Editore: Chronicle Books Llc, 1994
ISBN 10: 0811804712 ISBN 13: 9780811804714
Da: More Than Words, Waltham, MA, U.S.A.
Condizione: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.
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Editore: GraciousPublishing.com, 2016
ISBN 10: 1942088019 ISBN 13: 9781942088011
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
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Editore: Jean Welles Worship Guitar, 2011
ISBN 10: 0978704878 ISBN 13: 9780978704872
Da: Hawking Books, Edgewood, TX, U.S.A.
Condizione: Very Good. Very Good Condition. Has some wear. Five star seller - Buy with confidence!.
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Editore: Kosztolányi Dezsö Kávéház Kulturális Közalapítvány, 2000
Da: Katsumi-san Co., Cambridge, MA, U.S.A.
Soft cover. Condizione: Very Good. Text in Hungarian. 104 p., illustrated. Cover pictures Orson Welles as Falstaff; back cover has a montage of Welles in six different film roles. Oversize. [b 724].
Editore: Jean Welles Worship Guitar, Los Angeles, 2006
ISBN 10: 0978704800 ISBN 13: 9780978704803
Da: Karl Theis, Torrance, CA, U.S.A.
Audio Book (DVD). Condizione: New. BRAND NEW DVD STILL SEALED, ENGLISH AND SPANISH.
Editore: Verlag Filmkritik, 1969
Da: Shore Books, London, Regno Unito
Rivista / Giornale
Soft cover. Condizione: Very Good. 144 pages. Illustrated. Text in German. Artikel: 2 Texte von Josef von Sternberg (13 S.). Kritiken zu 8 Filmen von Sternberg (Frieda Grafe, Enno Patalas u.a.). Jean-Luc Godard`s "Week-End" (Enno Patalas, mit Fotos). Gespräch mit Ula Stöckl. Kritiken: "Detektive" (Rudolf Thome); "Gertrud" (Carl Theodor Dreyer); "Falstaff" (Orson Welles); "Yellow Submarine" (G. Dunning, The Beatles, H. Edelmann); "Kelek" (Werner Nekes); "La Caza" (Carlos Saura): "Goto" (Walerian Borowczyk) u.a. (SL#23).
Editore: Gracious Publishing, 2013
ISBN 10: 0978704894 ISBN 13: 9780978704896
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Spiral-bound. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.38.
Couverture souple. Condizione: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Le travelling de Kapo par Serge Daney - Je vois seulement maintenant par Hans Zischler - Qu'advient-il des choses à l?écran ? par Stanley Cavell - Mémo à la Universal par Orson Welles - Los Angeles Triptych par John Dorr - Boulevards du crépuscule par Edgardo Cozarinsky - L'étrange vie de Y.K.M. par Thomas Harlan - Le monde d'Ozupar Sylvie Pierre par null - À perte de vue par Jean-Louis Leutrat - Critique en mauvaise posture par Hervé Gauville - À pied d'oeuvre par Jean-Claude Biette - Notre frère Charlie par Henri Michaux.
[7672].
Editore: o. O. [Paris], Les Éditions de l'Étoile, 1982
Da: Antiquariat Uhlmann, Zürich, Svizzera
Prima edizione
Brosch. 4°, 142 S., zahlr. Abb. (tlw. auf Tafeln). Einband etw. gebrauchsspurig, Schnitte etw. unsauber, kleines Exlibris auf Innendeckel, innen sonst tadellos. EA. (= Cahiers du Cinéma; Hors Série, Nr. 12). Enthält einen Text von François Truffaut: «Welles et Bazin», sodann die Kapitel: «Entretiens avec Orson Welles», «Textes d'Orson Welles», «Welles revisité» (mit Beiträgen u. a. von Michel Chion), «Documents», «Témoignages» (mit Beiträgen von Jean Cocteau, Sacha Guitry, Jeanne Moreau, JEan Renoir) und eine «Filmographie».
Editions Chavane / Collection " Le Cinéma en Marche " n° 2 de 1950. In-12 broché de 64 pages au format 16,5 x 12,5 cm. Couverture avec photographie d'Orson Welles. Dos carré avec titre. Superbe portrait d'Orson Welles en frontispice, dessinée par Jean Cocteau. Etude de sur le cinéaste par Jean Cocteau et André Bazin, accompagnée de 16 pages de photographies, hors texte, en noir et blanc. Superbe état général. Edition originale.
Condizione: Fine. Size: Slightly larger than A4.
Editore: Columbia Pictures, Culver City, CA, 1947
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Three vintage photographs of director Orson Welles from the 1947 film. Photographer's stamp on the versos, and two with mimeo snipes on the versos. Welles promised to write, produce, and direct a film for Columbia Pictures president Harry Cohn in exchange for an emergency $55,000 to help finance costuming for his 1946 Broadway musical "Around the World." The resultant film, based on Raymond Sherwood King's 1938 novel "If I Die Before I Wake," courted controversy, not least due to Welles' decision to have Hayes cut and bleach her iconic red hair for her performance. Although the film was a commercial failure in the US upon release, it is now considered a touchstone of the noir genre. Shot on location in Mexico. 8 x 10 inches. Near Fine. National Film Registry. Rosenbaum 1000. Selby US. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.
Editore: chez J.B Caron fils, 1782
Da: LIBRAIRIE GIL-ARTGIL SARL, RODEZ, Francia
A Amiens, chez J.B. Caron fils, 1782. In-8 relié demi-basane blonde à coins, dos très orné, pièce de titre, gardes de joli papier peint, tranches rouges. 211 pages. Cachet d'appartenance au bas de la page de titre. Bel exemplaire, bien relié. Livres.
Editore: Compagnie Internationale de Productions Cinematographiques, N.p., 1960
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of five vintage reference photographs taken on the set of the 1960 French film, including one borderless photograph. One with a manuscript ink annotation and stamp on the verso noting the photograph as No. 756. A dramatization of the Battle of Austerlitz, wherein Napoleon enjoyed the greatest victory of his career, driving away both Austrian and Russian forces. Set and shot on location in Zagreb, Croatia. Four photographs 4.75 x 3.5 inches, one photograph 4.5 x 3.5 inches. Near Fine. Godard, Histoire(s) du cinema.
Editore: Agence Dalmas, Paris, 1966
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless reference photograph from the set of the 1966 film, showing actor Jean-Paul Belmondo doing a stunt in which he falls off his bicycle on the Champs-Élysées. Printed mimeo snipe, Dalmas Agency stamp, PIX agency label, and library stamp on the verso. Based on the 1965 book by Larry Collins and Dominique Lapierre. A retelling of the World War II liberation of Paris in August 1944 by the French Resistance and Free French Forces. Set in Paris and Germany, shot on location in Paris. Fro the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 10.25 x 8 inches. Very Good plus.
Editore: Twentieth Century-Fox, Los Angeles, 1960
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage oversize borderless black-and-white double weight press photograph from the set of the 1960 film. Shot by Jean Schmidt for the French magazine Cinema, with stamps for both parties on the verso. A cinematic experiment tailor made for Welles, in which three actors portray two roles each, spinning two intertwined stories of romantic triangles gone wrong. This image from the first segment of the film, wherein Welles plays a loutish construction worker with an unhappy wife who takes up with a suitor, leading to unfortunate results. 8.5 x 12 inches. Fine.
Condizione: Bon. Paris, 1946-49, in-8, , reliure éditeur, classeur, Exemplaires en parfait état. Rare complet. La Revue du cinéma est un magazine mensuel français consacré au cinéma et fondé par Jean George Auriol en 1928 sous le titre Du cinéma. Renommé en octobre 1929 (no 4) La Revue du cinéma, il a pour collaborateurs André Gide, Marcel Aymé, Robert Aron, Jacques Brunius, Louis Chavance, Paul Gilson. La publication est suspendue en 1932 après le no 292. La Revue du cinéma reparaît en 1946 chez Gallimard, toujours sous la direction d'Auriol, avec entre autres la participation d'André Bazin, Jacques Doniol-Valcroze et Joseph-Marie Lo Duca. Sa publication cesse définitivement en octobre 1949, avec le no 20. En 1951, plusieurs de ses anciens collaborateurs, emmenés par Doniol-Valcroze, créent les Cahiers du cinéma, revue dédiée à la mémoire d'Auriol mort dans un accident de voiture l'année précédente. in-8.
Editore: Columbia Pictures, Culver City, CA, 1947
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage press photograph of Rita Hayworth, Orson Welles, and the film's still photographer Robert Coburn on the set of 1947 film noir. Mimeograph snipe on the verso notes that here Welles and Coburn are discussing the Jean Louis clothing designs for the film with Ms. Hayworth. Shot by Van Pelt, with his stamp on the verso. 8 x 10 inches. In an archival mat. Near Fine.
Editore: RKO Radio Pictures, 1940
Da: Wm Burgett Bks and Collectibles, San diego, CA, U.S.A.
Prima edizione
Spiral Binding. Condizione: Good to Very Good. First Edition. CLEAN good to very good plastic spiral binding. Size: Folio - over 12" - 15" tall.
Editore: Futuropolis, collection Futuropolice Nouvelle, 1983-1986., 1986
Da: La Bergerie, Carouge, Svizzera
Couverture rigide. Condizione: Très bon. 6 séries de 4 volumes in-12, soit 24 volumes, les 4 premières séries sous étui de carton (1 avec étiquette de l'éditeur). Etuis un brin poussiéreux, quelques dos très légèrement insolés. Chaque volume est accompagné de dessins en noir par un illustrateur de renom. Une vraie réussite que cette collection dirigée par François Guérif, affreusement difficile à rassembler - cet ensemble constitue donc une jolie petite perle rare.
Editore: Columbia Pictures, Culver City, CA, 1947
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Archive of seven vintage single and double weight fashion publicity photographs from the 1947 film. Mimeograph snipe on the verso of a few photos notes the Jean Louis clothing designs for the film. Photographers' rubber stamp also to the versos. Based on the 1938 novel "If I Die Before I Wake" by Sherwood King. Surreal and visually stunning, The Lady from Shanghai tells a quintessential film noir tale of moral chaos, reaching its climax with a shootout in an abandoned hall of mirrors. The collection features photographs of leading lady Rita Hayworth in various stylish outfits, and sporting the controversial short blonde hairstyle that soon-to-be ex-husband Orson Welles forced her to accept for the role. Robert Coburn, who photographed all but one of the images in this collection, was one of the most influential portrait photographers employed by movie studios from the 1930s to 1960s, with his most famous portraits immortalizing Hollywood's greatest icons and helping to define the era as the Golden Age of Cinema. In 1940, Coburn began a twenty-year career with Columbia Pictures as the head of the still production department and the studio's chief portrait photographer for many landmark films including "Picnic", "Gilda", and "The Big Heat." Set in California, New York, and Mexico, and shot there on location. 8 x 10 inches. Near Fine to Fine condition. Grant US Classic Noir. Selby US Masterwork. Spicer US. Silver & Ward Classic Noir.