paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Lingua: Inglese
Editore: University of Illinois Press, 2006
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
EUR 8,15
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Da: medimops, Berlin, Germania
EUR 8,54
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Da: medimops, Berlin, Germania
EUR 9,05
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: as new. Wie neu/Like new.
Lingua: Inglese
Editore: University of Illinois Press, 2007
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 216 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
Condizione: New.
Paperback. Condizione: new. Paperback. First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.Film X Autochthonous Struggles Today brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide.Starting with the Edison Studio's 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema's forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.Along with the vibrant forms of moving images arising from within the communities, close to their existential concerns, filmmaking has also become a potent tool in Autochthonous struggles. This book answers the need to take a global look at the diverse ways of filmmaking that fight for land rights and against environmental injustice (Brazil, Morocco, Taiwan, USA), that resist neocolonial domination, economic and political exploitation (Japan, Philippines), that offer a counterpoint during low intensity or drawn-out armed conflicts (Colombia, Mexico), that invent strategies of counter information and representation (Australia, Canada, Russia, Samoa), and that strive for visibility.ContributorsMyrla Baldonado, Mayaw Biho, Nadir Bouhmouch, Ricardo Matos Cabo, Carolina Cangu u, Amaranta Cesar, Karrabing Film Collective, Rupert Cox, Nicolas Defosse, Etienne De France, Sophie Gergaud, John Gianvito, David Harper, Aurelie Journee-Duez, Blackhouse Lowe, Caroline San Martin, Laura Langa Martinez, Isael Maxakali, Sueli Maxakali, Dan Taulapapa Mcmullin, Chie Mikami, Francisco Vazquez Mota, Omar Moujane, Marie Pierre-Bouthier, Perrine Poupin, Ariel Arango Prada, Beatriz Rodovalho, Roberto Romero, Jonathan Sims, Mercedes Vicente, Jamahke Welsh Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: MO - University of Illinois Press, 2006
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 20,05
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University of Illinois Press, 2006
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: University of Illinois Press, US, 2006
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 25,45
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Nicole Brenez argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara's oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible (inadmissible behavior, morality, images, and narratives).
Lingua: Inglese
Editore: University of Illinois Press, 2006
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: contemporary film directors series, 2007
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: Hollywood Canteen Inc., Toronto, ON, Canada
EUR 22,48
Quantità: 1 disponibili
Aggiungi al carrelloSoft Cover. Condizione: As New. 2025 mayFiled in directors bios.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Paperback. Condizione: New.
Condizione: New.
Lingua: Inglese
Editore: University of Illinois Press, 2006
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 24,57
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Paperback. Condizione: New.
Da: Revaluation Books, Exeter, Regno Unito
EUR 20,12
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 1st edition. 210 pages. 8.00x5.25x0.75 inches. In Stock.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condizione: New. "A generously illustrated, wide-ranging selection of essays on American films helmed by non-American filmmakers." -Film CommentThe cities, landscapes and people of America have been the subject of many a film, but when seen through an outsider's perspective, new and often significant aspects of its culture are revealed. America: Films from Elsewhere examines film and America from the perspective of auteurs from around the world-from anyplace but America-covering the half-century from the assassination of John F. Kennedy in 1963 to the election of Donald Trump in 2017. Masters of the medium such as Chantal Akerman, Joyce Wieland, Michelangelo Antonioni, Lars von Trier, Jacques Demy, Rainer Werner Fassbinder and Chris Marker are discussed, alongside lesser-known greats such as Yolande du Luart and Babette Mangolte. The book also features specially commissioned portfolios by artists, including Camille Henrot, Harun Farocki, Lucy Raven, the Otolith Group and Ute Aurand.
Lingua: Inglese
Editore: University of Illinois Press, Baltimore, 2006
ISBN 10: 0252074114 ISBN 13: 9780252074110
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Prima edizione
Paperback. Condizione: new. Paperback. Nicole Brenez argues for Abel Ferraras place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferraras oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible (inadmissible behavior, morality, images, and narratives). Argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. This work also argues that films such as "Bad Lieutenant" express this evil through visionary characters struggling against the inadmissible. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 30,35
Quantità: 2 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Synema Gesellschaft Fur Film u. Medien, AT, 2013
ISBN 10: 3901644253 ISBN 13: 9783901644252
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 36,09
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Jean Epstein, the great unknown amongst the pioneers of independent filmmaking, was also an essential figure in the invention of modern cinema-both as a theorist and as an artist. For the first time, a selection of Epstein's writings on film are published in German in this volume. Nicole Brenez' essay on Epstein contextualizes his achievements.