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Editore: Musees Royaux d'Art et d'Histoire, Bruxelles, Belgium, 2005
Da: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Regno Unito
paperback. Condizione: New. Condizione sovraccoperta: No Dust Jacket. New, still in plastic wrapper. In Flemish. In Flemish.
Editore: KIK Brussel, 1978
Da: Untje.com, Roeselare, Belgio
Paperback. Condizione: Good. pp. 65 Dutch.
Editore: KIK Brussel, 1979
Da: Untje.com, Roeselare, Belgio
Paperback. Condizione: Good. pp. 36 Dutch.
Editore: Institut Royal du Patrimoine artistique / Koninklijk Instituut voor het Kunstpatrimonium, Brussels, 2013
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Color illus. wraps; 307 pp.; Profusely illustrated with bw and color figures. Includes eighteen articles by various authors, written in either French or Dutch; Abstracts for all of the articles are provided in French, Dutch, and English; Pertains mainly to the restoration of Dutch (and other European) artwork. Good (Wraps creased, with a lesser crease to most of the pages; Ink stamp at contents page).
Editore: BE Mechelen / ovk 2000, 2000
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Softcover, 191pp. geillustreerd in kleur. in goede staat ! 28x21cm ISBN 9789076099323. naslagwerk ! 0 g.
Editore: Brepols Publishers, 2014
ISBN 10: 2930054190ISBN 13: 9782930054193
Da: ISD LLC, Bristol, CT, U.S.A.
Libro Prima edizione
paperback. Condizione: New. 1st.
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Editore: BE Mechelen / ovk 2000, 2000
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Softcover, 191pp. geillustreerd in kleur. in goede staat ! ISBN 9789076099330. naslagwerk ! 0 g.
Editore: Brussel/ Tongerlo Koninklijk Instituut voor het Kunstpatrimonium/ Norbertijnenabdij 2006, 2006
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
: foto's : Jean-Luc Elias (illustratore). Gebonden, blauw linnen met goudopdruk onder geillustreerde stofomslag, 210 x 305mm., 280pp., zeer uitgebreide kleurillustratie. Dit eerste volume van de volledige inventaris van het patrimonium van de abdij van Tongerloo schetst vooral de (kunst)historische context van dit erfgoed. Er wordt een overzicht gegeven van de opeenvolgende abten; daarop volgt een beschrijving van de gebouwen van het abdijcomplex en van het patrimonium met een onroerende bestemming zoals de altaren, biechtstoelen, fresco's, het koorgestoelte, orgel, enz. Nieuw boek. 1670 g.
Editore: Stedelijke Musea, 2000
Da: Der-Philo-soph, Viersen, NRW, Germania
Libro
4° Broschiert. Besitzervermerk auf Vorsatz. Mit eingeklebten Fotos. Sonst sehr ordentlich - sauber, fest und vollständig. Stichworte: Kunst; Kultur; ; Kunstgeschichte; Kulturgeschichte; Kunsthandwerk; 9076099332 191 S., Abb. Niederländisch 1050g.
Editore: Brussel : 1991 Belgie. Ministerie van Binnenlandse Zaken., 1991
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Softcover, 205pp., ills. in z/w., 30x21cm., zeer goede staat. 0 g.
Da: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgio
Membro dell'associazione: ILAB
Brussel, Koninklijk Instituut voor het Kunstpatrimonium, 2006, in-4°, 280 pp. linnen uitgeversband met originele stofwikkel.
Editore: brepols 2014, 2014
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
softcover, 345 pages ., 230 x 290 mm Languages: English, French, Dutch. ISBN 9782930054193. In 1940 the art historian J.J.M. Timmers introduced the name 'Master of Elsloo' to describe the anonymous creator of a late-Gothic wooden statue of St Anne with the Virgin and Child in St Augustine?s Church in Elsloo, a town in Limburg in the present-day Netherlands. In the following decades many other stylistically-related statues came to be associated with the St Anne. As a result, the Master of Elsloo?s oeuvre grew to include at least two-hundred works. Until recently, studies of these sculptures and their maker(s) have been almost exclusively stylistic in approach. Yet the works of the ?Master of Elsloo? evoke many questions that require thorough investigation. Questions about the identity of the woodcarver or, more likely, the woodcarvers grouped under the sobriquet of ?Master of Elsloo?, their artistic roots, their period and place of activity, and the organisation of their work in the workshop or shops. The major interdisciplinary research project carried out in 2010-2011 by the Royal Institute for Cultural Heritage in Brussels together with partners from Belgium and other countries was intended to shed new light on this sizeable group of statues and their makers. This time stylistic study was augmented by extensive examination of the materials and techniques employed with particular emphasis on workbench marks and the remains of any original polychromy. Also extremely important was the dendrochronological analysis of a large number of sculptures, which led to surprising results regarding the origin of the wood and the relationship between the works. A number of complementary studies help to situate the ?Master of Elsloo? more accurately in ?his? historical and artistic context. The results of all these studies were presented as papers at the colloquium organised by the Royal Institute for Cultural Heritage on 20 and 21 October 2011. A Masterly Hand. Interdisciplinary Research on the Late-Medieval Sculptor(s) Master of Elsloo in an International Perspective brings together the project?s findings, to which are added an inventory of works associated with the ?Master of Elsloo? and the results of new archival research. de herkomst van de Sint Anna re dreen in de parochiekerk nte Elsloo, Door Gerard Venner 0 g.