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Editore: Winniepg Art Gallery, Winnipeg, Manitoba, Canada, 2007
Da: L. Lam Books, Winnipeg, MB, Canada
Libro
Soft cover. Condizione: Very Good. No Jacket. 8 pp. with 10 illustrations. Saddle-stitched catalogue for an exhibition from August 4, 2007 to March 9, 2008 at the Winnipeg Art Gallery. Faint turquoise ink stains in a few spots on the cover (possible printing issue)."In this exhibition, sculpture, prints, and drawings from the WAG's permanent collection interpret a variety of games and contests that once played an important part in traditional Inuit life." - foreword by curator Darlene Coward Wight.
Editore: Winnipeg Art Gallery, Winnipeg, Manitoba, Canada, 1992
Da: L. Lam Books, Winnipeg, MB, Canada
Libro
Soft cover. Condizione: Very Good. No Jacket. 6 pp. with B/W illustrations. Saddle-stitched catalogue of an exhibition at the Winnipeg Art Gallery in 1992. Includes works from the George S. Cotter collection, as well as contemporary Inuit ivories.
Editore: Winnipeg, Manitoba, Canada: Winnipeg Art Gallery, 2002
ISBN 10: 0889152136ISBN 13: 9780889152137
Da: Riverby Books, Fredericksburg, VA, U.S.A.
Libro
Soft cover. Condizione: Good. Softcover, clean glossy cover without folds or tears. 96 pages, no markings or writing. Binding square and tight, spine uncreased. Large glossy photographs throughout.
Editore: Winnipeg : The Gallery, 1987
ISBN 10: 0889151393ISBN 13: 9780889151390
Da: Joseph Burridge Books, Chadwell Heath, Regno Unito
Libro
Soft cover. Condizione: Very Good. 120 pages : illustrations ; 23 x 31 cm. Catalogue of an exhibition held at the Winnipeg Art Gallery, September 13-November 8, 1987 highlighting the Inuit sculptures collected by George Swinton.
Editore: Winnipeg Art Gallery, Winnipeg, Manitoba, Canada, 1993
Da: L. Lam Books, Winnipeg, MB, Canada
Libro
Soft cover. Condizione: Very Good. No Jacket. 6 pp. with B/W illustrations. Catalogue of an exhibition at the Winnipeg Art Gallery from April 17 to July 25, 1993. "Most of the sculptures in the exhibition illustrate or symbolize the magical merging of the shaman with his alter ego animal spirit. He does not so much possess the animal as he becomes that animal. He re-establishes the mystical solidarity between man and animal that existed in mythical times, when the divorce between man and animal had not yet occurred.".