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Editore: Harry N. Abrams, 2016
ISBN 10: 1419720678ISBN 13: 9781419720673
Da: Gulf Coast Books, Memphis, TN, U.S.A.
Libro
Hardcover. Condizione: Good. Kory Merritt (illustratore).
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Nuovo - A partire da EUR 11,20
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Editore: Berkley, 2009
ISBN 10: 0425226328ISBN 13: 9780425226322
Libro
Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.
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Nuovo - A partire da EUR 4,47
Usato - A partire da EUR 4,60
Scopri anche Brossura
Editore: New Horizon Press, 2008
ISBN 10: 0882823256ISBN 13: 9780882823256
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.3.
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Nuovo - A partire da EUR 51,70
Usato - A partire da EUR 6,98
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Editore: April 1988, 1988
ISBN 10: 0345353013ISBN 13: 9780345353016
Da: Colorado's Used Book Store, Englewood, CO, U.S.A.
Libro
Mass Market Paperback. Condizione: Good. Mc Kinney,Jack Dark Powers (Sentinels,No 2) Creases to the spine with some edgewear to cover All Orders Shipped With Tracking And Delivery Confirmation Numbers.
VHS. Sterling Holloway, Edward S. Brophy, Herman Bing, Verna Felton, Cliff Edwards (illustratore). Run time: 63 mins. Originally released: 1941. VHS TAPE-in nice clamshell case. I have a lot of disney and children's VHS tapes to make multiple item purchases from. VHS 9.
Editore: Gemstone Publishing, 2006
ISBN 10: 1888472278ISBN 13: 9781888472271
Da: Ergodebooks, Houston, TX, U.S.A.
Libro
Paperback. Condizione: Good.
Editore: Harmony January 1989, 1989
ISBN 10: 0517570572ISBN 13: 9780517570579
Da: Dunaway Books, St. Louis, MO, U.S.A.
Libro
Hardcover. Condizione: Good. Condizione sovraccoperta: Good.
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Nuovo - A partire da EUR 34,73
Usato - A partire da EUR 9,63
Scopri anche Rilegato Prima edizione Copia autografata
Editore: Parker Publishing Co., Inc., West Nyack, NY, 1972
ISBN 10: 0132169371ISBN 13: 9780132169370
Da: Sessions Book Sales, Birmingham, AL, U.S.A.
Libro
Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Good. 259 pages. Illustrated. Home Remedies.
Editore: Gemstone Publishing, 2007
ISBN 10: 188847260XISBN 13: 9781888472608
Da: Ergodebooks, Houston, TX, U.S.A.
Libro
Paperback. Condizione: Good.
Editore: Temple University Press, 2002
ISBN 10: 1566399513ISBN 13: 9781566399517
Libro
Condizione: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
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Editore: Gemstone Publishing, 2007
ISBN 10: 1888472863ISBN 13: 9781888472868
Da: Ergodebooks, Houston, TX, U.S.A.
Libro
Paperback. Condizione: Good.
Editore: Alfred, 2011
Da: Ergodebooks, Houston, TX, U.S.A.
Libro
Paperback. Condizione: New.
Editore: Gemstone Publishing, 2008
ISBN 10: 1603600310ISBN 13: 9781603600316
Da: Ergodebooks, Houston, TX, U.S.A.
Libro
Paperback. Condizione: Good.
Editore: Createspace Independent Publishing Platform, 2014
ISBN 10: 1499108486ISBN 13: 9781499108484
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Libro Print on Demand
Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Editore: Harmony Books (c.1988), New York, 1988
Da: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine dj. Illustrated by (dj design) Ron McCutchan (illustratore). First Edition. [very nice copy, with a tiny ink note at the bottom edge of the front endpaper, but no significant wear to either the book or the jacket]. (B&W drawings) Hilarious anecdotal memoir by a veteran animator and director who went to work for Walt Disney in 1931 and spent 27 years at the studio. His "uncensored anecdotes and lively drawings share a side of the Disney story only hinted at in other accounts." The Foreword is by Leonard Maltin, who praises the book for providing "a sense of the day-to-day reality of life at Disney's." The book is entirely illustrated with Kinney's own drawings, many of which are caricatures of his Disney colleagues -- and of course of Walt himself, who he calls "a genius whose enormous vision was equaled only by the size of his ego.".
Editore: Harmony Books, New York, 1988
Da: Nightingale Books, Stoughton, MA, U.S.A.
Libro
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Printing (1st Ed.). Illustrated with line drawings by the author. Memoir, Animation.
Editore: Parker Publishing Company, Inc
Da: Robinson Street Books, IOBA, Binghamton, NY, U.S.A.
Membro dell'associazione: IOBA
Libro
hardcover with dustjacket. Condizione: good. Prompt shipment, with tracking. we ship in CLEAN SECURE BOXES NEW BOXES sm4to; 259 pages; good hardcover with dustjacket; dustjacket price clipped by previous owner; foxing; dustjacket few nicks and tears; tips bumped; clean pages; prompt shipping with tracking.
Editore: Garden Bay, Canada: Fanzini, 1974
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. VG+. 4to, 120pp, printed wrappers. Deliriously packed art magazine from 1974, lots of collage and mail-art work (including an enigmatical Ray Johnson page). Light wear to the fragile wrappers (small closed tear at base of spine) and some outer soil, no markings. Not Signed.
Editore: New York Harmony Books 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Prima edizione Copia autografata
First Edition. Signed by the author / illustrator, Jack Kinney, and with a large original drawing signed,ÒThanks, Jack Kinney.Ó The drawing is of Mr. Magoo standing outside leaning in close to read a sign which says ÒKeep off the grass.Ó while he says, ÒConfound it I want to buy a book!Ó In the background is a sign reading ÒTo LowryÕs BooksÓ pointing in the opposite direction. Foreword by film critic and historian Leonard Maltin. Fine in a fine dust jacket. Extensively illustrated. Jack Kinney started working with Disney as an animator in 1931, working on Mickey Mouse cartoons and eventually had major roles working on ÔPinocchioÕ, ÔDumbo,Õ and ÔPeter Pan.Õ He received five Academy Award nominations and won an Oscar for ÔDer FuhrerÕs Face.Õ.
Editore: 12 1/2Ó x 10 1/2Ó c. 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing signed by Disney animation artist Jack Kinney depicting a frustrating day in the life of an artist at work in the Disney Studios. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing did not appear in the final published version of the book. Fine condition. In this drawing, one of the Disney animators is sitting at his drawing desk on which is a blank sheet of paper. Crumpled papers and cigarette butts litter the floor at his feet. Overhead a dark cloud rains down upon him while he holds his head in his hands, a glum expression on his face, as he blows smoke through his nose, cigarette dangling from his mouth. The text reads: ÒSome days things donÕt just come easy - or, drawing a complete blank.Ó Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: 12 1/2Ó x 10 1/2Ó c. 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing signed by Disney animation artist Jack Kinney depicting two Disney studio writers playing around instead of working. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing did not appear in the final published version of the book. Fine condition. In this drawing, two Disney writers are at a work table, one has his feet up on the table and is checking his watch, saying ÒWoops! Five OÕClock - Lets get down [sic] early and really loaf.Ó And the other has his head in his hand, halfheartedly playing a game of tic-tac-toe, replying ÒZ-Z-Z-Z Yeah ZZZ.Ó The table surface is littered with overflowing ash trays and pencil cups and the piece is titled ÒStory Guys - Animators View Point.Ó Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: 12 1/2Ó x 10 1/2Ó c. 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing signed by Disney animation artist Jack Kinney of a group of his colleagues. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing did not appear in the final published version of the book. The drawing shows a line-up of KinneyÕs fellow Disney staffers, featuring Ralph Wolf, Hal Adelquist, and Marion OÕCallahan, with a caption reading, ÒNot all the Bad-Men and Women Play Villains in the Westerns.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: 12 1/2Ó x 10 1/2Ó c. 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing signed by Disney animation artist Jack Kinney of an exchange between story man Roy Williams and an animator. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing did not appear in the final published version of the book. The drawing is set at the shore and shows Disney story man Roy Williams carrying a fishing pole and walking away from an animator who is painting the seascape in the distance, with Williams turning back to his colleague and saying, ÒAll artists is fags!Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: 12 1/2Ó x 10 1/2Ó c. 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing signed by Disney animation artist Jack Kinney showing a game of gin being played at the office. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing did not appear in the final published version of the book. The drawing shows two Disney staffers playing a game of gin at a desk in the studio offices, with the caption, ÒKeeping OneÕs Hand In.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: 8 1/2 by 11 inches circa 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing by Disney animation artist Jack Kinney for his book Walt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney (Harmony Books, 1989), however this drawing did not appear in the book. The drawing is titled ÒWhen Knighthood Was in FlowerÓ and shows a knight in full armor watering a potted flowering plant on the ground at his feet from a spigot protruding from his lower torso, with a castle in the background. Includes a signed letter of authenticity. Near fine condition with just a trace of handling. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: 8 1/2 by 11 inches circa 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing by Disney animation artist Jack Kinney for his book Walt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney (Harmony Books, 1989), however this drawing did not appear in the book. The drawing depicts the end of WWII when people at the studio would return from war duty with the text, ÒSoon the Boys and Girls Returned.Ó It has Ò1946Ó and ÒPEACEÓ drawn at the center of the page with a cartoon chicken below the text for comic effect. Includes a signed letter of authenticity. With a 1 1/4 inch tear to the left edge, else near fine condition with just a trace of handling. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: 8 1/2Ó x 11Ó c. 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing signed by Disney animation artist Jack Kinney showing Disney story man Harry Reeves working on an idea. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989). This illustration appears on page 67.Ó In the drawing Kinney shows Reeves hard at work, struggling for a story idea, shaking his head with a cloud of dandruff flying, as he says, ÒSon of a Buck.Ó The caption reads, ÒHarry ÔSnackeryÕ Reeves had dandruff and a nervous habit of tugging his collar while trying to think of a gag or piece of ÔbusinessÕ.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: 11Ó x 8 1/2Ó c. 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing signed by Disney animation artist Jack Kinney of a practical joke being played on story man Honor Brightman. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This complete drawing did not appear in the final published version of the book, however part of it appears on page 89 as an illustration for an anecdote about Disney story man Honor Brightman. In the full drawing Brightman is wearing only an undershirt and boxers as he excitedly provides the voices of various Disney characters while a man in a radio booth directs him. The gist of the gag was that, in rehearsal for a radio spot, the director convinced Brightman to remove one item of clothing after the next, telling him that the sound quality was being distorted by his clothes. For the published version, we see only the part of the drawing with Brightman in his underwear, holding a script, as he speaks into the mike. Kinney has written ÒTake 97, Roll it.Ó above the director in the sound booth and ÒHi-Ya Minnie, HÕLo Pluto, Arf, Arf, Heh, Heh, Heh.Ó above Brightman. The drawingÕs caption reads ÒAudition.It was a Hot Night.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.
Editore: New York Harmony Books 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Prima edizione Copia autografata
First Edition. Signed by the author / illustrator, Jack Kinney, and with a large original drawing by him of Mickey Mouse swinging on a trapeze with a nervous expression on his face. KinneyÕs inscription next to the drawing reads: ÒThe Mouse on the Flying Trapeze, Jack Kinney.Ó Foreword by film critic and historian Leonard Maltin. Fine in a fine dust jacket. Extensively illustrated. Jack Kinney started working with Disney as an animator in 1931, working on Mickey Mouse cartoons and eventually had major roles working on ÔPinocchioÕ, ÔDumbo,Õ and ÔPeter Pan.Õ He received five Academy Award nominations and won an Oscar for ÔDer FuhrerÕs Face.Õ.
Editore: 10 1/2Ó x 10 1/2Ó c. 1988, 1988
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Copia autografata
Original ink & pencil drawing signed by Disney animation artist Jack Kinney depicting him getting a slap on the back by his boss Walt Disney. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing did not appear in the final published version of the book. Fine condition. In this drawing, Jack Kinney is standing in what appears to be a busy train or bus station, apparently minding his own business, when from behind him Walt Disney appears, and with a big grin on his face, slaps Kinney on the back, saying: ÒHi Ya Jack!Ó Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.