Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: Bookmans, Tucson, AZ, U.S.A.
hardcover. Condizione: Good. Inscription inside book cover/Presented to page filled out Satisfaction 100% guaranteed.
Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: booksXpress, Bayonne, NJ, U.S.A.
Hardcover. Condizione: new.
Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: Irish Booksellers, Portland, ME, U.S.A.
Condizione: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Condizione: As New. Unread book in perfect condition.
Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Condizione: New.
Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. Editor(s): Begam, Richard; Smith, Matthew Wilson. Series: Hopkins Studies in Modernism. Num Pages: 392 pages, 32, 32 black & white line drawings. BIC Classification: AVGC6; AVGC9; DSBH. Category: (P) Professional & Vocational. Dimension: 164 x 324 x 32. Weight in Grams: 666. . 2016. Hardcover. . . . .
Editore: Johns Hopkins University Press, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. Editor(s): Begam, Richard; Smith, Matthew Wilson. Series: Hopkins Studies in Modernism. Num Pages: 392 pages, 32, 32 black & white line drawings. BIC Classification: AVGC6; AVGC9; DSBH. Category: (P) Professional & Vocational. Dimension: 164 x 324 x 32. Weight in Grams: 666. . 2016. Hardcover. . . . . Books ship from the US and Ireland.
Editore: Johns Hopkins University Press, Baltimore, MD, 2016
ISBN 10: 1421420627 ISBN 13: 9781421420622
Da: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condizione: new. Hardcover. At first glance, modernism and opera may seem like strange bedfellows-the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera.This innovative volume includes essays from some of the most notable scholars in their fields and covers works as diverse as Debussy's Pelleas et Melisande, Bartok's Bluebeard's Castle, Berg's Wozzeck, Janacek's Makropulos Case, Thomson's Four Saints in Three Acts, Strauss's Arabella, Schoenberg's Moses und Aron, Stravinsky's The Rake's Progress, Britten's Gloriana, and Messiaen's Saint Francois d'Assise. A collaborative study of the ultimate collaborative art form, Modernism and Opera reveals how modernism and opera illuminate each other and, more generally, the culture of the twentieth century. It also addresses a number of issues crucial for understanding the relation between modernism and opera, focusing in particular on intermediality (how modernism integrates music, literature, and drama into opera) and anti-theatricality (how opera responds to modernism's apparent antipathy to theatricality). This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.