larry corner (11 risultati)

Trade Paperback. Condizione: Very Good. Very Good, unmarked, 47-page, stapled booklet with crease in top corner of front wrap and soft crease in top corner of all pages in text block.

Softcover. Gr.-8°. Farbige Original-Hefte, durchgehend gut - mäßig erhalten. Einzelerwerb für 8 Euro zzgl. 3 Euro Versand möglich! Bitte gewünschte Nummer angeben! -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Gönnen Sie sich etwas Gutes zu Weihnachten - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! Kue07930.

Softcover. Gr.-8°. Farbige Original Hefte mit jeweils ca.60 Seiten. Überwiegend Gut erhalten. 18) Bd.214: Kendall King. Ein Toter gibt Antwort. 19) Bd. 219: Kendall King - das Auge Shivas. 20) Bd.220: Kendall King. Das Rätsel von Paddington. 21) Bd.225: Coup des Kelly-Teams. Wir zerissen das Todesnetz. 22) Bd.229: Norman Nelson. Der Mörder mit dem Nelkenmund. 23) Bd.231: Jim Fifty. Der flüsternde Freund. 24) Bd.232: Wir stellen die letzte Diagnose. 25) Bd.235: Hudson-Hai. 26) Bd.238: Unternehmen Höllenhund. 27) Bd. 239: Harlem-Ratten. 28) Bd.240: Lucky Hello. .Kompromißlos. // Einzelerwerb für 8 Euro zzgl. 2 Euro Versand möglich (Inland). Bitte gewünschte Nummer angeben! -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Gönnen Sie sich etwas Gutes zu Weihnachten - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! K00856.

Softcover. Condizione: Near Fine. Number 4. Stapled wrappers. Octavo. 44pp. Nicks at the spine ends else just about fine. A slick little magazine featuring a color cover illustration of Sixties film icon Viva in the film *Cleopatra*, and a two-page cartoon with by Barton Benes. Contributors include Diane di Prima, Douglas Blazek, Paul Blackburn, Jack Spicer, Larry Eigner, Frank Kuestler, Jack Anderson, Lennox Raphael, Frederic Rzewski, Clive Matson, Brown Miller, Dave Kelly, Bruce Rodgers, Philip Corner, Fritz Hamilton, Jack Micheline, C.H. Hejinian, John Harriman, and Sam Abrams.

Softcover. Condizione: Very Good. Magazine. Edited by Vito Acconci and Bernadette Mayer. Quarto. 96pp. Side stapled in unprinted white wrappers and NOT stamp "9 to 0" o the cover as usual. Very good or better with hint of toning, a bit of edgewear and the bottom edge of one internal page that is larger then the rest with tears and creases. Contributors include Jasper Johns, Sol Lewitt, John Perreault, Larry Fagin, John Giorno, Philip Corner, Rosemary Mayer, Hannah Weiner, Yvone Rainer, Alan Sondheim, Lee Lozano, Lawrence Weiner, Steve Paxton, Bernar Venet, Robert Barry, Dan Graham, Douglas Heubler, Robert Smithson, Karen Pirups-Hvarre, Michael Heizer, Robert Barry, Adrian Piper, Nels Richardson, and Bern Porter. The final standard issue of this important poetry magazine.

Soft cover. Condizione: Very Good. 1st edition. VG. 4to, 128pp, stapled plain wrappers. The rare final issue of Vito Acconci and Bernadette Mayer's seminal 1960s mimeo revolution magazine of experimental writing and art. Includes many works by first-rank avant-garde artists and their scribbling confreres. This copy from the collection of Opal Louis Nations. Unmarked copy of a rare survival with a significant provenance, light wear and minor evidences of material experience. Not Signed.

116 pp.; 28 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue Number six of the irregularly issued periodical "0 to 9" edited by Bernadette Mayer and Vito Hannibal Acconci. Contains texts by Sol LeWitt, "Sentences on Conceptual Art"; Richard Johnny Jon and Jerome Rothenberg; Robert Smithson, "Non-Site Map of Mono Lake, California"; John Perreault; Yvonne Rainer; Mayer; Clark Coolidge; Acconci; Hannah Weiner; Les Levine; Adrian Piper; Eduardo Costa; Kenneth Koch; Philip Corner; Jack Anderson; Rosemary Mayer John Inslee. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 34 - 35 and 37. No. 3.6, 3.7, and 3.8 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 82, 86, 88, 230. Fair. Moderate soiling of covers including overall rubbing; 17.6 x 1.1 cm. area of water damage to bottom of recto which lightly carries through to the first two pages; multiple small tears along spine edge and areas of loss measuring 2 cm. and 6 mm.; 3.1 cm dog-ear to upper left corner; 2. 5 cm. dog-ear to upper right corner of recto and first two pages; and a 3 cm. indentation on recto. 2.3 cm. dog ear to top corner of verso with moderate rubbing and light indentations of verso; 1.2 cm. thick strip of soiling along top edge. Verso and last 26 pages of periodical have gentle bisecting fold mark. Soiling to page edges. Additional light handling wear.

Soft cover. Condizione: Very Good. 4to. 114 pp. Side stapled wraps. Fourth issue of Acconci and Mayer's much sought after experimental art, fiction, and poetry periodical. The covers for this issue are each unique, created by Acconci and Mayer by stripping the dust jackets from their books at home and affixing them to the covers of each magazine. This example is taken from W.B. Yeats. Contributors to this issue include Clark Coolidge, Harry Mathews, John Giorno, Steve Paxton, Emmett Williams, Bernadette Mayer, Lord Herbert of Cherbury, Lord Stirling, Vito Hannibal Acconci, Jackson Mac Low, Larry Freifeld, Barrett Shaw, Dick Higgins, Bern Porter, Sol LeWitt, Hannah Weiner, Dan Graham, George Bowering, John Perreault, Phil Corner, and Rosemary Mayer. In Very Good condition with creasing and rubbing to the wraps, plus a bit of age toning along the edges. The top staple does not go all the way through in what seems to be a publisher's error. Interior pages are slightly creased to the upper right corner and also show a bit of age toning. There is rubbing to the first page from the pasted on Yeats cover. Still, a well preserved copy of this fragile publication.

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.

No Binding. Condizione: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.