erik bulatov (36 risultati)

Soft cover. Condizione: Near Fine. 1st Edition. English Language edition in near fine shape. No markings or easily noticed wear. Lots of informative text and then a series of color plates at back showing the artists work.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Near Fine. Color & b&w (illustratore). 1st. First Edition, First Printing; soft cover edition; Very comprehensive accounting of one of Russia's more avant-guard artists of the late communist period and beyond. Contains three short essays that discuss and anaylize his work, five essays by the artist describing his aesthetics in his own voice, and a summational interview. 47 clean, unmarked pageds/ 21color plates at back.

Condizione: New.

Paperback. Condizione: new. Paperback. Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar & Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

First edition. Softcover. 96 pages. Exhibition catalog for a show that ran February 22 through April 23, 1989 at the Institute of Contemporary Arts in London and then traveled to Boston, Newport Beach, California and Chicago for additional dates. Text by Claudia Jolles, Viktor Misiano, Vsevolod Nekrassov, and with an interview between Bulatov and Ilya Kabakov. Includes 20 color plates and several black and white images. A very good copy with tanning to the pages, some slight foxing and some other minor wear.

Paperback. Condizione: Brand New. reprint edition. 80 pages. 8.75x8.75x0.75 inches. In Stock.

Paperback. Condizione: Very Good. No jacket. Artguide, 2015. Paperback, sq4to, 99pp, illust. A good copy. 9785905110726/0.5cz . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

Paperback. Condizione: Very good. Paperback. 48pp. Edges sunned, lightly rubbed overall, else very good in publisher's wraps. Previous owner's ink stamp on front free endpaper, else internally fine.

Condizione: New. 2016. Reprint. Paperback. . . . . .

Condizione: New. 2016. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Good. paperback, 4to, 96pp, illustrated, text pages browning, otherwise clean and tight, no inscriptions, cover edges slightly rubbed, Good condition. ISBN: 0905263421.

Hardcover. Condizione: Very Good. No jacket. Kerber Verlag, 2006. Hardback, 4to, 95pp, illust. Boards slightly marked. A good copy. 3938025700/0.9de . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

Hardcover. Condizione: Sehr gut. 1. Auflage.

96 pages, illustrated with essays by Claudia Jolles, Viktor Misiano & Vsevolod Nekrassov, Bibliography Slight edgewear otherwise a clean near fine paperback exhibition catalog in decorative wrappers (softcover).

96 p 27 cm Encuadernación editorial en rústica. Estado de conservación: Bien.

93 p 27 cm Texto en Alemán. Encuadernación editorial en rústica.

SOFTCOVER. Condizione: Fine. 1st Edition. Large 4to. in stiff card covers, 96pp on various types of paper, illustrations in text, colour plates, etc . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy (text leaves tanned) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condizione: NEW.

Paperback. Condizione: Very Good. English language. Soft cover 1989. Flat spine. Clean & tight. SOME MARGINS HAVE PENCIL LINES. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref H609. Erik Bulatov Moscow.

Paperback. Condizione: new. Paperback. Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar & Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

HARDCOVER. Condizione: As New. 1st Edition. Square Quarto size (4to) in thick boards, white cloth spine, 71pp, colour plates, etc. Brief Dual text in English, Russian and German Gallery press release loosely inserted . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condizione: New. This book follows the making of the artist s largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky s advertising posters from the 1920s.

4°. 93 S. OKart. mit Deckelbild. Ausstellung Kunsthalle Zürich 15.1.-28.2.1988 sowie anschliessend in Frankfurt a.M. und Kunstverein Bonn.

4 vol. : 56 pp. (catalogue) ; 27 pp. (catalogue) ; 16 pp. (catalogue) ; 13 pp. (catalogue); 4 vol. : 31.8 x 23.5 cm. (envelope) ; 20.9 x 29.5 cm. (three books and sticker sheet); sewn bound; slipcase; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Four volume exhibition catalogue with sticker sheet housed in a stickered paper folio. Introduction by Wim Beeren. Additional texts by L. Bazjanov, Alexander Borovsky, Maarten Bertheux, and Jan Hein Sassen. Artists include Eduard Schteinberg, Vladimir Nemuchin, Oleg Tselkov, Francisco Infante, Gia Abramishvilli, Medical Hermeneutics, Zaven Arshakuni, Vladimir Ovchinnikov, Anatoli Belkin, Timur Novikov, Valeri Morozov, Vladimir Kustov, Igor Bezrukov, Yevgeni Yufit, Mertvuy (Andrei Kurmayartsev), Sergei Serp (Sergei Barekov), Afrika (Sergei Bugayev), Erik Bulatov , Vladimir Jakovlev, Ilya Kabakov, Komar & Melamid, Anton Olshvang, Sergei Volkov, Dmitrii Prigov, Vadim Zacharov, and Oleg Tistol. Includes biographies of the artists and a checklist of the exhibition. Text in English and Dutch. Fair / Good. Wear to edges and covers of folio jacket. Three 3.2 cm. areas of soiling to verso of folio covers from removed pricing stickers. Elastic straps have lost their elasticity. 1.2 cm. pen mark on recto and 3.2 cm. area of damage to surface of recto folio covers from removed sticker with light tearing of spine corners. Discrete small rubber stamp logo on recto. Light rubbing and bumping of edges of four volumes and sticker sheet, their contents are clean and unmarked.

Condizione: new. Pages: 272 Language: Russian. Avtobiografija odnogo iz osnovatelej sots-arta i samykh dorogikh sovremennykh russkikh khudozhnikov Erika Bulatova (r. 1933). V knige on vspominaet svoe detstvo, vzroslenie, put v mir iskusstva, znakovye vstrechi s Falkom, Favorskim, Fonvizinym, razmyshljaet o zhivopisi i tvorchestve. Vo vtoroj chasti knigi privodjatsja vospominanija o khudozhnike ego druzej i soratnikov - Elviry Nabiullinoj, Zelfiry Tregulovoj, Mariny Loshak, Lva Rubinshtejna, Semena Fajbisovicha i drugikh. Unikalnoe podarochnoe izdanie - plotnaja belaja ofsetnaja bumaga, zapechatannye forzatsy, tsvetnaja vklejka s fotografijami iz lichnogo arkhiva i reproduktsijami samykh znakovykh kartin mastera. Na oblozhke - risunok, kotoryj Erik Vladimirovich narisoval spetsialno dlja knigi. "Kogda smotrish na kartiny Erika Bulatova i slushaesh ego rassuzhdenija, nachinaesh luchshe ponimat, kak etot bolshoj khudozhnik vidit i vosprinimaet vremja, prostranstvo, realnost i kak vystraivaet svoj sobstvennyj mir. No kogda chitaesh ego vospominanija, ozhivajut detali - tsvet, zvuk, dvizhenie - vse, o chem on rasskazyvaet, stanovitsja osjazaemym i obemnym. Erik Bulatov nadelen redkim darom slova, i eto osobennoe slovo - slovo khudozhnika. Pri udivitelnoj otstranennosti i obektivnosti rasskaza, golos avtora slyshitsja vo vsem, eto moschnyj, zhivoj golos, zastavljajuschij stat svidetelem i uchastnikom tekh sobytij, o kotorykh rasskazyvaet kniga". - ZELFIRA TREGULOVA, iskusstvoved, kurator mezhdunarodnykh muzejnykh vystavochnykh proektov "Memuary Erika Bulatova - eto, prezhde vsego, rasskazy khudozhnika, sposobnogo predelno tochno zafiksirovat moment. I ego kartiny, i teksty svjazyvaet osobyj dar zrenija, podtverzhdajuschij suschestvovanie mashiny vremeni. Porazitelny sozdannye im izobrazitelnye i slovesnye artefakty, segodnjashnie, zhivye. Vozvraschajas iz puteshestvija cherez epokhi, on kak arkheolog delitsja s nami nakhodkami, chtoby snova otpravitsja v novuju ekspeditsiju". - VASILIJ VAKULENKO (BASTA), muzykant, pevets, kompozitor "Kharakter - eto sudba. Kniga, v kotoroj Erik Vladimirovich rasskazyvaet pro svoj put, podtverzhdaet eti slova. Put bolshogo khudozhnika vsegda ternist i neprost. Tak zakaljaetsja kharakter i ogranjaetsja talant. Raboty Bulatova sozdany ne prosto na peresechenii slova i izobrazhenija, oni otrazhajut chuvstva i mysli tselogo pokolenija ljudej, ustremljajuschikh svoj vzgljad v neizvedannoe buduschee. A otrazit dejstvitelnost mozhet tolko iskusstvo bolshoj pravdy, bolshikh chuvstv i bolshikh idej". - VLADIMIR MASHKOV, akter, rezhisser 9785042185533.