arata isozaki (825 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: Used - Very Good. used copy with light wear.

Soft cover. Condizione: Very Good. Paperback. 1983. Minor wear to wrappers, otherwise very good.

Trade Paperback. Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st. Cloth, 206 pages, illustrations; 26 cm. Firm binding, clean inside copy. Age toning. Stated First U.S. Edition. Dust jacket, with light edgewear & a slightly faded spine, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** CONTENTS: Relations; Mannerism; First manner; Second mannerl; Works 1960-1980; An architecture of quotation and metaphor, 1978, by Arata Isozaki. Size: 4to.

No Binding. Condizione: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Postcard.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A tan to the pages. Ex library copy with usual stamps & stickers.

Fifth printing (per publisher's number line upon copyright page). Large paperback: H 33.75cm x L 25.75cm. Glossy paper covers rubbed with slight scuffing at edges. Interior pages are clean. Binding is firm. A very good+ copy. Catalog of an exhibition organized by the Seibu Museum of Art. ISBN 0877014051.

Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. Exlibrary with usual library markings. Repaired hinges. Front free endpaper removed. ; 304 pages.

First edition Very close to fine and bright oversize stiff wraps with strong square spine and crisp bright text throughout. Profusely illustrated throughout.

Softcover, 304 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fine.

Softcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Mit Press; b and w photos; 6.06 X 0.74 X 9 inches; 376 pages.

Hardcover. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine Dust Jacket. First Edition. 4to. 240 pp. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. P12.

Softcover exhibition catalog, 80 pages, good condition: taped labels around bottom of spine, rubbing to covers; owner's stamp on first page; no other internal marks. As is; reference copy. Foreign shipping may be extra.

Fine, new copy. Hardbound. Quarto.

Condizione: Good. New, unused book. Price tag mark on rear. Phaidon non-mint copy stamp on first page. Contents unread.

Condizione: New.

Paperback. Condizione: new. Paperback. One of Japan's leading architects examines notions of Japan-ness as exemplified by key events in Japanese architectural history from the seventh to the twentieth century; essays on buildings and their cultural context.Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context-not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In Japan-ness in Architecture, he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style.And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization-what Isozaki calls "Japanesquization"-lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures.Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers.One of Japan's leading architects examines notions of Japan-ness as exemplified by key events in Japanese architectural history from the seventh to the twentieth century; essays on buildings and their cultural context.Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context-not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In Japan-ness in Architecture, he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style.And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization-what Isozaki calls "Japa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Very Good. The books cover is in very good condition with ware such as scratches and light staining. The content is in very good condition with a non mint Phaidon stamp on the first page.

Soft cover. Condizione: Fair. No Jacket. 1st Edition. 60 pages. Softcover with flaps. The cover has been marked, worn and damaged by storage and handling. The edges are worn, the corners have shelf depressions. The front cover has marks and scuffing from storage. Nonetheless it is serene and sure. The back cover is heavily marked and scuffed. There are previous retailer stickers. Inside, the contents are neat. Despite the page edges having handling marks they are clear, trim and satisfying. fk. Our orders are shipped using tracked courier delivery services.

Condizione: COMO NUEVO-Muy Bien. ARATA ISOZAKI- MECANOO- ALBERT FREY- R.LUCHETTI- FERNAU AND HARTMAN- SOTTASASS ASSOCIATI- K. YOKOGAWA?

Condizione: New. pp. 376.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. 1st Edition. This book is clean and unmarked in very good condition. First edition. 235 pages.

Oversize Paperback. Condizione: Near Fine. Book is in excellent condition, with a light crease at the spine as the only indication of use or wear. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Contents include: Emilio Ambasz' Arcadian Berm House, Peter Eisenman's House El Evn Odd, Vittorio Gregotti's Una Casa, Arata Isozaki's House of Nine Square, Charles Moore's Hexastyle Texas Style, Cesar Pelli's Long Gallery House, Cedric Price's Pavilions, Platfores, Pylons, and Plants, and Oswald Mathias Ungers' House Within a House. 115 pages with b&w and color illustrations: floorplans, model photos, elevations, etc. throughout. Keywords: Nine Square, Hexastyle Texas Style, Long Gallery House, Pavilions, Platfores, Pylons.

Condizione: COMO NUEVO-Muy Bien. MARIO BOTTA - FUMIHIKO MAKI - MORPHOSIS ARCHITECTS - TADAO ANDO - KEVIN ROCHE - ARATA ISOZAKI ,.