Editore: Minneapolis Inst of Arts, 1992
ISBN 10: 0295972297 ISBN 13: 9780295972299
Da: HPB-Diamond, Dallas, TX, U.S.A.
Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Editore: The Art Institute of Chicago January 1977, 1977
Da: Open Books West Loop, Chicago, IL, U.S.A.
Trade Paperback. Condizione: Used.
Editore: University of Michigan Museum of Art, 1984
ISBN 10: 0912303417 ISBN 13: 9780912303413
Da: Hubert Colau, LA BAZOCHE GOUET, Francia
Condizione: 2. Brochà .
Editore: Fine Arts Publishing, San Jose, CA, 1989
Da: Argyl Houser, Bookseller, Altadena, CA, U.S.A.
Rivista / Giornale
Soft cover. Condizione: Near Fine. Condizione sovraccoperta: No Jacket As Issued. No clipped or missing pages. Clean and unmarked inside and out. Pages undamaged. Exterior covers and spine completely clean. Very slight wear to edges of covers and spine. The magazine will be packed with a backing card, bubble-wrapped and shipped in a sturdy, flat box to ensure safe transit. This issue includes: "Sophisticated Design: The Mature Work of L. and J. G. Stickley" by Donald A Davidoff, Ph.D.; "Thinking about William Wendt" edited by Charlotte Berney; "Woven Passion: Travels on an Oriental Carpet" by Roger G. Cavanna; "Looking West: American Landscape Paintings" by Rebecca Solnit; "Publisher's Letter"; "Editor's Letter"; "Contributor's Profiles"; "Gallery News"; "Fakes, Frauds & Thefts - Art & Imitation" by Evan Maurer, Ph.D.; "Profile--Jon King of Butterfield & Butterfield" by Charlotte Berney; "Auction News"; "Living with Antiques--Around the World to Berkeley" by Gerri Gallagher; "Collector's Profile--Joseph Moure's Search for Excellence" by Nancy Dustin Wall Moure; "Antique Show Preview -- 10th Annual Los Angeles Antiques Show" by Marcy Timberman; "Art Event Review--A Select Group in Carmel" by Charlotte Berney; "Book Reviews"; "Advertiser's Directory"; and "Final Notes - Tribal and Folk Art Show in Los Angeles.".
Editore: The Art Institute of Chicago, 1977
Da: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Editore: The Art Institute of Chicago
Da: R Bookmark, Youngtown, AZ, U.S.A.
Trade Paperback. Condizione: Used - Good.
Editore: Paris : Malingue, ©, 2003
Da: Librairie Lalibela, Ckelles, PARIS, Francia
Prima edizione
Couverture rigide. Condizione: Très bon. Edition originale. In-8° , relié , 183 pages , nombreuses illustrations .
Editore: The Museum of Modern Art, New York July 2002, 2002
ISBN 10: 0870705342 ISBN 13: 9780870705342
Da: Eagle Eye Books, Decatur, GA, U.S.A.
Paper Back. Condizione: Used.
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Editore: Hudson Hills Press, New York, 1995
Da: Gil's Book Loft, Binghamton, NY, U.S.A.
Soft cover. Condizione: Fine. 1st paper. ISBN: 1-55595-111-2. 8000 PB shelf. Photography, furniture, glass, Native American pottery & baskets, paintings, etc. Giftworthy! color repros. fine, oversized trade paperback, , photo white covers 192 pgs. Book.
Da: N. Fagin Books, Chicago, IL, U.S.A.
1977. North America, Native Americans, Art. The Art Institute of Chicago. 351p. good paperback with previous owner's bookplate, sun fading to spine.
Editore: RMN, 2002
ISBN 10: 2711844811 ISBN 13: 9782711844814
Da: medimops, Berlin, Germania
Condizione: Befriedigend. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Editore: University of Minnesota Press, 1999
ISBN 10: 0816636559 ISBN 13: 9780816636556
Da: HPB Inc., Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Nuovo - A partire da EUR 65,93
Usato - A partire da EUR 19,10
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Editore: Harwood Museum of Art of the Uni, 2014
Da: Books From California, Simi Valley, CA, U.S.A.
paperback. Condizione: Very Good.
Editore: Harwood Museum of Art of the Uni, 2014
ISBN 10: 0615987230 ISBN 13: 9780615987231
Da: HPB-Emerald, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Usato - A partire da EUR 21,88
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Softcover. Condizione: Fine. Softcover, like new in plastic wrappers; some scuff marks to the plastic and two rips in the plastic on back cover, book not affected. From Goodreads: "Spirits Embodied offers a nuanced look at Congolese art produced from 1800 to 1940. Each section of the catalog examines the art of one ethnic group and offers context for understanding the objects both as part of a rich history and as a legacy of a constantly changing culture. Detailed essays outline the beliefs, traditions, and artistic methods of each of the thirteen peoples represented, including the Kongo, Yaka, Bembe, and Pende." ; Color Photographs & Illustrations; 4to 11" - 13" tall; 160 pp.
Editore: The Minneapolis Institute of Arts
Condizione: Fair. Acceptable condition. Dampstained. Spine cracked. (Art history, museum exhibitions, Native American art).
Editore: The Art Institute of Chicago, 1979
Da: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condizione: Very Good. 80 pp., Paperback, minor library markings, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Editore: Minneapolis Institute of Arts, 1991
ISBN 10: 0295971622 ISBN 13: 9780295971629
Da: Lake Country Books and More, Excelsior, MN, U.S.A.
Paperback. Condizione: Good +. Condizione sovraccoperta: None as issued. Clean, solid copy with unmarked text. Wear and tiny creases to page corner tips, mostly at bottom. Cover has moderate surface and edge wear, and a strip of sun fading on front next to spine. Binding is tight and square. Good reading/reference copy. Oversize paperback. We are unable to ship oversize books and multi-volume sets internationally.
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Editore: Hudson Hills Press, New York, 1994
ISBN 10: 0964206501 ISBN 13: 9780964206502
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softbound. Orange & white & color illustrated wraps. 144 pp. 69 large color plates, lots of bw illustrations. Issued in conjunction with a series of 1994-1996 exhibitions featuring important early pictograph work of leading abstract expressionist Adolph Gottlieb (1903-1974). The pictographs were painted between 1941 and 1953. With essays by Sanford Hirsch, Evan Maurer, Lawrence Alloway, Linda Konheim Kramer, and Charlotta Kotik. Includes a checklist of 69 items, a selected bibliography, and quite a number of illustrations of the work. VG (previous owner's name on ffep).
Editore: Hudson Hills, 1994
ISBN 10: 1555951147 ISBN 13: 9781555951146
Da: Book Alley, Pasadena, CA, U.S.A.
hardcover. Condizione: Very Good. Condizione sovraccoperta: very good. A very good hardcover in a very good dust jacket. Light edgewear and light scuffs to dust jacket. Previous owner's name at front. No markings in text.
Da: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Condizione: Very Good. Softcover; 215 pages, illustrated. Text and captions in French. Covers rubbed lightly; otherwise Near Fine.
Editore: Hudson Hills, New York, 1994
ISBN 10: 0964206501 ISBN 13: 9780964206502
Da: Type Punch Matrix, Silver Spring, MD, U.S.A.
Prima edizione
Condizione: Near fine. First edition of this catalogue for a traveling exhibition on the abstract expressionist's pictographs, with full-page reproductions of his work and several essays. 11.75'' x 9''. Original pictorial wrappers. Light purple textured endpapers. Illustrated throughout in black and white and color. 144 pages. Trace shelfwear. Bright and tight.
Editore: Weinstein Gallery, San Francisco, 2006
Da: Moe's Books, Berkeley, CA, U.S.A.
Soft cover. Condizione: Very good. No jacket. Volume 2 only. Cover is lightly worn along edges. Binding is tight and inside is clean and unmarked.
Editore: Adolph & Esther Gottlieb Foundat, 1994
ISBN 10: 0964206501 ISBN 13: 9780964206502
Da: Book Alley, Pasadena, CA, U.S.A.
Condizione: Good. Good. Used with wear but is still in solid reading condition. Edgewear to covers. NO markings to text. Pasadena's finest new and used bookstore since 1992.
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Editore: New York Public Library; Oxford University Press, New York and Oxford, 1986
ISBN 10: 0871042908 ISBN 13: 9780871042903
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione Copia autografata
Paperback. Condizione: Very Good. 1st. xvi, 192 pages, illustrations (some colour); 29 cm. Catalogue of the exhibition held at the New York Public Library, New York, October 11 to December 31, 1986, and at the University of Michigan Museum of Art, Ann Arbor, February 13 to March 29, 1987. PRESENTATION COPY. Signed and inscribed by Anne [Hyde Greet] in the year of publication. A near-fine copy with light shelfwear to wraps. "Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor. Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 tjtes (1929), Rjve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bonti (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana. Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking. / Robert Rainwater is Assistant Director for Art, Prints, and Photographs, and Curator of the Spencer Collection at The New York Public Library. Anne Hyde Greet is Professor of French at the University of California, Santa Barbara. Evan Maurer is Director of the University of Michigan Museum of Art, Ann Arbor." - Publisher. CONTENTS: Max Ernst, printmaker, by Robert Rainwater; Images of dream and desire, by Evan M. Maurer; Max Ernst and the artist's book, by Anne Hyde Greet; Max Ernst, a checklist of books and prints, 1910-1975. Size: 4to. SIGNED.
Editore: The Minneapolis Institute of Arts, 1999
ISBN 10: 0816636559 ISBN 13: 9780816636556
Da: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Paperback. Condizione: Near Fine. 30.5 x 23 cm. Quarto. 153pp. Published on ocassion of the exhibition of the same name.
Editore: The Art Institute of Chicago, Chicago, 1977
Da: Shade of the Cottonwood, Lawrence, KS, U.S.A.
Softcover/Paperback. Condizione: Very Good. Very good condition softcover, filled with color and b/w plates in conjunction with an exhibition. 351 pages. Light shelfwear included smudged base. Former bookseller price in light pencil flyleaf. Cover slightly curled, but no apparent spine creases.
Editore: The Art Institute of Chicago
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condizione: Used - Very Good. 1977. Paperback. 4to. Pbk. Some shelf-wear. Else clean copy. Very Good.
Editore: University of Michigan Museum of Art, 1982
Da: L. Lam Books, Winnipeg, MB, Canada
Soft cover. Condizione: Good. No Jacket. 30 pp. with B/W illustrations and bibliography. Usual ex-library markings with light edgewear incluing 1.5 diagonal shallow crease at lower corner of front and back covers. Catalogue of an exhibition organized by the graduate students in the Museum Practice Program at the University of Michigan Museum of Art from March 20 to April 26, 1982. ?In 1937 Margaret Watson Parker's gift became the most important bequest of art objects to come into the University of Michigan's possession. Between 1937 and 1955, Mrs Parker's collection of 679 objects was gradually transferred to the University of Michigan from her Grosse Pointe home. Although the University had been receiving and collecting art objects since 1859, it was not until 1946 that the Museum of Art was formally recognized as a distinct administrative unit. Mrs. Parker?s substantial contribution played a key role in this formative stage of the museum's development and continues to be recognized today as a strength of the permanent collection.? Under the influence of Charles Freer, Parker collected the work of James McNeill Whistler, 30 of whose etchings were included in this exhibition, along with examples of Parker's Japanese woodblock prints and Pewabic pottery.
Editore: Museum of Modern Art, 2002
ISBN 10: 0870705180 ISBN 13: 9780870705182
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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