Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: booksXpress, Bayonne, NJ, U.S.A.
Hardcover. Condizione: new. This item is printed on demand.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
Condizione: New.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: Brook Bookstore, Milano, MI, Italia
Condizione: new.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Condizione: New.
Editore: Stanford Univ Pr, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: Revaluation Books, Exeter, Regno Unito
Hardcover. Condizione: Brand New. 1st edition. 296 pages. 9.25x6.25x1.25 inches. In Stock. This item is printed on demand.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. This volume explores the appropriation of the past in modern British culture. The twelve essays argue that to distinguish between "the new" and "the traditional" today often draws a false dichotomy. It argues that Britishness, in fact, has been the product of continuous creation throughout the 19th and 20th centuries. Editor(s): Behlmer, George K.; Leventhal, Professor Fred M. Num Pages: 296 pages, 1 plan. BIC Classification: 1DB; 3JH; 3JJ; HBJD1; HBLL; HBLW. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 24. Weight in Grams: 545. . 2000. Hardcover. . . . .
Editore: Stanford Univ Pr, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: Revaluation Books, Exeter, Regno Unito
Hardcover. Condizione: Brand New. 1st edition. 296 pages. 9.25x6.25x1.25 inches. In Stock.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: Ria Christie Collections, Uxbridge, Regno Unito
Condizione: New. In.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Condizione: As New. Unread book in perfect condition.
Editore: Stanford University Press, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. This volume explores the appropriation of the past in modern British culture. The twelve essays argue that to distinguish between "the new" and "the traditional" today often draws a false dichotomy. It argues that Britishness, in fact, has been the product of continuous creation throughout the 19th and 20th centuries. Editor(s): Behlmer, George K.; Leventhal, Professor Fred M. Num Pages: 296 pages, 1 plan. BIC Classification: 1DB; 3JH; 3JJ; HBJD1; HBLL; HBLW. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 24. Weight in Grams: 545. . 2000. Hardcover. . . . . Books ship from the US and Ireland.
Editore: STANFORD UNIV PR, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: moluna, Greven, Germania
Condizione: New. This volume explores the appropriation of the past in modern British culture. The twelve essays argue that to distinguish between the new and the traditional today often draws a false dichotomy. It argues that Britishness, in fact, has been the product .
Editore: Stanford University Press Aug 2000, 2000
ISBN 10: 0804734895 ISBN 13: 9780804734899
Da: AHA-BUCH GmbH, Einbeck, Germania
Buch. Condizione: Neu. Neuware - This volume explores the appropriation of the past in modern British culture. Today, at the beginning of a new millennium, the mass media would have us believe that Britain is suffering an identity crisis. If the pundits are correct, we are witnessing a manipulation of British history at the hands of those keen to project a new national image--or in the language of commodification, to 'rebrand' Britain.The twelve essays in Singular Continuities take a different tack. They argue that to distinguish between 'the new' and 'the traditional' in modern English culture often draws a false dichotomy, that British-ness, in fact, has been the product of continuous creation throughout the nineteenth and twentieth centuries. The contributors strongly suggest that 'tradition' derives from constant reimagining, if not from calculated invention.Such reimagining has often assumed surprising forms. Thus, for example, at the end of Victoria's reign, an 'enemy' culture--that of the Boer farmer--was recruited to the British ideal of pastoral self-sufficiency. Similarly, the iconoclastic surrealism of the interwar artist Humphrey Jennings was actually suffused with a celebratory sense of the British past. And during the 1970s and 1980s, working-class autobiography eulogized not the triumph of character over circumstance but rather an industrial nostalgia that recalled a cityscape where slum neighbors once knew their turf and the people who occupied it. Related themes are pursued in essays that range from the demonizing of Irish immigrants in early-Victorian London to the impact of reading on suffrage activism, from the professionalization of social work to the selling of the past in Thatcher's Britain.What has been termed 'heritage-bashing' finds few echoes in this collection. 'Heritage' is a remarkably protean notion, as useful to the political left as to the right, to feminists as well as to would-be patriarchs. It is the malleable nature of British cultural continuity that makes its heritage 'singular.'.