italian painter (40 risultati)

First Edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 127 p., [8] p. of plates : ill. (some col.), facsim., port. ; 22 cm. Notes; Catalogue of exhibition at the Queen's Gallery, Buckingham Palace, 1980-81. Includes bibliographical references. Subjects; Canaletto (Italian painter, 1697-1768) ; Exhibitions. Canaletto 1697-1768 ; Exhibitions. Queen's Gallery (London, England) ; Exhibitions. Painters, Italian 18th century. England in art. 3 Kg.

First Edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 127 p., [8] p. of plates : ill. (some col.), facsim., port. ; 22 cm. Notes; Catalogue of exhibition at the Queen's Gallery, Buckingham Palace, 1980-81. Includes bibliographical references. Subjects; Canaletto (Italian painter, 1697-1768) ; Exhibitions. Canaletto 1697-1768 ; Exhibitions. Queen's Gallery (London, England) ; Exhibitions. Painters, Italian 18th century. England in art. 1 Kg.

Single Sheet Engraving. Condizione: Very Good. No Jacket. First Edition. WILHELM VON KAULBACH, THE EMINENT ITALIAN PAINTER, AN ANTIQUE ENGRAVED PORTRAIT, , ENGRAVED IN 1874, MOUNTED AND READY TO FRAME.

Condizione: Fine. First edition hard back binding in publisher's original beige cream cloth covered boards, blocked and lettered in dark brown to the back and front. 4to. 10½'' x 7½''. Contains 383 pp with 300 monochrome and colour plates throughout, some folding. In Fine condition, no dust wrapper. Member of the P.B.F.A. ART [Italian].

Condizione: Very Good. First edition in publisher's original colour illustrated laminated card wrap covers [softback], black lettering to the spine. 8vo 7'' x 4½''. Contains 90 printed pages with colour and monochrome paintings and illustrations. Age darkening to page and cover edges. In Very Good condition, no dust wrapper as published. Member of the P.B.F.A. ART [Italian].

Condizione: Near Fine. First edition hard back binding in publisher's original black patterned blue cloth covers, black title and author lettering to the spine and to the upper panel, violet patterned end papers. 8vo. 8'' x 5½''. Contains [xii] 123 printed pages of text with 18 monochrome illustrations throughout. A little sun fading across the top of the boards and in near Fine condition. Member of the P.B.F.A. ART [Italian].

Condizione: Very Good. Publisher's original illustrated laminated card covers. 8vo 6½'' x 5'' 60 pp. Full-page monochrome illustrations throughout. In Very Good condition with light rubbing to covers, no dust wrapper as published. Member of the P.B.F.A. ART [Italian].

Condizione: Fine. First edition in publisher's original colour illustrated deep French flap card wrap covers. Quarto 10½'' x 8¼''. Contains 112 printed pages of text with colour illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Unused and unopened new book. Member of the P.B.F.A. ISBN 9781857095944 ART [Italian].

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. SHEPARDSON BOOKSTALL, 20+ YEARS OF EXCELLENCE. Pictorial DJ clipped; in mylar; has edgewear; small chips on top and bottom spine edges and corners; light dust soiling. Book covered in green cloth has black topstain.

Condizione: Very Good. First edition in publisher's original colour illustrated card wrap covers. 8vo. 8'' x 8¼''. Contains 158 pp with 53 colour plates and many text illustrations throughout, with biography, bibliography and exhibition list. Ink message inside and in Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ART [Italian].

Condizione: Fine. Publisher's original colour illustrated card wrap covers [softback], French flaps. Folio 11½'' x 9½''. Contains 215 printed pages of text with colour illustrations throughout. Minimal rubs to the cover and in Fine clean condition, no dust wrapper as published. Member of the P.B.F.A. ART [Italian].

ORIGINAL-RADIERUNG (Bütten, 18,9 x 13,7 cm), am Unterrand mit Bleistift eigenhändig signiert mit Jahr (19)51 MOTIV : EX LIBRIS für Elmer W. Neuscheler.

Condizione: Fine. Facsimile reprint of eighteen ninety four edition in publisher's original hard back blue and white glazed covers. 8vo. 9½'' x 6¼''. Contains (ix) 327 printed pages of text with 2 of 4 monochrome illustrations with frontispiece and one plate missing when made from the facsimile. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 1104284790 ART [Italian].

163 (1) pages, many medium-glossy plares (few coloured). - Publisher's constructivistic designed softcover; 8vo.(ca. 22 x 17 cm). *** FIRST EDITION, SOFTCOVER ORIGINAL OF THE RARE MONOGRAPH; inner frontpanel with illustrated 'Ex libris Luigi Majno'. - Spine and rearpanel minimally used; A VERY GOOD COPY.

ORIGINAL EX LIBRIS (Holzschnitt, 16°) am Unterrand in Tinte eigenhändig signiert und nummeriert 149/25 - für Alessandro Maria Pia, IV Europäischer Ex Libris Kongress, Frankfurt/M.-Hoechst, 12.-15. Juli 1956.

ORIGINAL-AQUARELL (auf Karton, ges. 30,2 x 21,1 cm), in der Darstellung eigenhändig signiert GIANNI GALLO mit Jahr (19)91 MOTIV : am Unterrand mit Bleistift bezeichnet : POMPEI - Porta Marina.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. SHEPARDSON BOOKSTALL, 20+ YEARS OF EXCELLENCE. CELLINI: one of the most important artists of Mannerism. RARE SURVIVING COPY. BLUE BALLOON CLOTH, Spine #4, Kent Endpapers; fading on spine; light yellowing of pages. Pictorial DJ (95 cents) has chipping on top and bottom spine edges; light yellowing.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. HBDJ, 1965, 1st edition THUS, EARLY ISSUE Reprint, VG -/VG. AS-IS, in PURPLE ILLUSTRATED Dustjacket OF 3 FLORAL URNS WITH FLOWERS, The book measures approximately 7 1/4" x 4 3/4" x 1".Overall, the dustjacket is in good condition. Some fraying on top edge of dustjacket. The book itself and the binding are in excellent shape. There's a fair amount of underlining in pen in this book. The handwriting is neat and tidy, but for some, an unwanted mark. Book found "as is" at an estate sale. DJ WRAPPER DRAWING BY WILLIAM McLAREN INTRODUCTION notes BY Oswald Doughty in PURPLE Decorated Dustjacket, illustrated Salmon & White EL Endpapers, Front Flap SAYS PRICE CATAGORY.

Condizione: Fine. Hard back binding in publisher's original light brown cloth covers, gilt lettering to dark brown crocodile effect cloth spine, top edge gilt, deckle page edges. Quarto 12'' x 8¼'' 100, 22 [pages.]. Hand written Number 58 of 500 Limited Edition copies and SIGNED by Livio Antonioli to the second front free end paper. Part-page monochrome illustrations throughout, nine full-page plates to the rear. Upper front corner bumped and in Fine clean and bright condition, no dust wrapper as issued. Member of the P.B.F.A. ARCHITECTURE.

Piero Dorazio 100. Ausstellung der Galerie Pudelko, Bonn. Katalog. Bonn 1996. Kl8° (quer). 47 S. Kunstdruckpapier mit mehrfarbigen Abbildungen, einer Einführung von Christoph Pudelko und einer fotogr. Abbildung des Künstlers bei der Vernissage. O-Karton. Von Piero Dorazio signiert.

LUCIO POZZI Ausstellungskatalog der Kunsthalle Bielefeld 9.5.-27.VI.1982, 84 SS. illustriertes Pb. ca. 4°, mit vielen Abbildungen, gut erhalten - von Lucio Pozzi in Tinte eigenhändig signiert.

XXXIX (I) pages of text with 5 intercalated wholepage self-portraits on singleside printed plates; 1 sheet 'Planches', 30 singels. printed plates depicting the artist's works from 1925 to 1928, 1 per plate; text and plates printed on this paper resp. thing cardboard-sheets. - Slightly later 'jeans-like' blue cloth binding, both panels completely covered with the tipped-on green-titled front- and blank rear cover of the original creme-colour paper-bound original, the olive-grey endpapers decoratively marbled in green-red-black- and silver; 4to.(ca. 28 x 23 cm). *** FIRST EDITION OF THE FIRST MONOGRAPH OF THE ARTIST, NO. 1 OF LARGE-PAPER 60 COPIES ON 'ARCHES'-PAPER; unfortunatley without the etching of the 'Édition de tête' (followed by 500 copies on 'Vélin'). - Last blank page with old namestamp 'BORYS GUREWICZ / CZESTOCHOWA / Aleja 27.' who may have been related to De Chirico's first wife, the russian dancer Raissa Gurievich with whom he went to Paris in 1925, or the polish born Editor of the book (W. George) as the first copy of a small numbered edition usually is reserved for someone close to the aothor/artist or the publisher if not for the artist himself. . . --- Spine minimally creased and slightly rubbed at both ends, the original - well preserved - covers slightly dusty and minimally spotty; a BEAUTIFUL COPY OF THE RARE BOOK.

Condizione: Very Good. First edition hard back binding in publisher's original white buckram covers, gilt titles to the spine and to the front cover, top edge gilt, others untrimmed. 4to. 12½'' x 10¼''. 146pp. De Luxe edition on Holbein hand-made paper. Hand written number 12 of 75 Limited Edition copies with original coloured lithograph SIGNED by the artist Frank Brangwyn. Brick red and black printed title with 20 colour plates after paintings by Frank Brangwyn, printed brick red vignettes in margins, headers and tail pieces. The merest hint of spotting to a couple of sheets and in Very Good clean and bright condition without any of the usual browning to the covers. Small bookplate inside the rear cover 'Percy Lindley Harrison'. Member of the P.B.F.A. ART [British].

Watercolour on a large sheet of paper (image size: 74.5 × 52 cm), signed at the foot right: "E. Tarenghi". Contemporary (?) gilt wooden frame (89.5 × 66 cm), behind plastic. Attractive watercolour painting by the Italian orientalist painter Enrico Tarenghi (1848-1938), it shows three bearded men with carpets and two poufs. One of them is clearly the seller, another is inspecting the wares and the third is sitting on the ground rolling up one of the carpets. In the background a wide river (generally assumed to be the Nile), a dromedary and dozens of palm trees. Tarenghi made extensive use of photography in his work and often used photographs as a template for the background. The present setting is found more often in his work, not only showing carpet sellers, but also merchants selling fruit. The carpet trade, however, seems to be one of his favourite subjects regardless of the background. The carpets allowed Tarenghi to show off his skills, with their intricate motives, textures, creases and folds. - Small waterstain and minor defects at the foot and a few other negligible blemishes, but otherwise in very good condition. - For the artist: Thieme & Becker XXXII, p. 445.

Condizione: Very Good. First edition in publisher's original plain white card wrap covers [softback]. 8vo. 9'' x 7''. Contains 32 printed pages of Italian text followed by 40 full-page single-sided colour and monochrome plates. Foxing to the end papers. Very Good condition book in Very Good condition dust wrapper with light soiling to the edges. Farina enrolled at the Cignaroli Academy in Verona in 1910 and made his debut in 1918 at an exhibition held by the city's Pro Assistenza Civica organisation. He was associated with the artists of the Burano School in the 1920s and his urban views and landscapes were presented in the show of dissident artists at Ca' Pesaro. His participation in the Venice Biennale began by invitation in 1924 with the 14th Esposizione Internazionale d'Arte della Città di Venezia. He was closely associated with the Novecento Italiano movement in this period and took part in the group's first and second exhibitions (Milan, 1926 and 1929). His first solo show was held in 1931 at the Galleria del Milione, Milan, and he took part in the Prima Quadriennale Nazionale d'Arte in Rome, where the Galleria Mussolini bought one of his works. He made frequent trips to Paris as well as Britain, Germany, Switzerland and Austria. He also worked in the fields of decoration and fresco (Verona, Museo di Castelvecchio, 1925-1929, and Palazzo del Podestà, 19291930). Member of the P.B.F.A. ART [Italian].

No Binding. Condizione: Very Good. A fine original chromo-lithograph print from "Souvenirs de Constantinople" by Brindesi, printed in 1845. Framed, but will be sent no frame. 52x49 cm / 39x 44 cm print area. Stains on right bottom margins of the paper. The Ottoman navy, stationed in front of the Tophane Artillery barracks, is preparing to sail under the leadership of Kapudan Pasha's ship "Amiraute". Jean Brindesi was born in 1826 and worked primarily as a watercolour artist. During the Abdulmecid period (1831-1861), he worked on scenes involving soldiers in Istanbul. Two albums of lithographs after his drawings were produced by Lemercier in Paris: Elbicei Atika - Musee des Anciens Costumes Turcs de Constantinople, 1855, and Souvenirs de Constantinople, 1860; these two works are collections of picturesque views of the city of Constantinople. The originals are kept at the Istanbul Topkapi Palace Museum and at the University of Istanbul. (Source: Levantine Heritage).

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Col più gran pioneer, e ossequiandolo [.]". - The son of the landscape painter Aurelio Tiratelli (1842-1900), Cesare Tiratelli also specialized in landscape and genre painting and frequently depicted peasant motifs from the Ciociaria region. His painting "Un pellegrinaggio in Ciociaria" earned him an award at the 1893 "Esposizione di Belle Arti" in Rome. - Small tear in upper margin; traces of some angular folds near corners, most prominent near upper left corner; small brown stain near right margin. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau. - Best known for his paintings of Venetian life and scenery as well as for his mythological themes, Tito depicted the inauguration of the San Marco bell tower after its reconstruction in a monumental painting of 1912. He taught at the Accademia di Belle Arti from 1894 to 1927, and, at the age of 70, was commissioned with a 400 square-metre painting for the vault of the Chiesa di Santa Maria di Nazareth in Venice. - Several small ink spots; some small creases near corners. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Come l'onda furiosa ed impotente costretta nella legge orizzontale l'umanitá nei sensi è prigioniera [.]". - Having attended the Rome Institute of Fine Arts, Sartorio attained wide popularity with his decorative friezes produced for the 5th "Esposizione Internazionale d'Arte" of Venice in 1903, the 1906 "Mostra Nazionale of Fine Arts", and the "Palazzo Montecitorio" in Rome (1908-12). He directed the 1919 motion picture "Il mistero di Galatea" and extensively travelled the Middle East, Japan and Latin America during the 1920s. - Several ink spots; traces of postmarks. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Komme sehr gerne Ihrem Wunsche entgegen und zeichne mit ausgezeichneter Hochachtung []". - Born in Trieste, Cairati studied architecture in Milan and moved to Munich in 1894, where he served as president of the Dante Alighieri Society for many years and created still lifes and Italian city views before applying himself to motifs of local scenery and architecture. - Traces of postmarks. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.