joan fontcuberta (660 risultati)

Condizione: Very Good. 1ST. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: New. hardcover 100% of proceeds go to charity! Item is brand new and never used.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. This volume - investigating the work of a particular photographer, in this case, Joan Fontcuberta - comprises a 4000-word essay by an expert in the field, 55 photographs presented chronologically, each with a commentary, and a biography of the featured photographer. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condizione: Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. Used book that is in clean, average condition without any missing pages.

Hardcover. First edition, first printing. Very Good cloth-bound hardcover with light wear at the extremities, small remainder mark to the bottom edge of the text block, and a small erasure abrasion to the ffep; lacking dj. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Edited by Betty Hahn; essay by Joan Fontcuberta; portfolios of photographs by Joan Fontcuberta, Cristina Garcia Rodero, Humberto Rivas, Javier Vallhonrat, etc. 124 pages; color and b&w plates throughout; 8.25 x 9.75 inches. Excellent work in a variety of genres from 14 Spanish photographers. Overseas sales and expedited shipping will require extra postage for this volume.

Condizione: New.

Hard Back. Condizione: Fine. Condizione sovraccoperta: Fine. Andrus, Damian (illustratore). First Edition Stated. 123 Pages. Gray boards with attractive red endpapers. Gathers portraits, abstracts, landscapes, and street scenes by fourteen modern Spanish photographers. No defects noted. A trip to Spain in 1983 provided Batty Hahn the chance to interview and visit the studios of numerous artists and photographers, and although she could have included many more photographers in this collection she had limited it to fourteen to be able to give each of them spade for a representative portfolio.

Paperback. The Winter 1996 issue of Aperture magazine, No. 142, titled "France: New Visions" and presenting a selection of images by twenty-one contemporary French photographers, with: installations by Sophie Calle and Christian Boltanski; photography by Jeanloup Sieff, Marc Le Mene, Dolores Marat, Mi-Hyun Kim, Sarah Moon, Bernard Faucon, Caroline Feyt, Raymond Depardon, Xavier Emmanuelli, Jean-Francois Joly, Marie-Paule Negre, Nadia Benchallal, Jean-Claude Coutausse, Christine Spengler, Marc Pataut, Lise Sarfati, Pierre et Gilles, Jean-François Lepage, Keiichi Tahara, and Joan Fontcuberta; interviews with Robert Delpire, Marcel Ophuls, and Pierre Bonhomme; poetry by Robert Desnos, Blaise Cendrars, Tristan Tzara, and Raymond Queneau; texts by Jean Baudrillard and Annie Ernaux; Annette Messager exhibition reviewed by Donald Kuspit; and much more. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with a hint of shelf wear and a touch of rubbing to the fore corners. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. Condizione: Very Good. Binding sound, text clean, moderate shelfwear. 4to (oversize) paperback, 40 pages, illustrated exhibition catalogue. Texts in Catalan and English. Book.

Condizione: As New. Unread book in perfect condition.

First Edition. "A near fine copy -- o+G270:I276verall clean, bright and structurally sound. "To" and "From" lines still clear." We provide PROTECTIVE packaging. Photos of our books are always available upon request. SELLING USED AND RARE BOOKS ON ABE SINCE 1997 AND IN OUR STORE IN THE BERKSHIRES FROM 1987 TO 2015.

Condizione: Muy bueno. : Pluja de gel es una conmovedora novela escrita por Peter Stamm y con la colaboración de Joan Fontcuberta i Gel. Publicada en tapa blanda por Quaderns Crema, esta edición cuenta con 136 páginas y sumerge al lector en una historia que explora temas profundos y reflexiones sobre la vida. EAN: 9788477273608 Tipo: Libros Categoría: Literatura y Ficción Título: Pluja de gel Autor: Peter Stamm| Joan Fontcuberta i Gel Idioma: es-ES Páginas: 136 Formato: tapa blanda.

Condizione: Muy bueno. : En 'Tots els colors del camaleó', Joan Fontcuberta i Gel explora la traducción como un proceso de adaptación y transformación, comparando al traductor con un camaleón que se adapta al entorno. A través de reflexiones personales y experiencias profesionales, el autor ofrece una visión profunda sobre el arte de la traducción y su importancia en la propagación de la cultura y el enriquecimiento de las lenguas. Este ensayo es una invitación a reflexionar sobre la complejidad y la belleza de este oficio esencial. EAN: 9788492408115 Tipo: Libros Categoría: Educación Título: Tots els colors del camaleó Autor: Joan Fontcuberta Gel Editorial: AROLA EDITORS S.L Idioma: cat Páginas: 152 Formato: tapa blanda.

Paperback. Condizione: new. Paperback. The gesture of pointing is the perfect embodiment of photography's function as a visual document: an injunction to look at this. In this textual and visual essay, artist Joan Fontcuberta takes the index finger as his point of departure for an insightful and irreverent consideration of photography's relation to indexicality. He refutes, as well as draws on, Roland Barthes's suggestion that every photograph tells us 'this has been' ('ca a ete'), reckoning with the inconvenient multiplicity of thises in any given image. If a photograph constitutes such a statement - as made explicit in images that include a pointing finger - does the camera witness reality or performance? These existential issues are further complicated by the emergence of post-photography and generative AI. In this typically engaging and iconoclastic essay, Fontcuberta destabilises our ideas about the authority and authoriality of images, drawing on psychoanalysis, semiotics, and his own autobiography. His text is interleaved between two compelling visual essays formed of images from the archive of Mexican tabloid Alerta from the 1960s to 1980s, in which the pointing index finger forms a haunting and often humorous through-line. This textual and visual essay takes the index finger as the point of departure for an insightful and irreverent consideration of photography's relation to indexicality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. 1st edition. Hardbound, no dust jacket, as issued.

Paperback. Condizione: VG. 62pp. Ends of spine rubbed & bumped; light soiling on fep. Illus.; biblio.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Paperback. Condizione: Very Good. Text and images unmarked. Previous owner's name written on FFEP. The wrapper shows some light handling, some rubbing at the head of the spine. 18mo. 253pp.

Soft cover. Condizione: Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Pablo Genovés, Daniel Canogar, Eduard Ibañez, Javier Vallhonrat, Manuel Vilariño, Valentin Vallhonrat, María José Gómez Redondo, Joan Fontcuberta, Ana Teresa Ortega, Chema Madoz and Jorge Ribalta. 80 pp., with black-and-white and four-color plates throughout. 11-3/8 x 9-1/2 inches. Fine.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. Tight, clean and crisp. No inscriptions. No remainder mark. Not price clipped. Not ex-library. An excellent First Printing of the First Edition protected in a new Mylar cover. ; Oblong 4to; 133 pages.

Hardcover. Condizione: Good. No Jacket. Hard bound. No dust jacket. Text in Italian. Boards show wear to edges and corners. Binding weak, but holding.

Paperback. Condizione: New. The gesture of pointing is the perfect embodiment of photography's function as a visual document: an injunction to look at this. In this textual and visual essay, artist Joan Fontcuberta takes the index finger as his point of departure for an insightful and irreverent consideration of photography's relation to indexicality. He refutes, as well as draws on, Roland Barthes's suggestion that every photograph tells us 'this has been' ('ca a ete'), reckoning with the inconvenient multiplicity of thises in any given image. If a photograph constitutes such a statement - as made explicit in images that include a pointing finger - does the camera witness reality or performance? These existential issues are further complicated by the emergence of post-photography and generative AI. In this typically engaging and iconoclastic essay, Fontcuberta destabilises our ideas about the authority and authoriality of images, drawing on psychoanalysis, semiotics, and his own autobiography. His text is interleaved between two compelling visual essays formed of images from the archive of Mexican tabloid Alerta from the 1960s to 1980s, in which the pointing index finger forms a haunting and often humorous through-line.

Hardcover. First edition. Fine clothbound hardcover; no dj as issued. . BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "'Embryonic Landscapes' is a collection of images of embryonic forms and the space they create. Mexican-born, New York-based Ruiz i Altaba received his doctorate in molecular biology and biochemistry from Harvard and is currently a professor in the Developmental Genetics Program at NYU School of Medicine. 'Embryonic Landscapes' presents the first public exhibition of his work in combining art and science." Photographs by Ariel Ruiz i Altaba; essays by John Berger, Joan Fontcuberta, William Vollmann, Lawrence Weschler, etc. 168 pages; b&w illustrations throughout; 7.5 x 11.75 inches.

Condizione: Used: Like New. Cartonné, comme neuf.

Text in Spanish and English. ISSN 0211-7029. 76 pages including covers. Paperback: H 29.75cm x L 21cm. Paper covers toned and soiled with some stains; unfortunate large patch of surface peeling to rear cover's bottom third along with partially peeled price sticker for Los Angeles' A Different Light bookstore. Some rear leaves have faint staining at margins; shallow peeling at bottom margins of pages 50-51 not affecting text or images. Binding is firm.