Lingua: Inglese
Editore: Visual Aids for the Arts Inc, US, 2022
ISBN 10: 1732641544 ISBN 13: 9781732641549
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 20,78
Quantità: 8 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Julie Ault and David Deitcher illuminate the life and work of the influential art historian, New Museum curator, and Visual AIDS co-founder William Olander (1950-1989). Olander's exhibitions challenged oppressive institutional boundaries, blew open dichotomies, and boldly confronted discrimination, sexual difference, and AIDS, shaping curatorial practice for decades to come. Committed to using the New Museum as a platform to challenge the ideological functions of the art world, Olander invited members of ACT UP to design a multimedia installation for the museum's window on Broadway in 1987. The first museum project to unflinchingly address the AIDS epidemic and the political figures who enabled it, Let the Record Show. became the centerpiece of art historian and critic Douglas Crimp's impassioned call for "new cultural practices" to respond to AIDS. Ault and Deitcher's conversation offers new insights into the through-lines of Olander's career, from his graduate research on the French Revolution to exhibitions at the Allen Memorial Art Museum and his later engagement with AIDS activism. Includes selected writings by Olander and an afterword by Kyle Croft. Praise for DUETS: Julie Ault and David Deitcher in Conversation on William Olander"Julie Ault and David Deitcher testify to Olander's friendship and love of community, qualities indistinguishable from his deeply principled commitment to both activism and art. "- Pamela Lee, Professor of Modern and Contemporary Art, Yale University"William Olander was a critical spark for the New Museum at arguably the institution's most urgent moment. This long overdue publication provides an intimate and comprehensive overview by two of Olander's distinguished fellow travelers and revives a potent cultural voice that was silenced too soon. "- Stuart Comer, Chief Curator of Media and Performance, Museum of Modern ArtDUETS is a series of publications that pairs artists, activists, writers, and thinkers in dialogues about their creative practices and current social issues related to HIV/AIDS. These engaging and highly readable conversations highlight the connections between communities of artists and activists. Drawing from the Visual AIDS Artist Registry and Archive Project, this series continues Visual AIDS' mission to support, promote, and honor the work of artists with HIV/AIDS and the artistic contributions of the AIDS movement.
Softcover, 60 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Lingua: Inglese
Editore: The New Museum of Contemporary Art New York, NY, 1985
ISBN 10: 0915557525 ISBN 13: 9780915557523
Da: Specific Object / David Platzker, New York, NY, U.S.A.
60 pp.; 25.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. Included artists Bruce Barber, Judith Barry, Troy Brauntuch, Sarah Charlesworth, Louise Lawler, Tina Lhotsky, Adrian Piper, Stephen Prina, Richard Prince, Martha Rosler, René Santos, Hiroshi Sugimoto, Christopher Williams, Peter Adair, Nancy Buchanan, Downtown Community Television, Dan Graham, Vanalyn Green, Ulysses Jenkins, Miners Campaign Tape Project, Dan Reeves, David Schulman, and El Taller de Video (Timoteo Valasquez). Also includes checklist and selected bibliography. Very Good. Light rubbing of covers and spine and cover edges. Contents clean and unmarked.
Lingua: Inglese
Editore: The New Museum of Contemporary Art New York, NY, 1985
ISBN 10: 0915557525 ISBN 13: 9780915557523
Da: Specific Object / David Platzker, New York, NY, U.S.A.
60 pp.; 25.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. Included artists Bruce Barber, Judith Barry, Troy Brauntuch, Sarah Charlesworth, Louise Lawler, Tina Lhotsky, Adrian Piper, Stephen Prina, Richard Prince, Martha Rosler, René Santos, Hiroshi Sugimoto, Christopher Williams, Peter Adair, Nancy Buchanan, Downtown Community Television, Dan Graham, Vanalyn Green, Ulysses Jenkins, Miners Campaign Tape Project, Dan Reeves, David Schulman, and El Taller de Video (Timoteo Valasquez). Also includes checklist and selected bibliography. Very Good / Fine. Light bumping of top and bottom right corners of recto. Otherwise Fine, contents clean and unmarked.
Lingua: Inglese
Editore: Visual Aids for the Arts Inc, US, 2022
ISBN 10: 1732641544 ISBN 13: 9781732641549
Da: Rarewaves.com UK, London, Regno Unito
EUR 18,46
Quantità: 8 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Julie Ault and David Deitcher illuminate the life and work of the influential art historian, New Museum curator, and Visual AIDS co-founder William Olander (1950-1989). Olander's exhibitions challenged oppressive institutional boundaries, blew open dichotomies, and boldly confronted discrimination, sexual difference, and AIDS, shaping curatorial practice for decades to come. Committed to using the New Museum as a platform to challenge the ideological functions of the art world, Olander invited members of ACT UP to design a multimedia installation for the museum's window on Broadway in 1987. The first museum project to unflinchingly address the AIDS epidemic and the political figures who enabled it, Let the Record Show. became the centerpiece of art historian and critic Douglas Crimp's impassioned call for "new cultural practices" to respond to AIDS. Ault and Deitcher's conversation offers new insights into the through-lines of Olander's career, from his graduate research on the French Revolution to exhibitions at the Allen Memorial Art Museum and his later engagement with AIDS activism. Includes selected writings by Olander and an afterword by Kyle Croft. Praise for DUETS: Julie Ault and David Deitcher in Conversation on William Olander"Julie Ault and David Deitcher testify to Olander's friendship and love of community, qualities indistinguishable from his deeply principled commitment to both activism and art. "- Pamela Lee, Professor of Modern and Contemporary Art, Yale University"William Olander was a critical spark for the New Museum at arguably the institution's most urgent moment. This long overdue publication provides an intimate and comprehensive overview by two of Olander's distinguished fellow travelers and revives a potent cultural voice that was silenced too soon. "- Stuart Comer, Chief Curator of Media and Performance, Museum of Modern ArtDUETS is a series of publications that pairs artists, activists, writers, and thinkers in dialogues about their creative practices and current social issues related to HIV/AIDS. These engaging and highly readable conversations highlight the connections between communities of artists and activists. Drawing from the Visual AIDS Artist Registry and Archive Project, this series continues Visual AIDS' mission to support, promote, and honor the work of artists with HIV/AIDS and the artistic contributions of the AIDS movement.
EUR 128,39
Quantità: 1 disponibili
Aggiungi al carrellopaperback. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.
Condizione: Very Good. Softcover catalog, published to accompany the exhibition mounted at the New Museum of Contemporary Art, New York City, 1985. 60 pages, illustrated. Among artists included in the show were Sarah Charlesworth, Richard Prince, Martha Rosler, Judith Barry, Bruce Barber, Louise Lawler, Adrian Piper, Hiroshi Sugimoto, others. Essays by David Deichter, William Olander, Abigail Solomon-Godeau. Very Good condition, with some rubbing to covers and other light signs of handling (few creases, bends, etc.) No writing or marks to book. No extreme wear or distress.