jean schuster (221 risultati)

Condizione: New. Jean, Lydia (illustratore). Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: New. Jean, Lydia (illustratore). Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: New.

Couverture souple. Condizione: Satisfaisant. Non-périodique SCHUSTER Jean, Les Moutons, éd. Le Soleil Noir, coll. Le Récipiendaire, 1977. 50 pages. 19 x 19 cm. ETAT : satisfaisant. Légèrement coloré par le temps. Bas des pages 29 à 46 légèrement déchirés, car les pages étaient collées entre elles. Voir dernière photo jointe. Non-périodique.

Couverture rigide. Condizione: Très bon. envoi philatélique rapide et sous enveloppe a bulles.

Hardcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Condizione: Très bon.

Softcover. Condizione: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Joseph Smrkowski, John Heartfield, Madame Aussoir, Jean-Claude Silbermann, Gustave Moreau, Andre Breton, Jean-Francois Bury, Jacques Derain, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condizione: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of the revolutionary manifesto of Tull, Benjamin Mendoza, Jacques Bazin, Jacques Vache, Jean-Claude Silbermann, Robert Benayoun, Hassan Fathy, Maurice Blanchard, Pierre Boujut, Earl Spartre, Stephen Schwartz, Christian Rochefort, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condizione: Near Fine. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Tel Quel, the Kings of Bretagne, Alain Legrand, Yves Ellequet, Henri-Francois Rey, E. Kienholz, M. Fontenet, the Ministre de Travail, Georges Bataille, Jindrich Styrsky and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condizione: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Walter Benjamin, the Student Revolution of 1968, Jean-Paul Sartre, Herve Telamaque, Regis Debray and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condizione: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Charles Fourier, Benjamin Peret, William Shakespeare, Josef Stalin, Eva Beuys, Joseph Beuys, Lilo Klapheck, Konrad Klapheck, a month-by-month horoscopic calendar for 1970, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condizione: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Sharon Tate and Bernadette Devlin, Georges Pompidou, Carlos Franqui, the photography of Nicole Pierre and Man Ray, poetry, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Couverture souple. Condizione: Bon. Edition originale pour cet essai d'inventaire de l'activité du mouvement surréaliste entre 1957 et 1968 par l'un de ses membres et fondateur de la revue Quatorze Juillet en 1958 et directeur d'Archibras en 1966. Annexes et Index nominum in fine. Pas de grand papier annoncé. 205 pages. Broché. Format : 14,5 x 19,5 cms. A noter : insolation en cadre sur les plats.

Paperback. Condizione: Good. 205p square format paperback, orange card cover sunned at the spine, most pages uncut, a fresh and firm copy, like new Language: French.

Couverture souple. Condizione: Très bon.

Condizione: New. In.

Soft cover. Condizione: Very Good. 1st Edition. Wrappers. Covers faded at spine. From the library of the poet David Gascoyne, with the Gascoyne library book-label and inscribed opposite the half-title, "Exemplaire de David Gascoyne".

Condizione: Very Good. 1990. Very Good.

Hardcover. Condizione: Near Very Good. Condizione sovraccoperta: Near Very Good. First Edition. Text is in French. Presumed first edition with NAP, hardcover, has bumps to the spine ends and cover corners, rubbing with minor staining to the covers, and mild smudging to the edges of the text block. Overall, a Near Very Good copy in a like, unclipped dust jacket, which has creased bumps to the spine ends and cover corners, rubbing with mild edge wear to the covers, a few air bubbles to the laminate, and toned offsetting to the inner flaps.

Condizione: (fair). 1950 418 pages relié.

L'Instant, 1988. In-12 broché, couverture illustrée en couleurs, 179 pages. Exemplaire dédicacé par l'auteur à l'écrivain Guy-René Doumayrou, joli envoi autographe, on joint un courrier nominatif des éditions de l'Instant. Très bon état.

paperback. Illustrations en noir (illustratore). Le Terrain Vague 1969. in-4. 50 pages. Le Terrain Vague 1969. in-4. 50 pages. Nb de volume : 1. Bon exemplaire en bon état, une trace claire au premier plat . Illustrations en noir .

Hardcover. Condizione: As New. 602 pp. Book/dust jacket condition: As New/na (as issued: illustrated boards). 1st/First Edition, 1st/First Printing likely (NAP). Extra postage for rush, intl. orders (weight). All orders are processed and shipped from MI or WI, USA.

Paris, Eric Losfeld, 1969, In-8 carré broché, 205 pages. Edition originale. Pas de grands papiers. A l'état de neuf, non coupé.

205 S., 1 Bl. Erste Ausgabe (eine Lage lose, Gebrauchsspuren). Sprache: Französisch Gewicht in Gramm: 700 8°. Orig.-Karton (lichtrandig).

Condizione: Bueno. A cada lámina mayor del juego del Tarot corresponde la figura y la voz de uno de los poetas de la constelación surrealista. Más aún, el juego exige que un solo texto ha de sintetizar el espíritu del poeta, mientras otro surrealista exaltará la obra y la trayectoria de cada uno de los 22 elegidos. Así surgirán en forma lúdica grandes voces poéticas del siglo XX, la aventura surrealista en tuda su amplitud. Leves manchas de humedad en los bordes.

Couverture un peu défraichie mais livre en bon état.

Soft cover. Condizione: Good. quelques pliures/accrocs/taches sans consequence sur la lecture. état général très correct.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: dj. vi, 186 pp. Concilium: Theology in the Age of Renewal. Volume 003: Pastoral Theology. Dustjacket. LCC: 6519634.