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Editore: Durand, Paris, 1913
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Hardcover. Condizione: Good. Octavo. Boards. 28 pp. With illustrative plates. Ex-library.
Editore: Paris, Durand (VN 7975) [ca. 1930]., 1930
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
7 S. Etwas lichtrandig. Titelauflage der Erstausgabe (1911).
Data di pubblicazione: 2022
Da: S N Books World, Delhi, India
Libro Print on Demand
LeatherBound. Condizione: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1927 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 20 Language: Pages: 20.
Editore: Paris, Durand (VN 8134) [1957]., 1957
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
29 S. Umschlag. Gutes Exemplar. Titelauflage der Erstausgabe (1911). - Farbiger Umschlag.
Editore: Paris, Durand (VN 9046) [1914]., 1914
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
4 S. Umschlag. Leicht vergilbt. Erstausgabe.
Editore: Paris, Durand (VN 10,872) [1926]., 1926
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
5 S. Umschlag. Umschlag mit kleinen Randausbesserungen. Erstausgabe dieser Bearbeitung.
Editore: A. Durand & Fils, Paris, (ohne Jahr,)
Da: Versandantiquariat Kerstin Daras, Düsseldorf, NRW, Germania
Libro
Verlagsstempel auf dem Vorderdeckel; Namensstempel (Evert Cornelis - niederländischer Dirigent, 1884-1931) auf Vorderdeckel und Titelblatt; insgesamt sehr sauber - noch gut bis sehr gut erhalten. Stichworte: Partituren. Scores. Partitions. Französisch 175g 8° (Oktav, 18,5 bis 22,5 cm), Orig.- Halbleinen (Hardcover).
Editore: Paris, Ciboure, and n. p., 1910-1942., 1942
Da: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manoscritto / Collezionismo cartaceo
8vo and postcard format. Together 6½ pp. Beautiful, mostly private correspondence with the important pianist and pedagogue Marguerite Long (1874-1966) and her husband, the musicologist Joseph de Marliave (1873-1914). Samazeuilh had a purely professional relationship with Long via de Marliave, of which the first letter bears testimony, before they developed a deep if at times conflict-laden friendship. In the interesting letter to de Marliave from 11 April 1910 he seeks confirmation of Long's participation in a concert with the Société nationale de musique at Salle Érard ahead of printing the programmes. The solo pieces for piano in the concert would have been two Nocturnes and two Barcarolles by Gabriel Fauré. - On 31 March 1920, Samazeuilh wishes Long good luck for a concert in southern France, expressing his hope that she will find "the desired Pleyel down there". In a short postscript, he mentions that his publisher Durand was very satisfied with the sales of his "Chant de la Mer". - A letter on mourning paper from 5 October 1921 was to thank Long for her condolences following the death of Samazeuilh's father Fernand Samazeuilh. - A sombre tone also informs a letter from 19 July 1925 as Samazeuilh reports his fatigue and little hope for repose, given the illness of his wife Odette and the fragile state of his mother. Nevertheless, he announces to go on holidays in the Basque Country and mentions that he is reading Joseph de Marliave's most recent publication on Beethoven's string quartets with great pleasure. - In a letter dated only 19 September from Ciboure in the Basque Country, Samazeuilh discusses his consternation at Long having reproached him "before a witness" for not having attended a concert of hers in Biarritz. He explains that relatives had invited him to Bayonne, also mentioning that the programme did not contain any of his compositions: "Le programme ne comprenait aucune uvre de moi, - ceci dit d'ailleurs, soyez-en persuadée, sans la moindre acrimonie. Croyez-vous vraiment qu'en l'occurrence, le camarade que j'ai rencontré avec vous n'en eût pas fait autant ?" The second part of the letter suggests underlying issues, as Samazeuilh explains that his lifestyle, also given his wife's illness, is not compatible with the "vie mondaine" of some of Long's friends, thus explaining why he did not meet her more often during her stay in the Basque Country: "Ne croyez pas de ma part à une coupable tédeur. J'aurais aimé à vous voir plus souvent pendant votre séjour en pays basque. Mais je sais combien vous êtes entourée d'aimables amis qui mènent une vie mondaine pour laquelle je n'ai pas de goût, et qui disposent de moyens de transport et de facilités diverses que je ne suis hélas plus vous offrir [.]". - The final letter from 4 April 1942 concerns a small conflict or misunterstanding resulting from Samazeuilh's support of a young pianist, although the larger context remains unclear. - Minor tears and browning.