david liot (43 risultati)

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. Good; some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Paperback. Condizione: As New. Softcover. Minimal shelf wear. Good binding and cover. Clean, unmarked pages.

Soft cover. Condizione: Near Fine. 1st Edition. Stiff color illus. wraps. A few slight surface rubs on upper front cover, otherwise as issued. 1st ptg. 407 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.

Paperback. Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. New York: Thames and Hudson / Philadelphia Museum of Art, 1998. 407 pages; 416 illustrations, 161 in color. Appendix to the Catalogue includes Provenance, Bibliography, Exhibition History of each work catalogued. Also included, The Technique of Eugène Delacroix: A Historical Approach. Light crease to some preliminary pages; some preliminaries are unopened at the top edge. Clean throughout; tight binding. . First Edition. Cloth. Very Good/Very Good. 12" x 9 ". Exhibition Catalogue. Language: ENG.

Paperbound. Condizione: New. First Impression. Demy folio, [30cm/12inches], paperbound with pictorial covers, pp. 79. Fully illustrated with b-w halftone plates. Please feel free to inquire as to particulars and/or additional photographs. . CAA Reviews noted: "I am in that phase of life when the tumult of the mad passions does not mingle with the delightful emotions which works of art give to me. I don't know the meaning of dusty papers and hateful occupations, which is what almost all human beings must devote themselves to; instead of thinking of business, I think only of Rubens and Mozart: my great business, for a week, is the memory of an aria or a picture. I go to my work as others hasten to their mistress, and when I leave it, I carry away into my solitude or amidst the distraction which I go to seek, a charming memory which has but little resemblance to the troubled pleasure of lovers." -Journal of Eugene Delacroix, November 30, 1853; Pach translation Thus wrote Delacroix, aged fifty-five, characterizing his state of mind as a mature human being and artist. Internationally renowned, medaled, and financially independent, the practice of art was no longer a necessity but a labor of lovelucrative, to be sure, but self-satisfying and all absorbing. It is this Delacroixmature and apparently serene and dispassionatewho has become better known and more clearly defined through the recent exhibition and catalogue Delacroix: The Late Work. . The exhibition was one of several that marked the bicentennial of the birth of the artist in 1798, and the only one that was seen in this country. Organized jointly by the Réunion des Musées Nationaux and the Philadelphia Museum of Art, it comprised some one hundred and fifty paintings, drawings, and watercolors dating from about 1850 to the artist's death in 1863.

Hardcover. Condizione: Bon. Ancien livre de bibliothèque avec équipements. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condizione: Très bon. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: Very good. - Quarto, 12 inches high by 9 inches wide. Softcover, bound in color pictorial wraps. The corners of the covers are slightly bumped. 406 & [1] pages, profusely illustrated in color and black & white. Near fine. Published in conjunction with the exhibitions at the Galeries Nationales du Grand Palais in Paris and the Philadephia Museum of Art.

Condizione: Very good.

Softcover. Condizione: Very good condition. 406 pp. Catalogue of the exhibition, Delacroix: The Late Work, held at the Galeries Nationales du Grand Palais, April 7 - July 20, 1998; and the Philadelphia Museum of Art, September 15, 1998 - January 3, 1999. Softcover.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Near Fine. Stiff clean book, unmarked but for art gallery stamp to title page and one interior page. ; 12.28 X 9.29 X 1.50 inches; 407 pages.

Hardcover. Condizione: Used - Like New. This year marks the bicentennial of the birth of Eugene Delacroix (1798-1863), the great French Romantic painter. A pivotal figure in the history of nineteenth-century art, Delacroix stands both at the culmination of the great painterly tradition of Titian, Veronese, Rubens, and Rembrandt and at the beginning of something quite new and modern, as witnessed by the reverence given him by artists of following generations who were so profoundly influenced by his work: Renoir, Cezanne, Picasso, and Matisse. This publication, accompanying an international exhibition that begins in Paris and travels to the Philadelphia Museum of Art, presents in glorious color subjects ranging from saints and warriors to mythical goddesses, from Arab hunting scenes and tigers to sumptuous bouquets of flowers. Delacroix's late work reveals a deepening spiritual intensity and has more to do with aesthetic reflection and recollection than with the expansive narrative that characterized his grand public commissions. Focusing on the artist's last works allows further insight into this most remarkable and protean figure in the history of art.

Soft cover. Condizione: New. 1st Edition.

Condizione: Bon. 63 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 20,0 x 26,0 x 0,7 cm || Texte français.

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Comme neuf. Edition originale. A 31 ans, Henry Vasnier (1832-1907) achète son premier tableau. Amateur d'art, ce jeune et brillant directeur financier de la maison Pommery à Reims constitue, sa vie durant, une collection remarquable d'uvres du XIXe siècle. Il réunit notamment un ensemble exceptionnel d'arts graphiques : pastels, aquarelles, gravures et estampes. Après une importante campagne de restauration, des chefs-d'uvre de grands artistes (Harpignies, Millet, Daumier .) sont aujourd'hui dévoilés. De nombreux peintres " oubliés " apparaissent également et permettent de découvrir le goût d'une époque encore méconnue. Cet ouvrage constitue le catalogue raisonné d'un fonds d'uvres graphiques qui n'avaient jamais été présentées au public jusqu'à présent.------------------------.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: Very Good. Slight wear to spine, covers & corners. Spine slightly creased; Book.

Soft cover. Condizione: Very Good. 27 x 22 cm - 208 pgs - couverture originale d'éditeur (soft cover) - ills n/bl et couleurs - bel ex.

Condizione: Bon. 223 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 25,0 x 28,7 x 2,3 cm || Texte français || Impression 2014.

Catalogue d'exposition in-4 broché, couverture à rabats illustrée, 207 p. Importante iconographie en noir et couleurs.

Dec 05, 2012. Condizione: D'occasion - Très bon état. Somogy, 2012. Cartonné. Envoi rapide et soigné.

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Dès le XVIIIe siècle, le champagne intrigue et fascine. Dans ses bulles se reflète un monde léger rempli de fêtes et d'excès. Autour de cet élixir sont réunis des artistes, écrivains, musiciens, cinéastes qui ont trouvé en lui une intarissable source d'inspiration, de poésie et d'extase. L'art sous toutes ses formes trouve dans son effervescence une énergie nouvelle et le champagne devient un ingrédient majeur à l'origine d'oeuvres d'art et d'architectures. Mais c'est aussi le savoir-faire de créateurs comme Lalique, Christofle ou Gallé qui sublime, de tout temps, cette boisson d'exception grâce au travail des matériaux les plus précieux. Porteur de mythes, le champagne est également le symbole d'un art de vivre à la française de renommée internationale. C'est ce célèbre breuvage que met à l'honneur cet ouvrage, à travers les oeuvres de Cézanne, Mucha, Picasso ou Lurçat. Révélant au fil du temps ses multiples facettes, le champagne et ses marques, emblèmes du luxe, deviennent symboles de la quête éperdue du bonheur.--------------------.

Condizione: Sehr gut. 1. Auflage. 128 Seiten , pages deckelillustrierter, kartonierter Band im Quartformat (23 x 29 cm) ; sehr gut erhaltenes Exemplar mit zahlr. Abbildungen - bon etat Sprache: Französisch Gewicht in Gramm: 1.

Couverture rigide. Condizione: Neuf. Edition originale. Paris 2019. 1 Volume/1. -- Neuf -- Reliure éditeur cartonnée illustrée. - Format 27,5 x 24 cm . -------- 208 pages avec illustrations. ************************* "" Nouvelle monographie : une rétrospective des peintures et aquarelles de Yan Pei-Ming de 2006 à 2019, qui s'articule autour de la figure de la disparition et de la violence, et l'examen des uvres des maîtres du passé ainsi que l'iconographie moderne, avec des essais de Franck Gautherot, David Liot, Xavier Douroux et Fabian Stech. Publié à l'occasion de l'exposition du même nom au Musée des Beaux-Arts de Dijon du 17 mai au 24 août 2019, Yan Pei-Ming (né en 1960 à Shanghai) est un peintre franco-chinois basé à Dijon, France. Il est surtout connu pour ses immenses portraits presque exclusivement monochromes, basés sur l'histoire culturelle chinoise et la tradition du portrait occidental. Certains de ses portraits les plus célèbres montrent les figures de Mao Zedong, Bruce Lee et Barack Obama. Outre et contre ces personnalités, les portraits de Pei-Mings s'étendent aussi à ceux de son père et de lui-même. A l'âge de 19 ans, Yan Pei-Ming décide de s'installer en France, où il s'inscrit à la célèbre École Nationale Supérieure des Beaux-Arts de Dijon. Il a terminé ses études en 1986 et a connu un succès rapide grâce à son uvre expressive, dominée par le portrait. Ses tableaux sont exécutés avec énergie et imagination, composés de coups de pinceau expressifs et d'une palette principalement monochrome avec parfois du rouge foncé. En 2003, il a obtenu une reconnaissance internationale à la Biennale de Venise. Six ans plus tard, son uvre est acquise par le Louvre, où il expose une collection de portraits destinés à transmettre sa perspective personnelle sur la Joconde de Léonard de Vinci. "" ******************** Ref fav-02-06.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 2004.Softcover.Very good condition.144 pages.Text in French and Japanese.Over 70 colour illustrations.Artists include Delacroix,Corot,Courbet,Galle and Renoir.Ships from Japan.Usually ships in 1-2 working days.