Condizione: New. New. In shrink wrap. Looks like an interesting title! 2.95.