burden chris (171 risultati)

paperback. Condizione: Fair.

Condizione: Fine. Used book that is in almost brand-new condition.

Condizione: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good.

paperback. Condizione: Good. Ex library copy.

Hardcover. Condizione: Good.

Softcover. Condizione: Very Good. Solid VG softcover. Clean. Spine not broken.

Hardcover. Condizione: Very Good.

44 pp.; 27.8 x 21.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 25 - June 13, 1982. Curated and with text by Lisa Lyons. Artists include Jonathan Borofsky, Bruce Charlesworth, Chris Burden, Robert Longo, David Salle, Italo Scanga, Cindy Sherman, and Hollis Sigler. Includes checklist, exhibition history, and bibliography for each artist. Very Good. 4.5 cm. dog-ear to top right corner of recto. Light rubbing of cover edges. Light yellowing of pages. Contents clean and unmarked.

First edition. 4to, bound in flexible boards, in the publisher's original poster dust jacket. "This insightful book explores the theme of disappearance in the 1970s performance art of Bas Jan Ader, Chris Burden, and Jack Goldstein.,In 1971, Chris Burden disappeared for three days without a trace. This book, also entitled Disappearing, examines the theme of disappearance in the works of Burden and his contemporaries, Bas Jan Ader and Jack Goldstein, in 1970s Southern California. Loosely affiliated, these three artists shared an interest in themes of disappearance and self-effacement. In 1972, Goldstein buried himself alive during a performance, while during Ader's tragic last work, In search of the miraculous (1975), the artist vanished crossing the Atlantic. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists used "disappearing" as a response to the masculine anxiety of the 1970s. This book reveals a fascinating intersection between major figures at a critical turning point for Californian art." - From the publisher. Fine and still sealed in the publisher's shrinkwrap.

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Condizione: Fine. First Edition. [28] pp., stapled wraps, bw & color ill., 12mo. Sharp copy with no ownership markings; some light foxing/staining to wraps. Well packaged, ships with tracking.

Paperback. Condizione: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

paperback. Condizione: Very Good. profusely illustrated (illustratore). Published in conjunction with the Chris Burden show, 18 March - 18 July 1999 Tate Gallery London, documenting Burden's factory-like assembly line for the construction of model aeroplanes, culminating in the launch of the planes, later to be collected and sold to visitors; the catalogue also provides an over-view of Burden's art practice over many decades; essay by Frances Morris; b&w and colour illustrations throughout; Very Good. . 47pp (ix). 4to. Very Good.

216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

240 pp.; 23 x 16 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann''s groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann''s death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann''s collaborator for many years. Two of Szeemann''s most ambitious exhibitions are presented as case studies: Documenta 5 (1972) and L''Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann''s exhibitions and a selection of his writings complete this exhaustive survey." -- publisher''s statement. Texts by Szeemann, Yves Aupetitallot, Mark Nash, Florence Derieux, Hal Foster, Jean-Marc Poinsot, François Aubart, Fabien Pinaroli, Balthasar Burkhard, Sadie Woods, Karin Prätorius, Urs and Rös Graf, Lucia Pesapane, Irmeline Lebeer and John Anthony Thwaites, Jean-Christophe Ammann, Bazon Brock, François Burkhardt, Johannes Cladders, Lucia Pesapane, Claes Oldenburg, Lawrence Weiner, Haeju Kim, Julija Cistiakova, Yuka Tokuyama, Thierry Prat, Thierry Raspail, Chris Burden. Copiously illustrated with images of Szeemann, exhibitions curated by Szeemann. Illustrated chronology of exhibitions curated / organized by Szeemann, selected bibliography. Very Good. Light handling wear evident. Contents clean and unmarked.

Magazine. Condizione: Fine. First Ediiton. Artiles include - PARANOLD/PARANOIA: MEDIA BUZZWORDS TO SILENCE THE POLITICALLY INCORRECT BY ALAN CANTWELL, THE ONLY HONEST JUDGE - AN INTERVIEW WITH JOHN JUDGE, A PROPHET IN HER OWN COMPOUND: THE MILLENNIAL ANGST OF ELIZABETH CLARE PROPHET, SECRETARY TO THE GODS BY CHRIS ROTH, JFK REDUX RETURNS NEXT ISSUE MADE MANIFESTO BY ROY LISKER, SAUCER SECTION: THE KECKSBERG UFO MYSTERY: AN INTERVIEW WITH STAN GORDON BY G. J. KRUPEY, VIRTUALLY REALITY: OKLAHOMA CITY, TURN RIGHT BY JIM KEITH, THE CONSPIRACY CONSPIRACY BY JACK BURDEN, CARIES, CABAL AND CORRESPONDENCE, BOOK REVIEWS.

Soft cover. Condizione: Near Fine. 1st Edition. Numerous illustrations. Essays by Frances Morris and Mary Horlock. Published on the occasion of the exhibition at the Tate Gallery, March 18 - July 18, 1999. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to ; 52 pages.

Soft cover. Condizione: Fine. First Edition. Fine in spiral bound wrappers.

paperback. Condizione: Like New. First Paperback Edition. Publisher: Tate, London, 1999. FINE softcover in pictorial wraps, as issued. First Softcover Edition, First Printing.

8° , Broschur, 207 Seiten, Ecken und Kanten leicht berieben, sonst in einem guten Zustand. 9783893222797 Sprache: Englisch Gewicht in Gramm: 518.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Illustrations Throughout (illustratore). 1st Edition. 367 Pp. White Cloth Stamped In Green. Fine In Fine Dj. Illustrations In Color And B/W. International Postage At Usps Priority Mail Box Rate.

79 cm.; 30.5 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 20, 1991 - January 7, 1992. Essay by Robert Storr. Artists include Louise Bourgeois, Chris Burden, Sophie Calle, David Hammons, Ilya Kabakov, Bruce Nauman and Adrian Piper. Includes biography, selected exhibition history and selected bibliography for each artist. Reference : "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 77. Very Good. Moderate bumping of corners and light additional edge wear. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders.

Softcover staple bound exhibition catalog, 12 pages, very good condition except light yellowing around spine, museum stamp on last page; no other internal marks.

Paperback. SIGNED. First edition. Good oversized magazine with handling wear, light soiling, a label to the front, and some dog eared pages. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The May 2008 issue of W Magazine, the fashion and style bible with a slant toward art, with: Philip-Lorca diCorcia shooting fashion in Cairo--SIGNED BY DICORCIA on the first page of the portfolio, no inscription--LAID IN is a press release for an exhibition of diCorcia's work, presumably where this was signed; Arianna Huffington; Chris Burden; Amy Winehouse; Cameron Diaz photographed by Michael Thompson; Easter Island; Armani; and much more. 214 pages; color and b&w illustrations throughout; 10 x 13 inches.

First edition. Softcover. 12 pages. Exhibition catalog for a group show that ran October 29 through December 24, 1983. Preface by Christine Orr-Cahall. Text by Paul Tomidy. Includes 3 black and white illustrations, information about each artist, chronologies, lists of previous shows, performances and selected bibliographies. A very near fine copy in stapled wrappers.

Soft cover. Condizione: Very Good. Softcover, 11 x 8 3/8 x 3/4 in., 2 lbs 6 oz. front cover: very minor chip on bottom outer corner, very minor edgewear on bottom edge; back book cover: 3/8 in. crease visible in raking light; pages: very good condition, small pencil writing on first page; overall: very good condition.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. 247 pages, illustrations (some colour); 30 cm. Published on the occasion of the exhibition held at the New Museum, New York, October 2, 2013 to January 12, 2014. Exhibition organized by Lisa Phillips with Massimiliano Gioni and Jenny Moore. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "The work of seminal contemporary artist Chris Burden, insightfully contextualized around major themes, illuminates a practice that is as unique as it is influential. For four decades, Chris Burden's work has redefined the boundaries of the sculptural field. Whether subjecting himself to extremes of physical suffering or reconfiguring forgotten urban objects and toy models to create potent signifiers of a time and place, the brute force of Burden's work in the physical realm reverberates through the psychic one. On the occasion of the New Museum's focused survey of Burden's work, this book provides new perspectives on his art. Organized around themes like the Myth of the American West, the Institution, Gender Roles, and Model Making, the book reexamines preoccupations that span the artist's long career." - Publisher. *** CONTENTS: Double bind, by Lisa Phillips; Mind-body problem: Chris Burden's performances, by Thomas Crow; An engineer's view, by Guy Nordenson; Chris Burden's bridges, relationality, and the conceptual body, by Amelia Jones; I guess you'll buy a gun/you'll buy it secondhand, by Johanna Burton; Chris Burden: body culture, by Tom Marioni; Burden at Pomona, by Helene Winer; TV ad, by Matthew Day Jackson; Self-made man, by Oscar Tuazon; Power play, by Jenny Moore. Size: 4to. Collectible.