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Editore: Open Book Publishers, 2024
ISBN 10: 1805111582ISBN 13: 9781805111580
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: Reaktion Books, 2014
ISBN 10: 1780233760ISBN 13: 9781780233765
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within.
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Nuovo - A partire da EUR 41,40
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Editore: Reaktion Books 2002., 2002
Da: Rönnells Antikvariat AB, Stockholm, Svezia
416 pp. Illustrated. Publisher's hardcover, dust-jacket. Book-plate.
Editore: Reaktion Books, 2002
ISBN 10: 1861891180ISBN 13: 9781861891181
Da: HALCYON BOOKS, LONDON, Regno Unito
Libro
paperback. Condizione: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
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Nuovo - A partire da EUR 56,14
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Editore: Reaktion Books, 2011
ISBN 10: 1861897626ISBN 13: 9781861897626
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Nuovo - A partire da EUR 120,92
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Editore: LAP LAMBERT Academic Publishing, 2013
ISBN 10: 3659488534ISBN 13: 9783659488535
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
Libro
Condizione: New.
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Editore: Open Book Publishers, 2024
ISBN 10: 1805111590ISBN 13: 9781805111597
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Nuovo - A partire da EUR 91,31
Usato - A partire da EUR 74,02
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Audio CD. Condizione: Sehr gut. Hülle mit kleinen Gebrauchspuren,CD wie neu OM103F2 Sprache: Englisch Gewicht in Gramm: 505.
Da: Libreria Studio Bosazzi, Firenze, FI, Italia
Libro
Brossura. Condizione: nuovo. Istituti editoriali e poligrafici internazionali, 2023, pp. 228 con 36 figure in bianco/nero n.t. e 10 tavole in bianco/nero e a colori f.t. NUOVO -- The book offers a new, historical and cultural reading of the personal collection of Post-Byzantine and medieval Russian paintings. The discovery, study and collection of medieval icons and early Italian painting, of course, developed along parallel paths in Western Europe and in Russia. In the nineteenth century this was the preserve mainly of amateur archaeologists, and in the next century it was taken up by professional experts (connoisseurs). This volume therefore engages not only with the writings and personal art collections of Bernard Berenson (1865-1959), Roberto Longhi (1890-1970) or Federico Zeri (1921-1998), but also with the typologically similar works and art collections of Pavel Muratov (1881-1950) and Alexander Anisimov (1887-1937), as well as with the private collections of Soviet and modern art historians, many of whom worked as art critics and expert consultants. Many of them had their own small collections of icons and paintings. The author s private collection of Post-Byzantine and medieval Russian icons, which underpins this volume, also belongs to this type of collection. Each of the ten icons from the fifteenth and sixteenth centuries reproduced in this book came from a famous collection and is closely connected with the history of the study and collecting of medieval Russian painting in Soviet Russia. Hence the iconography and symbolism of the artistic language of these icons are explored within the broad context of the development of their study and collection, and of the art market. Thus, the Novgorodian Transfiguration icon, dating from the first half of the sixteenth century, comes from the former collection of one of the founders of Russian art nouveau, the architect Alexey Shchusev (1873-1949), and invites the reader to consider the aesthetic reassessment of medieval icons in the early twentieth century. The problem of attribution of the works of Dionysius (1444-1502) and the masters of his circle is highlighted by an analysis of the artistic features of the Moscow icon Mother of God Hodegetria , dating from the end of the fifteenth century. The Post-Byzantine Greek icon Theotokos Hodegetria , from the last quarter of the fifteenth century, allows us to trace not only the spread of late Paleologian icons in the artistic environments of Athos and Moscow, but also highlights the peculiarities of collecting medieval icons in Soviet Russia after World War II, for example. The book devotes particular attention to the theory of reverse perspective by Pavel Florensky (1882-1937), as well as to the analysis of the artistic language of icons that is grounded in it. A wealth of historical and cultural research on the collection presented in this book is complemented by the first publication of a lithograph by Marc Chagall (1887-1985), given by the artist to the Moscow collector of icons and Russian avant-garde art George Kostakis (1919-1990) in 1973. Executed by the hand of the artist himself and containing a dedication, this lithograph, as shown, has a special meaning, since it returns the reader to the very beginnings of research on the theme of the icon and the avant-garde , which today is attracting increasing attention. The last chapter of the book is devoted to theoretical reflection on the phenomenon of collecting medieval icons. It concludes that a collector s living engagement with ancient icons constantly refreshes their emotional and creative perception of the most diverse cultural phenomena. Turning to the philosophy of the sign and the ontology of existence, noting the multiplicity of points of view in the construction of the medieval image s artistic space, the collector is continuously reminded that medieval icons may pose the most important existential questions.
Editore: Progress-Kultura, Moskva, 1995
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione sovraccoperta: NF. Cherry red cloth with gold Cyrillic lettering; color-illustrated dj with white Cyrillic lettering on spine; 495 pp. with color and bw images throughout. Text in Russian with one-page English summary in back. Section headings include: Icons and the World; Arguing about Symbols - Arguing about Faith; Visage and Face; Word, Emblem, Heraldry; and The Halted Middle Ages. An unusual, culturalogical approach to icon study. The book also delves into the icon painters' mode of life, fashions and language in creations. "Oriental" and Western traditions are compared. The final section, Icons and Popular Paintings, studies the popularity of iconography in prints, posters and avant-garde artifacts. NF (but with museum ex-lib. book plate inside front cover).