Lingua: Lingue multiple
Editore: Hatje Cantz, Stuttgart, 2010
ISBN 10: 3775725652 ISBN 13: 9783775725651
Da: Antiquariat UEBUE, Zürich, Svizzera
Prima edizione
EUR 31,67
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. Condizione: Sehr gut. 1. Auflage. Z : 278 Seiten/pp., 142 Abbildungen/illustrations. - The Mathildenhöhe in Darmstadt was supposed to be the third station of the large-scale tour of Nedko Solakov s exhibition Emotions (Without Masks). Yet the artist came up with a completely new installation. The original works remained in their shipping crates, while entirely new, never-before-seen emotions saw the light of day and took over the abandoned architecture from the previous Masks exhibition. Inventive and cryptically humorous, the artist shifts the normally almost invisible, basic elements of the exhibition nails in display cases, holes drilled in the wall, cast shadows into the front and center position. In this way, Solakov brilliantly circumvents our expectation that art should always be something grand spectacular at best, or at least plainly visible and perfectly exhibited. In this Gesamtkunstwerk, art itself blossoms best when hidden.
Editore: Ostfildern, Hatje Cantz., 2010
ISBN 10: 3775725652 ISBN 13: 9783775725651
Da: Biblion Antiquariat, Zürich, ZH, Svizzera
EUR 30,00
Quantità: 1 disponibili
Aggiungi al carrello12°. [268] S., überw. Ill. kart. Deutsch-Englisch. Sprache: deutsch.
Editore: Ostfildern, Hatje Cantz., 2010
ISBN 10: 3775725652 ISBN 13: 9783775725651
Da: Biblion Antiquariat, Zürich, ZH, Svizzera
EUR 35,00
Quantità: 1 disponibili
Aggiungi al carrello4° 219 S., viele Abb. OPp. Text Englisch Deutsch. Sprache: deutsch.
Lingua: Lingue multiple
Editore: Hatje Cantz, Stuttgart, 2008
ISBN 10: 3775722114 ISBN 13: 9783775722117
Da: Antiquariat UEBUE, Zürich, Svizzera
Prima edizione
EUR 39,59
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 224 Seiten/pp., 196 Abbildungen/ills. - This publication accompanies a large survey of his oeuvre that includes examples of his work from the late eighties to 2007, combined with pieces that have been created specifically for the presentation.