heyl charline (37 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Good.

Soft cover. Condizione: Fine. 88 pgs. Fine.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Condizione: New.

Soft cover. Condizione: Very Good. No Jacket. VG blue softcover. 2014. Catalogue through the John Berggruen Gallery. Eight Artists include; Tauba Auerbach, McArthur Binion, Troy Brauntuch, Thomas Eggerer, Charline Von Heyl, Suzanne McClelland, Sarah Morris, Josh Tonsfeldt. Few short nicks to edges. Pages all clean. Covers clean. Binding solid. Unpaginated. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. Large 4to softcover volume in black leatherette with silver embossing. In near fine condition. 80 pages.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condizione: New.

Paperback. Condizione: Brand New. bilingual edition. 291 pages. 9.75x8.25x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

paperback. Condizione: Very Good. First Edition. Unread. No markings in book. Binding is fine. Approx. 20pp.

Condizione: New.

Softcover, 80 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: New. Softcover: 80 pages. 25.4 x 30.5cm. Sealed, new.

79 pp.; 34.6 x 27.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Large-scale exhibition catalogue published in conjunction with show of finalists for the Hugo Boss Prize held at the Guggenheim Museum in 2014. Introduction by Katherine Brinson. Finalists include Paul Chan, Sheela Gowda, Camille Henrot, Hassan Khan, and Charline von Heyl. Featuring commissioned essays on each artists work: Petra Cortright on Paul Chan, Grant Watson on Sheela Gowda, Fionn Meade on Camille Henrot, Jeremy DeCristo on Hassan Khan, and Suzanne Hudson on Charline von Heyl. Each artist's section has an essay on their work, selected exhibition history, and reproductions. Includes contributor biographies. Very Good. Very light scuffing of covers and gentle bumping of cover edges. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

113 pp.; 29.8 x 21.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; October 2012 issue of the Chinati Foundation Newsletter. Contents include: "The Whole Judd," by Marianne Stockebrand; "Judd, Bagpipes, Tartans, and Times," by Sterry Butcher; photographs by Luisa Lambri; "Artists on (and in Honor of) John Chamberlain," by Amy Sillman, Mark Flood, James Rosenquist, Oscar Tuazon and Chamberlain on Chamberlain; "Looking at Arp (Reading Judd)," by Arie Hartog; "Hans Arp & Donald Judd," by Arie Hartog; "Jean Arp," by Donald Judd; "Five-Element Stupa in Optical Glass," by Hiroshi Sugimoto; "Conservation Report: Claes Oldenburg and Coosje van Bruggen's 'Monument to the Last Horse,'" by Bettina Landgrebe and a feature on artists in residence 2011 - 2012, including Justin Almquist, David Fenster, Rob Fischer, Karl Haendel, Frank Benson and Ester Partegas. Also includes information on a benefit print by Charline von Heyl, the membership program, community garden, internship program, visitor information and staff news. Text in English and Spanish. Very Good / Fine. Light bumping of top right corner of publication and spine corners, otherwise Fine.

Softcover, 36 pages; in English and German; very good condition; light rubbing to covers; no internal marks. (Red and Orange blank spine) Foreign shipping may be extra.

Softcover, unpaginated; pages uncut along top edge as issued; good condition; long crease to lower right corner of last few pages and rear cover; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Softcover, 56 pages; very good condition; except small bump to bottom of spine; no internal marks. Foreign shipping may be extra.

First edition. Softcover. 55 pages. Exhibition catalog for a show that ran May 2 through June 7, 2014. Includes numerous color illustrations and a checklist. A clean very near fine copy in wrappers.

Softcover, 80 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.