hughes anselm 1889 1974 (15 risultati)

Condizione: As New. Unread book in perfect condition.

First Edition. Near fine copy in the original title-blocked cloth. Spine bands and panel edges very slightly dust-toned as with age. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 156p : ill ; ports ; 23 cm. Notes; Includes bibliographical references and index. Subjects; Catholic Church England History 20th century. Church of England Parties and movements. Anglo-Catholicism. Oxford movement. 1 Kg.

First Edition. Near fine copy in the original title-blocked cloth. Spine bands and panel edges very slightly dust-toned as with age. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 156p : ill ; ports ; 23 cm. Notes; Includes bibliographical references and index. Subjects; Catholic Church England History 20th century. Church of England Parties and movements. Anglo-Catholicism. Oxford movement. 1 Kg.

Size: 8vo. [iii], 142, [i] pp. Red cloth (faded) with publisher's printed dust-jacket. Ex library with stamps.

LeatherBound. Condizione: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1951 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 76 Language: English Pages: 76.

2nd edition. Library copy. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. Library marks remain. Library copy. Physical description: xviii, 434 pages : illustrations, map, facsimiles, music ; 26 cm. Notes: Includes bibliographical references (pages 405-417) and index. Contents: Early Christian music ; Music of the Eastern churches / Egon Wellesz -- Russian chant / Alfred J. Swan -- Latin chant before St. Gregory / Monsignore Higini Anglès -- Gregorian chant / Higini Anglès -- Trope, sequence, and conductus / Jacques Handschin -- Liturgical drama / W.L. Smoldon -- Medieval song / J.A. Westrup -- The birth of polyphony ; Music in the twelfth century ; Music in fixed rhythm ; The motet and allied forms / Anselm Hughes. Early Christian music / by Egon Wellesz. Early Christian chant ; Antiphonal singing ; The Syrian church ; The forms of Syriac poetry ; Syrian ecphonetic notation -- Music of the Eastern churches / by Egon Wellesz. The development of the Orthodox Church ; The poetical forms of Byzantine hymnography. Troparion ; Kontakion ; Kanon -- Minor hymnography ; The acclamations ; Byzantine musical notation ; The structure of Byzantine melodies ; Coptic music ; Ethiopian music ; Armenian music -- Russian chant / by Alfred J. Swan. Early history ; Development and decline ; Manner of performance -- Latin chant before St. Gregory / by Monsignore Higini Anglès. Earliest traces ; Ambrosian chant. Origins ; Sources ; Modern restoration ; Musical forms ; Characteristics -- Gallican chant. Historical importance ; Sources ; Chants of the mass ; Chants of the office ; Suppression of the liturgy -- Mozarabic chant. The Visigothic period ; Sources ; Notation ; Musical forms of the liturgy ; Character of the original music ; Abolition of the liturgy -- Gregorian chant / by Higini Anglès. Musical value and principal features ; Formation of Roman liturgical chant ; Perfection of Gregorian chant ; Diffusion and decay ; Modern restoration ; Sources and notation ; Melodic types and tonality ; Musical form -- Trope, sequence, and conductus / by Jacques Handschin. Terminology ; Origins ; Prototypes in Ambrosian chant ; Prototypes at Nonantola ; Gallican prototypes ; Roman prototypes ; General historical situation (c. 800) ; Adaptation of texts ; Historical position of the trope and sequence ; Early sources ; An example of the sequence ; Music and text ; Changes of style ; Tropes of the first period ; Tropes of the second period ; The conductus -- Liturgical drama / by W. L. Smoldon. General history ; The Easter sepulchre drama. First stage ; Second stage ; Third stage -- Peregrinus plays ; Passion plays ; Christmas plays ; Sundry religious plays ; The Daniel plays -- Medieval song / by J. A. Westrup. Latin secular songs ; Chansons de Geste ; Troubadours and Trouvères. Background ; Notation and performance ; Tonality ; Structure ; Songs with refrains ; Lais -- English songs ; Minnesinger. Notation and structure ; Influences ; Melodic formulas -- Spanish melody ; Laudi Spirituali -- The birth of polyphony / by Anselm Hughes. Earliest references ; Processes of reconstruction ; Theories about the origin of harmony ; First written records ; Guido's Micrologus ; Early examples of polyphony ; Cotton and the Ambrosiana Treatise -- Music in the twelfth century / by Anselm Hughes. New conditions ; Sources of the period ; The Calixtine manuscript ; Notation and the staff ; Types of hexachord ; The notation of time ; The relationship between the voices ; Cadences ; The range of the voices ; Three-part writing ; 'Ut tuo propitiatus' ; The eleventh fascicle of the St. Andrews manuscript -- Music in fixed rhythm / by Anselm Hughes. Preliminary remarks on dates and dating ; Sources of the period ; The general picture ; Conductus and organum ; The rhythmic modes ; The conductus ; Dance music ; The relationship of the individual voices ; Early English part-songs ; Organum ; Clausulae -- The motet and allied forms / by Anselm Hughes. General characteristics ; Sources of the period ; The original structure of the motet ; Tenor themes ; 'Manere' ; Notation ; Musica ficta ; Vernacular texts ; Interchange and imitation ; Later Ars Aantiqua ; Mensural notation ; Technical developments ; Harmony ; Isorhythm ; English motets for four voices ; Hocket ; Duple time ; 'Sumer is icumen in.' Subjects: Music 500-1400 History and criticism; Music Medieval; Music 15th century. 1 Kg.

2nd edition. Library copy. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. Library marks remain. Library copy. Physical description: xviii, 434 pages : illustrations, map, facsimiles, music ; 26 cm. Notes: Includes bibliographical references (pages 405-417) and index. Contents: Early Christian music ; Music of the Eastern churches / Egon Wellesz -- Russian chant / Alfred J. Swan -- Latin chant before St. Gregory / Monsignore Higini Anglès -- Gregorian chant / Higini Anglès -- Trope, sequence, and conductus / Jacques Handschin -- Liturgical drama / W.L. Smoldon -- Medieval song / J.A. Westrup -- The birth of polyphony ; Music in the twelfth century ; Music in fixed rhythm ; The motet and allied forms / Anselm Hughes. Early Christian music / by Egon Wellesz. Early Christian chant ; Antiphonal singing ; The Syrian church ; The forms of Syriac poetry ; Syrian ecphonetic notation -- Music of the Eastern churches / by Egon Wellesz. The development of the Orthodox Church ; The poetical forms of Byzantine hymnography. Troparion ; Kontakion ; Kanon -- Minor hymnography ; The acclamations ; Byzantine musical notation ; The structure of Byzantine melodies ; Coptic music ; Ethiopian music ; Armenian music -- Russian chant / by Alfred J. Swan. Early history ; Development and decline ; Manner of performance -- Latin chant before St. Gregory / by Monsignore Higini Anglès. Earliest traces ; Ambrosian chant. Origins ; Sources ; Modern restoration ; Musical forms ; Characteristics -- Gallican chant. Historical importance ; Sources ; Chants of the mass ; Chants of the office ; Suppression of the liturgy -- Mozarabic chant. The Visigothic period ; Sources ; Notation ; Musical forms of the liturgy ; Character of the original music ; Abolition of the liturgy -- Gregorian chant / by Higini Anglès. Musical value and principal features ; Formation of Roman liturgical chant ; Perfection of Gregorian chant ; Diffusion and decay ; Modern restoration ; Sources and notation ; Melodic types and tonality ; Musical form -- Trope, sequence, and conductus / by Jacques Handschin. Terminology ; Origins ; Prototypes in Ambrosian chant ; Prototypes at Nonantola ; Gallican prototypes ; Roman prototypes ; General historical situation (c. 800) ; Adaptation of texts ; Historical position of the trope and sequence ; Early sources ; An example of the sequence ; Music and text ; Changes of style ; Tropes of the first period ; Tropes of the second period ; The conductus -- Liturgical drama / by W. L. Smoldon. General history ; The Easter sepulchre drama. First stage ; Second stage ; Third stage -- Peregrinus plays ; Passion plays ; Christmas plays ; Sundry religious plays ; The Daniel plays -- Medieval song / by J. A. Westrup. Latin secular songs ; Chansons de Geste ; Troubadours and Trouvères. Background ; Notation and performance ; Tonality ; Structure ; Songs with refrains ; Lais -- English songs ; Minnesinger. Notation and structure ; Influences ; Melodic formulas -- Spanish melody ; Laudi Spirituali -- The birth of polyphony / by Anselm Hughes. Earliest references ; Processes of reconstruction ; Theories about the origin of harmony ; First written records ; Guido's Micrologus ; Early examples of polyphony ; Cotton and the Ambrosiana Treatise -- Music in the twelfth century / by Anselm Hughes. New conditions ; Sources of the period ; The Calixtine manuscript ; Notation and the staff ; Types of hexachord ; The notation of time ; The relationship between the voices ; Cadences ; The range of the voices ; Three-part writing ; 'Ut tuo propitiatus' ; The eleventh fascicle of the St. Andrews manuscript -- Music in fixed rhythm / by Anselm Hughes. Preliminary remarks on dates and dating ; Sources of the period ; The general picture ; Conductus and organum ; The rhythmic modes ; The conductus ; Dance music ; The relationship of the individual voices ; Early English part-songs ; Organum ; Clausulae -- The motet and allied forms / by Anselm Hughes. General characteristics ; Sources of the period ; The original structure of the motet ; Tenor themes ; 'Manere' ; Notation ; Musica ficta ; Vernacular texts ; Interchange and imitation ; Later Ars Aantiqua ; Mensural notation ; Technical developments ; Harmony ; Isorhythm ; English motets for four voices ; Hocket ; Duple time ; 'Sumer is icumen in.' Subjects: Music 500-1400 History and criticism; Music Medieval; Music 15th century. 1 Kg.

Copertina rigida. Condizione: Buona. Prima edizione italiana. XIV, 500 p., [24] carte di tav. : ill. ; 25 x 15 cm. Titolo originale dell'opera: «New Oxford history of music. 2. Early medieval music up to 1300». Traduzione di Francesco Bussi. Legatura editoriale, coperta in cartone rigido telato di colore rosso scuro, con impresso il titolo in oro al dorso, muto il piatto. Sovraccoperta in carta colorata. Qualche segno del tempo alla sovraccoperta (ingiallimento del dorso) e piccole lacerazione ai profili, per il resto esemplare integro. All'interno tavole fuori testo illustrate su carta patinata lucida in b/n (12) e a colori (12).

2nd revised edition, reprint. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Series: The New Oxford History of Music. Physical description: xviii, 434 pages : illustrations, map, facsimiles, music ; 26 cm. Notes: Includes bibliographical references (pages 405-417) and index. Contents: Early Christian music ; Music of the Eastern churches / Egon Wellesz -- Russian chant / Alfred J. Swan -- Latin chant before St. Gregory / Monsignore Higini Anglès -- Gregorian chant / Higini Anglès -- Trope, sequence, and conductus / Jacques Handschin -- Liturgical drama / W.L. Smoldon -- Medieval song / J.A. Westrup -- The birth of polyphony ; Music in the twelfth century ; Music in fixed rhythm ; The motet and allied forms / Anselm Hughes. Early Christian music / by Egon Wellesz. Early Christian chant ; Antiphonal singing ; The Syrian church ; The forms of Syriac poetry ; Syrian ecphonetic notation -- Music of the Eastern churches / by Egon Wellesz. The development of the Orthodox Church ; The poetical forms of Byzantine hymnography. Troparion ; Kontakion ; Kanon -- Minor hymnography ; The acclamations ; Byzantine musical notation ; The structure of Byzantine melodies ; Coptic music ; Ethiopian music ; Armenian music -- Russian chant / by Alfred J. Swan. Early history ; Development and decline ; Manner of performance -- Latin chant before St. Gregory / by Monsignore Higini Anglès. Earliest traces ; Ambrosian chant. Origins ; Sources ; Modern restoration ; Musical forms ; Characteristics -- Gallican chant. Historical importance ; Sources ; Chants of the mass ; Chants of the office ; Suppression of the liturgy -- Mozarabic chant. The Visigothic period ; Sources ; Notation ; Musical forms of the liturgy ; Character of the original music ; Abolition of the liturgy -- Gregorian chant / by Higini Anglès. Musical value and principal features ; Formation of Roman liturgical chant ; Perfection of Gregorian chant ; Diffusion and decay ; Modern restoration ; Sources and notation ; Melodic types and tonality ; Musical form -- Trope, sequence, and conductus / by Jacques Handschin. Terminology ; Origins ; Prototypes in Ambrosian chant ; Prototypes at Nonantola ; Gallican prototypes ; Roman prototypes ; General historical situation (c. 800) ; Adaptation of texts ; Historical position of the trope and sequence ; Early sources ; An example of the sequence ; Music and text ; Changes of style ; Tropes of the first period ; Tropes of the second period ; The conductus -- Liturgical drama / by W. L. Smoldon. General history ; The Easter sepulchre drama. First stage ; Second stage ; Third stage -- Peregrinus plays ; Passion plays ; Christmas plays ; Sundry religious plays ; The Daniel plays -- Medieval song / by J. A. Westrup. Latin secular songs ; Chansons de Geste ; Troubadours and Trouvères. Background ; Notation and performance ; Tonality ; Structure ; Songs with refrains ; Lais -- English songs ; Minnesinger. Notation and structure ; Influences ; Melodic formulas -- Spanish melody ; Laudi Spirituali -- The birth of polyphony / by Anselm Hughes. Earliest references ; Processes of reconstruction ; Theories about the origin of harmony ; First written records ; Guido's Micrologus ; Early examples of polyphony ; Cotton and the Ambrosiana Treatise -- Music in the twelfth century / by Anselm Hughes. New conditions ; Sources of the period ; The Calixtine manuscript ; Notation and the staff ; Types of hexachord ; The notation of time ; The relationship between the voices ; Cadences ; The range of the voices ; Three-part writing ; 'Ut tuo propitiatus' ; The eleventh fascicle of the St. Andrews manuscript -- Music in fixed rhythm / by Anselm Hughes. Preliminary remarks on dates and dating ; Sources of the period ; The general picture ; Conductus and organum ; The rhythmic modes ; The conductus ; Dance music ; The relationship of the individual voices ; Early English part-songs ; Organum ; Clausulae -- The motet and allied forms / by Anselm Hughes. General characteristics ; Sources of the period ; The original structure of the motet ; Tenor themes ; 'Manere' ; Notation ; Musica ficta ; Vernacular texts ; Interchange and imitation ; Later Ars Aantiqua ; Mensural notation ; Technical developments ; Harmony ; Isorhythm ; English motets for four voices ; Hocket ; Duple time ; 'Sumer is icumen in.' Subjects: 500-1400; Music 500-1400 History and criticism; Music Medieval; Music 15th century; Music History and criticism. 1 Kg.

Cloth (stained and worn). Size: Folio. 149pp.

2nd revised edition, reprint. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Series: The New Oxford History of Music. Physical description: xviii, 434 pages : illustrations, map, facsimiles, music ; 26 cm. Notes: Includes bibliographical references (pages 405-417) and index. Contents: Early Christian music ; Music of the Eastern churches / Egon Wellesz -- Russian chant / Alfred J. Swan -- Latin chant before St. Gregory / Monsignore Higini Anglès -- Gregorian chant / Higini Anglès -- Trope, sequence, and conductus / Jacques Handschin -- Liturgical drama / W.L. Smoldon -- Medieval song / J.A. Westrup -- The birth of polyphony ; Music in the twelfth century ; Music in fixed rhythm ; The motet and allied forms / Anselm Hughes. Early Christian music / by Egon Wellesz. Early Christian chant ; Antiphonal singing ; The Syrian church ; The forms of Syriac poetry ; Syrian ecphonetic notation -- Music of the Eastern churches / by Egon Wellesz. The development of the Orthodox Church ; The poetical forms of Byzantine hymnography. Troparion ; Kontakion ; Kanon -- Minor hymnography ; The acclamations ; Byzantine musical notation ; The structure of Byzantine melodies ; Coptic music ; Ethiopian music ; Armenian music -- Russian chant / by Alfred J. Swan. Early history ; Development and decline ; Manner of performance -- Latin chant before St. Gregory / by Monsignore Higini Anglès. Earliest traces ; Ambrosian chant. Origins ; Sources ; Modern restoration ; Musical forms ; Characteristics -- Gallican chant. Historical importance ; Sources ; Chants of the mass ; Chants of the office ; Suppression of the liturgy -- Mozarabic chant. The Visigothic period ; Sources ; Notation ; Musical forms of the liturgy ; Character of the original music ; Abolition of the liturgy -- Gregorian chant / by Higini Anglès. Musical value and principal features ; Formation of Roman liturgical chant ; Perfection of Gregorian chant ; Diffusion and decay ; Modern restoration ; Sources and notation ; Melodic types and tonality ; Musical form -- Trope, sequence, and conductus / by Jacques Handschin. Terminology ; Origins ; Prototypes in Ambrosian chant ; Prototypes at Nonantola ; Gallican prototypes ; Roman prototypes ; General historical situation (c. 800) ; Adaptation of texts ; Historical position of the trope and sequence ; Early sources ; An example of the sequence ; Music and text ; Changes of style ; Tropes of the first period ; Tropes of the second period ; The conductus -- Liturgical drama / by W. L. Smoldon. General history ; The Easter sepulchre drama. First stage ; Second stage ; Third stage -- Peregrinus plays ; Passion plays ; Christmas plays ; Sundry religious plays ; The Daniel plays -- Medieval song / by J. A. Westrup. Latin secular songs ; Chansons de Geste ; Troubadours and Trouvères. Background ; Notation and performance ; Tonality ; Structure ; Songs with refrains ; Lais -- English songs ; Minnesinger. Notation and structure ; Influences ; Melodic formulas -- Spanish melody ; Laudi Spirituali -- The birth of polyphony / by Anselm Hughes. Earliest references ; Processes of reconstruction ; Theories about the origin of harmony ; First written records ; Guido's Micrologus ; Early examples of polyphony ; Cotton and the Ambrosiana Treatise -- Music in the twelfth century / by Anselm Hughes. New conditions ; Sources of the period ; The Calixtine manuscript ; Notation and the staff ; Types of hexachord ; The notation of time ; The relationship between the voices ; Cadences ; The range of the voices ; Three-part writing ; 'Ut tuo propitiatus' ; The eleventh fascicle of the St. Andrews manuscript -- Music in fixed rhythm / by Anselm Hughes. Preliminary remarks on dates and dating ; Sources of the period ; The general picture ; Conductus and organum ; The rhythmic modes ; The conductus ; Dance music ; The relationship of the individual voices ; Early English part-songs ; Organum ; Clausulae -- The motet and allied forms / by Anselm Hughes. General characteristics ; Sources of the period ; The original structure of the motet ; Tenor themes ; 'Manere' ; Notation ; Musica ficta ; Vernacular texts ; Interchange and imitation ; Later Ars Aantiqua ; Mensural notation ; Technical developments ; Harmony ; Isorhythm ; English motets for four voices ; Hocket ; Duple time ; 'Sumer is icumen in.' Subjects: 500-1400; Music 500-1400 History and criticism; Music Medieval; Music 15th century; Music History and criticism. 1 Kg.