kokin lisa (16 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Stapled wraps. Condizione: Near Fine. Near Fine tan stapled wraps about 7x8½ inches. 24 pages, unmarked ; ECR OVR78; 24 pages.

Condizione: Good. Kokin, Lisa (illustratore). Light shelfwear, the book has been used, remains fine to read and reference throughout, a decent enough copy.

Condizione: very good. Lisa Kokin (illustratore). First? Edition. First? Printing. 126, wraps, illus., maps, notes, resources. An errata and update sheet is laid in, and appears to have Adele Beccar-Varela's signature, address, and phone number in ink. This book compares and contrasts the two neighboring nations of Mozambique and Tanzania, examining major questions of development.

Soft cover. Condizione: Very Good. 15 pp., illustrations.

Hardcover. Condizione: Fine. No Jacket. Lisa Kokin (illustratore). In fine condition; light soiling back board; otherwise, as new. SIGNED by author on title page. Batiks by Lisa Kokin. 131 numbered pages. Blue cloth boards with black stamped lettering on front board and spine. 9 1/4 x 6 1/8 in. Signed by Author(s).

Soft cover. Condizione: Good. Lisa Kokin (illustratore). In good condition; background color fading along spine, thin bands of similar fading front and back cover at spine edge, with area at top edge of front cover showing slighter level of fading; faint scuffing to wraps; points of light rubbing along edges; diagonal crease at top edge front cover; short diagonal crease top outside corner front cover and first few pages; slight soiling outside edges of book; interior pages clean and bright; binding sound. SIGNED by author on title page. Batiks by Lisa Kokin. 131 numbered pages. 9 x 6 in. Inv. FS0259. Signed by Author(s).

6x4 inch postcard featuring an colorful piece by Lisa Kokin; no writing or address on verso, slight toning on verso, overall in very good condition. Lesbian artist based in the Bay Area.

Staplebound. Condizione: Used - Very Good. Condizione sovraccoperta: Very Good. Staplebound copy. In very good condition.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. Presumed first edition. No additional date, edition or printing indicated. Near fine wraps/paperback. Upper fore-edge corner of rear cover and last three leaves have a one inch diagonal crease. Only minor, if not trivial additional signs of age/wear/previous use: primarily to front coover and spine.

Condizione: Good. 8vo. [20] pp. Soft cover. Good. Color plates. From the collection of Peter Selz, Art History Professor at UC Berkeley. Minor water damage.

Unpaginated slim paperback, about twenty pages of text & exhibit photos (photographs reproduced well, in b&w, sepia and color as called for); glossy pamphlet in 7x7 inch decorated wraps, with, appended, an extensive vita. As-new condition: perfectly sound, clean & unmarked.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Fine. Unique, signed by the artist. Oblong octavo. (13)ff. Made almost entirely of found objects, most related to sewing and fashion, the book slyly deploys the language and imagery of heteronormative dress--what we might today identify with the "tradwife" cultural phenomenon--to comment on the fluidity of sexuality. It oscillates between images of "average" (i.e. straight, cis) looks and relationships, as constructed by an external social and commercial force, and the materials of do-it-yourself clothing, suggesting that your inner life, including your sexuality, is what you make it. Kokin's specific attention to 1950s America highlights the consumerism and conservativism that weighed upon those who dared be different; her aim is clearest at the second leaf, where an Oakland police fingerprint document has been altered to the "Bureau of Orientation. "The book's readymade structure embodies exactly the sort of coy winks required to communicate queerness in the midcentury period. Bound with a binder ring in cardboard covers printed with instructions for assembling a dresser. Fine. Archivally housed in clamshell box.

Softcover. Condizione: Fine. Unique, signed by the artist. Square octavo. (17)ff. Kokin's wary glimpse at the social conditioning of children into a state of compliance, and the quashing of youthful self-expression, is made from tapes of various kinds (including, fittingly, "duck") and found photographs and objects. The stickiness of the tapes creates obvious friction between the pages, haptically evoking the frictive and constrained experience of being a child in a bifurcated country, where you either fit in or you don't. The final page sums up the concern and its problematic results. A sheet reads, "You may play this game. Who will be the policeman? Who will be the lost child?" Throughout the rest of the volume, cropped images of children along with found text and scraps of educational paraphernalia - among which are a jigsaw puzzle, a lettering stencil, and math problems - reinforce the point. Of course, now the title evokes that other distressing fear around an American childhood, school shootings. Bound in duct tape wrappers with binder rings. Housed in sheet metal box with wooden toy duck affixed to the lid. Fine.

No binding. Condizione: Fine. Unique. Signed by the artist. (18)ff. A structured, sutured collage of found text and images, Kokin's stitched portrait of American middle class life reflects its anxieties and its capitulations to normativity. The volume begins by stating that "in the suburbs anesthesia is possible," summing up the argument that the engine of American power and capitalism feeds upon the "dream" of white-picket-fence comfort. Images of children, couples, and architecture are bordered by American flag stamps, themselves an ironical seal of approval of what those images depict. The result is a brilliant, and unsettling, address of the passivity which bleeds into submission to the will of those in power - a distinctly American experience. Housed in a found needle box. Fine.