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Editore: Lars Müller Publishers, 2019
ISBN 10: 3037786078ISBN 13: 9783037786079
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Lars Müller Publishers, 2019
ISBN 10: 3037786078ISBN 13: 9783037786079
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
Editore: Lars Müller Publishers, 2019
ISBN 10: 303778606XISBN 13: 9783037786062
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Lars Müller Publishers, 2019
ISBN 10: 303778606XISBN 13: 9783037786062
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
Editore: Lars Müller Publishers, 2019
ISBN 10: 303778606XISBN 13: 9783037786062
Da: Blackwell's, London, Regno Unito
Libro
paperback. Condizione: New. Language: ger.
Editore: Lars Müller Publishers, 2019
ISBN 10: 303778606XISBN 13: 9783037786062
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. German language. 9.37x6.46x0.87 inches. In Stock.
Editore: Lars Müller Publishers, 2019
ISBN 10: 303778606XISBN 13: 9783037786062
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: New.
Editore: Lars Müller Publishers, 2019
ISBN 10: 3037786078ISBN 13: 9783037786079
Da: Antiquariat UEBUE, Zürich, Svizzera
Libro Prima edizione
Softcover. Condizione: Sehr gut. 1. Auflage. 16 × 24 cm, 6 ¼ × 9 ½ in 240 pages, 122 illustrations - Color Mania contains a general introduction to color in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. An extensive image section illustrates the texts and color systems and continues the aesthetic experience of the various processes and objects in book form.
Editore: Lars Muller Publishers, 2019
ISBN 10: 303778606XISBN 13: 9783037786062
Da: Antiquariat UEBUE, Zürich, Svizzera
Libro Prima edizione
Softcover. Condizione: Sehr gut. 1. Auflage. 16 × 24 cm, 6 ¼ × 9 ½ in 240 pages, 122 illustrations - Die Publikation enthält eine allgemeine Einführung zu Farbe in Film und Fotografie (Technik, Materialität, Ästhetik) sowie eine Reihe kurzer Essays, die spezifische Aspekte näher betrachten. Ein umfangreicher Abbildungsteil illustriert die Texte und Farbsysteme und führt die ästhetische Erfahrung der verschiedenen Verfahren und Exponate aus der Ausstellung in Buchform weiter.
Editore: Lars Müller Publishers, 2019
ISBN 10: 303778606XISBN 13: 9783037786062
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Lars Müller Publishers, Zürich, 2019
ISBN 10: 303778606XISBN 13: 9783037786062
Da: moluna, Greven, Germania
Libro
Condizione: New. Film ist ein farbiges Medium und eine bunte Kunstform. Und dies seit Beginn der Kinematografie am Ende des 19. Jahrhunderts. Im Laufe der Filmgeschichte wurden mehr als 230 Farbfilmverfahren entwickelt, nicht wenige in enger Verflechtung mit der Fotografie.
Editore: Lars Muller Publishers, Baden, 2019
ISBN 10: 3037786078ISBN 13: 9783037786079
Da: AussieBookSeller, Truganina, VIC, Australia
Libro
Paperback. Condizione: new. Paperback. Since the earliest days of cinema, film has been a colourful medium and art form. More than 230 film colour processes have been devised in the course of film history, often in close connection with photography. In this regard, both media institutionalised numerous techniques such as hand and stencil colouring as well as printing and halftone processes. Apart from these fundamental connections in terms of the technology of colour processes, film and photography also share and exchange colour attributions and aesthetics. This publication highlights material aspects of colour in photography and film, while also investigating the relationship of historical film colours and present-day photography. Works of contemporary photographers and artists who reflect on technological and culture-theoretical aspects of the material of colour underline these relations. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel. Color Mania contains a general introduction to colour in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. An extensive image section illustrates the texts and colour systems and continues the aesthetic experience of the various processes and objects in book form. AUTHOR: Nadine Wietlisbach devises exhibitions, publications and other discursive formats in the fields of contemporary photography and art. She is Director of Fotomuseum Winterthur since January 2018. From 2015 till 2017 she was the Director of Photoforum Pasquart Biel/Bienne, following her post as a curator at the Nidwaldner Museum in Stans. She founded the independent art space sic! Raum fur Kunst in Lucerne in 2007. She worked for various institutions in South Africa and the States, lastly at the Museum of Contemporary Photography in Chicago. 122 illustrations Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Editore: Lars Muller Publishers, Baden, 2019
ISBN 10: 3037786078ISBN 13: 9783037786079
Da: CitiRetail, Stevenage, Regno Unito
Libro
Paperback. Condizione: new. Paperback. Since the earliest days of cinema, film has been a colourful medium and art form. More than 230 film colour processes have been devised in the course of film history, often in close connection with photography. In this regard, both media institutionalised numerous techniques such as hand and stencil colouring as well as printing and halftone processes. Apart from these fundamental connections in terms of the technology of colour processes, film and photography also share and exchange colour attributions and aesthetics. This publication highlights material aspects of colour in photography and film, while also investigating the relationship of historical film colours and present-day photography. Works of contemporary photographers and artists who reflect on technological and culture-theoretical aspects of the material of colour underline these relations. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel. Color Mania contains a general introduction to colour in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. An extensive image section illustrates the texts and colour systems and continues the aesthetic experience of the various processes and objects in book form. AUTHOR: Nadine Wietlisbach devises exhibitions, publications and other discursive formats in the fields of contemporary photography and art. She is Director of Fotomuseum Winterthur since January 2018. From 2015 till 2017 she was the Director of Photoforum Pasquart Biel/Bienne, following her post as a curator at the Nidwaldner Museum in Stans. She founded the independent art space sic! Raum fur Kunst in Lucerne in 2007. She worked for various institutions in South Africa and the States, lastly at the Museum of Contemporary Photography in Chicago. 122 illustrations Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.