Tipo di articolo
Condizioni
Legatura
Ulteriori caratteristiche
Paese del venditore
Valutazione venditore
Editore: University of Minnesota Press, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.05.
Editore: Univ Of Minnesota Press, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Editore: Univ Of Minnesota Press, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within.
Editore: Univ Of Minnesota Press, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Editore: Univ Of Minnesota Press, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Editore: University of Minnesota Press, Minneapolis, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: Brian Cassidy Books at Type Punch Matrix, Silver Spring, MD, U.S.A.
Libro
Condizione: Near fine. Investigation of post-WWII photographic visions of masculinity and the male body, illustrated with black & white photographs throughout. Wraps. Small 4to. Photographic wraps. Corner crease to half-title page only. Near fine. 202pp.
Editore: Univ of Minnesota Pr, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. 1st edition. 199 pages. 9.75x6.75x0.50 inches. In Stock.
Editore: Univ Of Minnesota Press, 2005
ISBN 10: 0816643016ISBN 13: 9780816643011
Da: Ally Press Center, St. Paul, MN, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Good. 1st Edition. Withdrawn library copy with stickers on covers and stamps on end pages. All internal sheets clean and VG. 199 pages. 7 X 10 inches. Grey cloth with maroon type. Illustrated with photographs.
Editore: University of Minnesota Press, 2005
ISBN 10: 0816643016ISBN 13: 9780816643011
Da: WYEMART LIMITED, HEREFORD, Regno Unito
Libro
Hardcover. Condizione: New. All items inspected and guaranteed. All Orders Dispatched from the UK within one working day. Established business with excellent service record.
Editore: University of Minnesota Press, Minnesota, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: AussieBookSeller, Truganina, VIC, Australia
Libro Prima edizione
Paperback. Condizione: new. Paperback. In Shooting from the Hip, Patricia Vettel-Becker reveals how photography helped to reconstruct and redefine the American idea of masculinity after the traumas of World War II. She argues that from 1945 to 1960 photography became increasingly concerned with restoring the male body and psyche, glorifying traditional masculinity - cowboys, boxers, athletes, military men - while treading carefully in an increasingly homophobic Cold War climate. Examining photojournalism as well as art and fashion photography, Shooting from the Hip finds in the crisp images of postwar photography five models of masculinity - the breadwinner, the action hero, the tough guy, the playboy, and the rebel. Vettel- Becker shows how the professionalization of photography itself was an attempt by male photographers to identify themselves as breadwinners. She goes on to analyze combat photography, exposing its valorization of action, subjugation of the enemy, and the use of the blurred shot to signify credibility. She links street photography - heir to Depression-era social documentary - with hard-boiled crime photography, exemplified in the works of William Klein and Weegee. And sexualized fashion models and their relationships with photographers, such as Richard Avedon and Irving Penn, fuel the ideal of the consummate playboy. Finally, Vettel-Becker demonstrates the authentic and sometimes rebellious nature of the male body as presented by sports photographers and others influenced by the Beat generation, including Robert Frank and Bruce Davidson. Taking a wide view of postwar photography, Vettel-Becker presents it as the triumph of a new form of modernist photography, centered on individual expression and the seductive image of the male body, and stimulated by a quest for the existential truth of masculinity. Visually traces the construction of American masculinity following World War II. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Editore: University of Minnesota Press, Minnesota, 2005
ISBN 10: 0816643024ISBN 13: 9780816643028
Da: CitiRetail, Stevenage, Regno Unito
Libro Prima edizione
Paperback. Condizione: new. Paperback. In Shooting from the Hip, Patricia Vettel-Becker reveals how photography helped to reconstruct and redefine the American idea of masculinity after the traumas of World War II. She argues that from 1945 to 1960 photography became increasingly concerned with restoring the male body and psyche, glorifying traditional masculinity - cowboys, boxers, athletes, military men - while treading carefully in an increasingly homophobic Cold War climate. Examining photojournalism as well as art and fashion photography, Shooting from the Hip finds in the crisp images of postwar photography five models of masculinity - the breadwinner, the action hero, the tough guy, the playboy, and the rebel. Vettel- Becker shows how the professionalization of photography itself was an attempt by male photographers to identify themselves as breadwinners. She goes on to analyze combat photography, exposing its valorization of action, subjugation of the enemy, and the use of the blurred shot to signify credibility. She links street photography - heir to Depression-era social documentary - with hard-boiled crime photography, exemplified in the works of William Klein and Weegee. And sexualized fashion models and their relationships with photographers, such as Richard Avedon and Irving Penn, fuel the ideal of the consummate playboy. Finally, Vettel-Becker demonstrates the authentic and sometimes rebellious nature of the male body as presented by sports photographers and others influenced by the Beat generation, including Robert Frank and Bruce Davidson. Taking a wide view of postwar photography, Vettel-Becker presents it as the triumph of a new form of modernist photography, centered on individual expression and the seductive image of the male body, and stimulated by a quest for the existential truth of masculinity. Visually traces the construction of American masculinity following World War II. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Editore: Univ Of Minnesota Press, 2005
ISBN 10: 0816643016ISBN 13: 9780816643011
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.