goenuel doenmez colin (4 risultati)

Paperback. Condizione: new. Paperback. Updated collections of recent interviews with filmmakers whose works represent trends in the film industries of Central Asia and the Middle East, these two new geospecific editions expand upon the earlier volume Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia. Following an introduction delineating the histories of the film industries of the countries that make up the Middle East and Central Asiaincluding Iran, Turkey, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan, and Uzbekistanboth books contain interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. The striking variety of approaches toward each interview creates a rich diversity of tone and opens the door to a better understanding of images of otherness in film. In addition to transcripts of the interviews, each chapter also includes stills from important films discussed, biographical information about the filmmakers, and filmographies of their works. Goenuel Doenmez-Colin offers in these expanded editions a carefully researched and richly detailed firsthand account of the developments and trends in these regional film industries that is sure to be appreciated by film scholars and researchers of the Middle East and Central Asia. Following an introduction delineating the histories of the film industries of the countries of the Middle East, this book contains interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Updated collections of recent interviews with filmmakers whose works represent trends in the film industries of Central Asia and the Middle East, these two new geospecific editions expand upon the earlier volume Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia. Following an introduction delineating the histories of the film industries of the countries that make up the Middle East and Central Asiaincluding Iran, Turkey, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan, and Uzbekistanboth books contain interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. The striking variety of approaches toward each interview creates a rich diversity of tone and opens the door to a better understanding of images of otherness in film. In addition to transcripts of the interviews, each chapter also includes stills from important films discussed, biographical information about the filmmakers, and filmographies of their works. Goenuel Doenmez-Colin offers in these expanded editions a carefully researched and richly detailed firsthand account of the developments and trends in these regional film industries that is sure to be appreciated by film scholars and researchers of the Middle East and Central Asia. Following an introduction delineating the histories of the film industries of the countries of the Middle East, this book contains interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. This is the first book to examine the troubled relationships between women, Islam and cinema. Film critic and author Gonul Donmez-Colin explores the role of women as spectators, images and image constructors in the cinemas of the countries where Islam is the predominant religion, focusing on Iran and Turkey from the Middle East, drawing parallels from Kazakhstan and Uzbekistan, the two Central Asian Republics of the former Soviet Union, and Pakistan, Bangladesh, Malaysia and Indonesia, the prominently Muslim Asian countries with a challenging film industry. Some of the relevant films made in India by and for Muslim Indians are also explored. The author discusses cinematic archetypes such as the naive country girl who is deceived and dishonoured, or the devious seductress who destroys the sanctity of marriage, as well as looking at controversial elements such as screen rape, which, feminist film critics claim, caters to male voyeurism. She also discusses recurring themes, such as the myths of femininity, the endorsement of polygamy and the obsession with male children, as well as the most common stereotypes, depicting women as mothers, wives and daughters.Given the diversity of cultures, rather than viewing national cinemas as aspects of a single development, the author focuses on individual histories, traditions and social and economic circumstances as points of reference, which are examined in the context of social and political evolution and the status of women within Islam. Women, Islam and Cinema is a much-needed and timely work that will appeal to the curious reader as well as to the student of film. The first book to examine the troubled relationships between women, Islam and cinema. Film critic and author Goenuel Doenmez-Colin explores the role of women as spectators, images and image constructors in the cinemas of the countries where Islam is the predominant religion, focusing on Iran and Turkey from the Middle East. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condizione: new. Hardcover. An original collection of recent interviews with filmmakers whose works represent the trends in the film industries of their respective countries. Preceding the interviews, the author provides an introduction delineating historical information regarding the film industries of the countries included in the book.Each interview comprises of stills from important films discussed and a bio/filmography of the artist. In addition to creative concerns, the focal point of the interviews is to position the filmmaker within the social or political context of their respective country. The striking variety in approaches towards each interview creates a rich diversity of tone and an overwhelming impression of animation within the text. Cinemas of the Other offers a carefully researched and detailed first-hand account on the developments and trends in specific regional film industries. A collection of several interviews with filmmakers, whose works represent the trends in the film industries of their respective countries. Preceding the interviews, the author provides an introduction delineating historical information regarding the film industries of the countries included. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.