Condizione: Good. Good condition. No Dust Jacket (Mystery, fiction, Detectives) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Condizione: Very Good. Very Good condition. 3 books in 1 Volume. (Mystery, Fiction, Detectives) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condizione: new. Paperback. Max Creasys new photographic work How Things Look, plays with the gap between how things look and how things are. How Things Look is, on the one hand, a statement about the appearance of things, the thing as object, as something to be observed. On the other hand, it suggests an unsettling possibility: how might things, inanimate objects, begin to look for example back at us? This collection of photographs could be considered a series of portraits, even if unconventional. The publication sequencing articulates unique associations within this collection of images and explores the simplicity of the connections between their appearance and the objects themselves. The utilisation of normative tools and materiality is conveyed throughout the publication but there is an abstraction at play; double covers give way to a rotated format where facing images find themselves slipping onto the verso of each spread. Alongside an essay by Yuma Shinohara explores this precariousness at play in the work, in both Japanese and English. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 34,40
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 35,59
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2024. paperback. . . . . .
Lingua: Inglese
ISBN 10: 1739930967 ISBN 13: 9781739930967
Da: Majestic Books, Hounslow, Regno Unito
EUR 31,39
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
EUR 44,84
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2024. paperback. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
ISBN 10: 1739930967 ISBN 13: 9781739930967
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New.
EUR 28,62
Quantità: 6 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. Paperback.Width: 24 cm. Height: 29cm. 72 pages. English text.
Lingua: Inglese
ISBN 10: 1739930967 ISBN 13: 9781739930967
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 36,37
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Hodder & Stoughton (King Crime), London, UK, 1970
ISBN 10: 0340126450 ISBN 13: 9780340126455
Da: CURIO, Cleethorpes, North East Lincolnshire, Regno Unito
Prima edizione
EUR 29,82
Quantità: 1 disponibili
Aggiungi al carrelloFirst Edition / First Print. Hardback copy in red cloth boards with gold gilt lettering to spine. Unclipped dustjacket in new removable protective clear sleeve. 192pp. 17 short stories by: Francis Clifford, Celia, Fremlin, Victor Canning, Edmund Crispin, Michael Gilbert, Basil Copper, J. J. Marric (John Creasey), Berkley Mather, James Pattinson, Jeffrey Scott, Jack Griffith, Max Mundy, Louis Southworth, Rosemary Timperley, Bill Knox, Joan Aiken and Herbert Harris. Library copy, no inscriptions, remains of sticker to front endpapers, small ink stamp to title page, old tape marks to rear endpapers, light rubbing and creasing to dustjacket. ().
EUR 41,91
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. Max Creasys new photographic work How Things Look, plays with the gap between how things look and how things are. How Things Look is, on the one hand, a statement about the appearance of things, the thing as object, as something to be observed. On the other hand, it suggests an unsettling possibility: how might things, inanimate objects, begin to look for example back at us? This collection of photographs could be considered a series of portraits, even if unconventional. The publication sequencing articulates unique associations within this collection of images and explores the simplicity of the connections between their appearance and the objects themselves. The utilisation of normative tools and materiality is conveyed throughout the publication but there is an abstraction at play; double covers give way to a rotated format where facing images find themselves slipping onto the verso of each spread. Alongside an essay by Yuma Shinohara explores this precariousness at play in the work, in both Japanese and English. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 26,84
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. New Book, Direct from Publisher.
EUR 43,09
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware.
EUR 53,67
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: New. How Things Look - Max Creasy Max Creasy's new photographic work How Things Look, plays with the gap between how things look and how things are. How Things Look is, on the one hand, a statement about the appearance of things, the thing as object, as something to be observed. On the other hand, it suggests an unsettling possibility: how might things, inanimate objects, begin to look for example back at us? This collection of photographs could be considered a series of portraits, even if unconventional. The publication sequencing articulates unique associations within this collection of images and explores the simplicity of the connections between their appearance and the objects themselves. The utilisation of normative tools and materiality is conveyed throughout the publication but there is an abstraction at play; double covers give way to a rotated format where facing images find themselves slipping onto the 'verso' of each spread. Alongside an essay by Yuma Shinohara explores this precariousness at play in the work, in both Japanese and English. In Other Words, 2024 Softcover, 40pp 297 x 210 mm.