hughes shannon (34 risultati)

paperback. Condizione: Good.

Condizione: Very Good. Very Good condition. 2nd edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. Signs of wear and consistent use.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Near Fine. soft cover in near fine condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Como nuevo. : Este manual ofrece una guía de referencia probada, desarrollada durante más de 10 años en los laboratorios de información técnica de IBM, para escritores técnicos y editores en empresas de comunicación e ingeniería. Presenta ejemplos extensos, ilustraciones y extractos de información técnica real antes y después, para ayudar al lector/usuario a convertirse en un escritor o editor muy competente. Cubre desde la creación de documentación fácil de encontrar y entender, hasta técnicas de organización y el uso de elementos visuales para una comunicación efectiva. EAN: 9780137903207 Tipo: Libros Categoría: Tecnología|Educación Título: Developing Quality Technical Information Autor: Ann Kilty Hernandez| Polly Hughes| Jim Ramaker| Shannon Rouiller| Elizabeth Wilde Editorial: Prentice Hall Idioma: en Páginas: 310 Formato: tapa blanda.

Soft cover. Condizione: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Hard Cover. Condizione: Very Good. No Jacket. 2nd Edition. 445 pages including index. There are no marks or writing in the book. Corners are square. Spine is tight and there are no loose pages. Cover colors are bright. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Condizione: Brand New. 106 pages. 8.25x5.50x0.25 inches. In Stock.

Paperback. Condizione: Brand New. 153 pages. 8.50x5.50x0.39 inches. In Stock.

Paperback. Condizione: new. Paperback. This book contains short passages that are designed to inspire, uplift, stimulate and motivate you on various topics of life. Reading one a day is sure to change your mindset. A daily multi-vitamin of motivation. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 296 pages. Illustrated. 310x230x40mm. Original publisher's cloth, spine lettered gilt, with original pictorial unclipped dust jacket. A fine copy without any library stamps, inscriptions or other markings. Images available on request. *** WEIGHT OVER 1.6 KG, EXTRA SHIPPING CHARGE (AT COST) WILL BE REQUESTED FOR DELIVERIES OUTSIDE OF IRELAND AND UNITED KINGDOM ***.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 296 p. : ill. ; 31 cm. ; ISBN: 0810911205; 9780810911208 LCCN: 77-6659 ; LC: DA925; Dewey: 941.5 ; OCLC: 2965822 ; green cloth in color pictorial dustjacket ; illustrated endpapers ; Contents : Forward / Brian de Breffny -- Introduction : the Irish-- fact and fiction / E. Estyn Evans -- Prehistoric Ireland : from the earliest migrations to about A.D. 500 / E. Estyn Evans -- The early Irish church : from the coming of Christianity to the end of the Viking era / Kathleen Hughes -- The long Middle Ages : from the twelfth century to the Reformation / Roger Stalley -- The end of the old order : from the Reformation to the Jacobite defeat / Brian de Breffny -- The new culture : domestic life and the arts, 1680-1830 / Rosemary Ffolliott -- Painting and sculpture / Anne Crookshank -- The distressed society : the struggle for emancipation and independence, 1801-1918 / Gearóid Ó Tauthaigh -- The Celtic revival : literature and the theatre / Phillip L. Marcus -- The visual arts / Jeanne Sheehy -- The Irish in America : starvation, struggle and success / William V. Shannon -- Modern Ireland : the birth and growth of the new state / Kevin B. Nowlan. ; FINE/FINE. Book.

Hardcover. Condizione: Brand New. 2nd edition. 432 pages. 9.50x7.75x1.50 inches. In Stock.

Hardcover. First edition. Fine with a light crease/bump to one corner of the back board slightly warping the board, otherwise as new, in a Fine dust jacket with a light crease where the bump occurred. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A monograph on the artwork of Avigdor Arikha (1929 - 2010), the Romanian-born French-Israeli painter, draughtsman, printmaker, and art historian. Texts by Samuel Beckett, Richard Channin, Andre Fermigier, Robert Hughes, Jane Livingston, and Barbara Rose; interviews by Rose, Joseph Shannon, and Maurice Tuchman. 223 pages; 106 color and 83 b&w illustrations, most full-page; 10 x 11.25 inches. Chronology, bibliography, list of plates. Text in English. The dust jacket is a Thames and Hudson issue for the American market. Due to size and weight, international and expedited shipping will be more than quoted.

Paperback. Condizione: Brand New. 130 pages. 9.00x6.00x0.31 inches. This item is printed on demand.

Paperback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Fascinating artistic correspondence, sketches and notes preparatory to the Presences of Nature exhibition held in Carlisle in 1982. The correspondence is all addressed to Neil Hanson, then Carlisle Museum Exhibitions' Officer and the exhibition's organiser who describes its aim 'to assemble a substantial body of new work reflecting the beauty and variety of this Cumbrian landscape and the diversity of response it engenders in some of our finest contemporary artists, writers, photographers and craftsmen.' Accompanying the manuscript material is the book that was published to mark the exhibition; some staining to the lower part of the foreedge. The collection comprises the following artists and writers: William Scammell: [4 ALS] A collection of letters by William Scammell, two on University of Newcastle headed notepaper. In his letters Scammell discusses the commission and his proposed submissions, including "The Screes" and "Monday,Monday". He also includes a biographical note and details of his published books. John Hilliard: [3 TLS] Three letters by the conceptual artist John Hilliard, discussing the commission and his reticence in being considered a 'Lakeland' artist. He proposes two submissions, 'Frozen' and 'Double Description-Coniston Water' and gives detailed framing instructions, hand-drawn in pen. Donald Wilkinson: [6 ALS; 1 handwritten biography; 1 lithographic Christmas card] A collection of letters and a signed coloured etching of a Lake District landscape by the printmaker Donald Wilkinson, made in connection with the exhibition in the Lake District in 1982. In his letters, Wilkinson discusses the commission and encloses the Christmas card as an example of his recent work. John A Davies: [5 ALS; 1 pencil sketch; 1 handwritten biography] A collection of letters by the photographer John A Davies. Davies expresses his interest in the commission "I think the show would prove very stimulating and I would be most interested to see how other contemporary artists see the Cumbrian landscape." He lists the 12 photographs to be exhibited along with an A5 page of annotated pencil sketches of each, and discusses their reproduction for the exhibition catalogue. Roger Palmer: [6 ALS; 1 postcard; 1 ANS] A collection of letters by the photographer Roger Palmer. In these succinct letters, Palmer discusses the commission and his proposed submissions. Faith Shannon: [3 ALS; 1 TLS; 1 handmade Christmas card] Letters by the bookbinder Faith Shannon MBE, in which she discusses the commission to produce leather bindings for the deluxe editions of the exhibition catalogue, and includes an estimate of costs. The signed 15x10cm Christmas card features a blind stamped "Happy Christmas" greeting. Geoffrey Key: [5 ALS] Five letters by the artist Geoffrey Key. In these exuberant letters to Hanson, Key discusses names for the mailing list and travel to Carlisle; and thanks Neil Hanson - "Many thanks for your card it goes great with my bus pass, Yours antiquatedly, Geoff". Julia Hills: [2 ALS] A brace of letters by the artist Julia Hills, discussing the commission of her dolls and the time frame of work. Melanie Sproat: [2 ALS, 1 exhibition agreement] A collection of letters by the clockmaker Melanie Sproat. In her neat letters, Sproat describes the essence of her work as exploring "the contrasting colour, structure and tactile qualities of precious and base metals", and proposes a wall clock inspired by the rugged Cumbrian landscape. Her second letter concerns damage sustained by her works while in storage. Mike Davis: [1 ALS, 2 TLS] A trio of letters by Mike Davis on Mimram Stained Glass Studio headed notepaper. Davis discusses his proposed exhibits, including a five light window for St John's Church, Digswell. The artist also thanks Neil Hanson for all the hard work put in and suggests "a quieter occupation, wrestling alligators in the Everglades or something". Glyn Hughes: [1 TLS] A letter by the poet and novelist Glyn Hughes, in which he discusses his proposed submissions, describing how he had started to paint again after a break of 20 years; and suggests some commissioned pictures of Cumberland with poems to go with them. David Wright: [3 ALS] A group of letters by David Wright, ex Gregory Fellow in Poetry at Leeds University. Wright writes about the commission and his proposed submissions, including "Procession" and "Mirehouse". He also suggests other artists for the project including William Scammell of Cockermouth. Jon Silkin: [1 ALS; 1ANS; 1 exhibition agreement ] A small collection comprising one letter, one note on a Stand magazine compliments slip, and an exhibition agreement by the poet Jon Silkin made in connection with the exhibition in 1982. In his letter to Hanson, Silkin discusses the commission and his proposed submissions, including "The Church is getting short of Breath". Roy Fisher: [2 ALS] Two letters by Roy Fisher on University of Keele headed notepaper. Fisher's thoughts on his submissions include "The Running Changes" and a piece on "a quest, among desolate military sites and barbed-wire littered beaches, for the shrimping grounds of Flookburgh, but it seemed likely to have strong negative tourist appeal, so I've desisted". Roger Garfitt: [4 ALS] A collection of letters by Roger Garfitt. In these warm and appreciative letters Garfitt discusses his proposed submissions to the exhibition, including 'The Broken Road' as "it's probably the best landscape poem I've done". Garfitt describes his first experience of the Lake District "at the age of twelve, leaning out of a coach window on a day trip, as rapt and enraptured as any Romantic on a walking tour." Paul Joyce: [7 ALS; 4TLS; 2 postcards] A collection of letters by the photographer Paul Joyce. In his letters Joyce writes about his proposed submissions, including a collaboration with the poet Jonathan Williams. Joyce shows concern for the financial aspects of the commission and includes a list of expenses for attending the opening.