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Editore: GS EDITION 5, 1993
ISBN 10: 0793509521ISBN 13: 9780793509522
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: SCHOTT - EAMC, 2009
ISBN 10: 1423435931ISBN 13: 9781423435938
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: GS EDITION 5, 1993
ISBN 10: 079350919XISBN 13: 9780793509195
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: GS EDITION 5, 1996
ISBN 10: 0793549698ISBN 13: 9780793549696
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: G. Schirmer, Inc., 1993
ISBN 10: 0793526914ISBN 13: 9780793526918
Da: Grand Eagle Retail, Wilmington, DE, U.S.A.
Libro
Paperback. Condizione: new. Paperback. (Vocal Solo). The piece was originally a duet, but the composer also adapted a version for solo voice. The 17th century British poem by Andrew Marvel tells of a happy island paradise. The piece was originally a duet, but the composer also adapted a version for solo voice. The 17th century British poem by Andrew Marvel tells of a happy island paradise. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Editore: GS EDITION 5, 1993
ISBN 10: 0793509513ISBN 13: 9780793509515
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Condizione: Very Good. Very Good condition. (Music, Sheet Music, Musicbook) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Editore: GS EDITION 5, 1990
ISBN 10: 0793543843ISBN 13: 9780793543847
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: GS EDITION 5, 1993
ISBN 10: 0793523648ISBN 13: 9780793523641
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: Belwin Mills Publishing Corp., 1984
Da: The Story Shop, Elwood, IN, U.S.A.
Softcover. Condizione: Very Good. Nice and clean except "Past Due" stamped on the front cover. ; Has parts for both violin and piano in separate booklets. SI 168.; 4to 11" - 13" tall.
Editore: Boosey & Hawkes, 1967
Da: Snow Crane Media, Millburn, NJ, U.S.A.
Soft cover. Condizione: New. New, No Shelf Wear, No Surprises. Same Day Shipping. Book.
Editore: Southern Music Publishing Co. Inc., New York, 1985
Da: Yes Books, Portland, ME, U.S.A.
Libro
Card Covers. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. Previous price sticker on back cover. Otherwise this songbook is clean and unmarked in near fine condition. 39 pages.
Editore: GS EDITION 5, 1992
ISBN 10: 0793506301ISBN 13: 9780793506309
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: Peermusic Classical Gmbh
Da: AHA-BUCH GmbH, Einbeck, Germania
Spartito
Noten. Condizione: Neu. Neuware.
Editore: Belwin-Mills, New York, 1972
Da: By Books Alone, Woodstock, NY, U.S.A.
Prima edizione
Original Printed Wrappers. Condizione: Good. First Edition. Former owner's signature in red ink on title page.
Editore: Peermusic Classical Gmbh
Da: AHA-BUCH GmbH, Einbeck, Germania
Spartito
Noten. Condizione: Neu. Neuware.
Editore: Belwin-Mills, New York, 1972
Da: Clayton Fine Books, Shepherdstown, WV, U.S.A.
Libro Prima edizione
Soft Bound. Condizione: Near Fine. First Edition. Near fine in original wrappers. Libretto.
Editore: G. Schirmer, New York, 1993
Da: NUDEL BOOKS, New York, NY, U.S.A.
Libro Prima edizione Copia autografata
Soft cover. Condizione: Near Fine. 1st Edition. 4to, stapled wrappers, 34pp, INSCRIBED "for Richard Hundley with long friendship Lee 101/97" Stated first edition.(vvcltopx2. Signed by Author(s).
Editore: Belwin-Mills, 1976
ISBN 10: 9110841768ISBN 13: 9789110841765
Da: Dunaway Books, St. Louis, MO, U.S.A.
Libro
Paper Back. Condizione: Very Good. Quarto in illustrated wraps. Very Good: a couple corners creased and the first pages creased at the upper right, p.o. signature on the title page.
Editore: Belwin-Mills, (New York), 1972
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Prima edizione
Softcover. Condizione: Fine. Libretto: vi, 66 pp.; 27 cm. Fine in printed wrappers. A scarce copy of Lanford Wilson's libretto to Lee Hoiby's most famous opera, based on the play by Tennessee Williams. It premiered in June, 1971 by the St. Paul Opera in Minnesota.
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Copia autografata
- Two proof copies of the first version of the work with extensive autograph corrections and annotations in Hoiby's hand in lead and red pencil and red ink. Together with a typed letter signed by Ted Vunderink of Peer-Southern regarding the proofs. - Five copies of the autograph manuscript fair copies with numerous autograph annotations illustrating the evolution of the work: (1) A Letter and Three Poems; (2) Three Poems and a Letter; (3) Four Dickinson Songs; (4) Five Dickinson Songs; (5) The Shining Place. - The published version of 1988 (Four Dickinson Songs. 23 pp.). With minor corrections and annotations. "As a composer Hoiby was a modern Romantic from the lineage of Barber and Menotti. The influence of the former is evident in his warm lyricism, while that of the latter is found in a propensity for light, genial humour. Though much of his music is characterized by a disarming diatonic simplicity, his ambitious works tend towards greater harmonic and textural complexity. Interest in his music has centred chiefly around his operatic, choral and vocal works, which seem to stimulate his most deeply felt efforts. Some of these works - for example Summer and Smoke, Galileo Galilei and The Tempest - achieve an eloquence comparable to the later works of Barber. With greater critical acceptance of more conservative musical styles from the early 1980s onwards, Hoiby's music has been performed and recorded with increasing frequency." Richard Jackson and Walter G. Simmons in Grove Music Online.
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Prima edizione Copia autografata
Folio. Stapled at upper margin. Folio. 3 pp. Notated on 16-stave green music paper. A working manuscript. Together with: - Two photographic copies of the autograph manuscript fair copy with occasional autograph annotations in lead and blue pencil. The title has been changed from "The Saints" to "The Shining Place" in one of the copies. - Proof copy of the first edition published by Southern Music, ca. 1988. Folio. Spiral-bound dark pink wrappers. With autograph alterations and corrections in red and lead pencil. With a partial photographic copy of the composer's autograph manuscript. - The published edition of 1988 with occasional editorial corrections and alterations in red and lead pencil. "As a composer Hoiby was a modern Romantic from the lineage of Barber and Menotti. The influence of the former is evident in his warm lyricism, while that of the latter is found in a propensity for light, genial humour. Though much of his music is characterized by a disarming diatonic simplicity, his ambitious works tend towards greater harmonic and textural complexity. Interest in his music has centred chiefly around his operatic, choral and vocal works, which seem to stimulate his most deeply felt efforts. Some of these works - for example Summer and Smoke, Galileo Galilei and The Tempest - achieve an eloquence comparable to the later works of Barber. With greater critical acceptance of more conservative musical styles from the early 1980s onwards, Hoiby's music has been performed and recorded with increasing frequency." Richard Jackson and Walter G. Simmons in Grove Music Online.
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Copia autografata
Folio. 5 pp. Notated in pencil on 16-stave music paper. A working manuscript. Together with: - Three photographic copies of the autograph manuscript fair copy with occasional autograph annotations and corrections in lead and red pencil. "As a composer Hoiby was a modern Romantic from the lineage of Barber and Menotti. The influence of the former is evident in his warm lyricism, while that of the latter is found in a propensity for light, genial humour. Though much of his music is characterized by a disarming diatonic simplicity, his ambitious works tend towards greater harmonic and textural complexity. Interest in his music has centred chiefly around his operatic, choral and vocal works, which seem to stimulate his most deeply felt efforts. Some of these works - for example Summer and Smoke, Galileo Galilei and The Tempest - achieve an eloquence comparable to the later works of Barber. With greater critical acceptance of more conservative musical styles from the early 1980s onwards, Hoiby's music has been performed and recorded with increasing frequency." Richard Jackson and Walter G. Simmons in Grove Music Online.
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Copia autografata
Folio. Unbound. 5 pp. Notated in pencil on 16-stave music paper. A working manuscript, with numerous autograph corrections, deletions, and alterations; page 3 in photocopy. Together with: - A photographic copy of the autograph manuscript fair copy with autograph corrections and markings in red pencil. "As a composer Hoiby was a modern Romantic from the lineage of Barber and Menotti. The influence of the former is evident in his warm lyricism, while that of the latter is found in a propensity for light, genial humour. Though much of his music is characterized by a disarming diatonic simplicity, his ambitious works tend towards greater harmonic and textural complexity. Interest in his music has centred chiefly around his operatic, choral and vocal works, which seem to stimulate his most deeply felt efforts. Some of these works - for example Summer and Smoke, Galileo Galilei and The Tempest - achieve an eloquence comparable to the later works of Barber. With greater critical acceptance of more conservative musical styles from the early 1980s onwards, Hoiby's music has been performed and recorded with increasing frequency." Richard Jackson and Walter G. Simmons in Grove Music Online.
Data di pubblicazione: 1986
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Copia autografata
Folio. Stapled. 7 pp. Notated in pencil on various 16-stave papers. A working manuscript, with numerous corrections, deletions, and additions. Variously dated January 4, 5 and 7, 1986. Pages 1 and 7 in photocopy. Together with: - A photographic copy of the fair copy of the manuscript with several autograph corrections and additions in blue pencil. "As a composer Hoiby was a modern Romantic from the lineage of Barber and Menotti. The influence of the former is evident in his warm lyricism, while that of the latter is found in a propensity for light, genial humour. Though much of his music is characterized by a disarming diatonic simplicity, his ambitious works tend towards greater harmonic and textural complexity. Interest in his music has centred chiefly around his operatic, choral and vocal works, which seem to stimulate his most deeply felt efforts. Some of these works. achieve an eloquence comparable to the later works of Barber. With greater critical acceptance of more conservative musical styles from the early 1980s onwards, Hoiby's music has been performed and recorded with increasing frequency." Richard Jackson and Walter G. Simmons in Grove Music Online.
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Copia autografata
Folio. Unbound. 6 pp. Notated in pencil on 16-stave music paper. A working manuscript. Preliminary sketches. Together with: - Autograph musical manuscript dated Jan 16, 17, 18, [19]87. Folio. Unbound. 7 pp. Notated on pencil on 16-stave music paper. A working manuscript. Together with four sets of photographic copies of the autograph manuscript fair copies with occasional autograph annotations, corrections, etc., in red, blue, and lead pencil. "As a composer Hoiby was a modern Romantic from the lineage of Barber and Menotti. The influence of the former is evident in his warm lyricism, while that of the latter is found in a propensity for light, genial humour. Though much of his music is characterized by a disarming diatonic simplicity, his ambitious works tend towards greater harmonic and textural complexity. Interest in his music has centred chiefly around his operatic, choral and vocal works, which seem to stimulate his most deeply felt efforts. Some of these works - for example Summer and Smoke, Galileo Galilei and The Tempest - achieve an eloquence comparable to the later works of Barber. With greater critical acceptance of more conservative musical styles from the early 1980s onwards, Hoiby's music has been performed and recorded with increasing frequency." Richard Jackson and Walter G. Simmons in Grove Music Online.
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Copia autografata
Folio. [1] (title), [2]-[3] pp. Notated on 16-stave music paper. A working manuscript. Together with: - Autograph manuscript fair copy dated Philadelphia April 11, 1952. 3 pp. Notated in ink on 10-stave onionskin paper. Together with a dye-line copy with autograph annotations and corrections in pencil and red ink and a note "revised 1979." - Autograph musical manuscript. Undated, but ca. 1987. Folio. 2 pp. Notated on 14-stave music paper. A working manuscript sketch of the song. - Autograph musical manuscript dated "(Revised) Jan. 27, 1987." Folio. 2 pp. Notated on 16-stave music paper. A working manuscript. "As a composer Hoiby was a modern Romantic from the lineage of Barber and Menotti. The influence of the former is evident in his warm lyricism, while that of the latter is found in a propensity for light, genial humour. Though much of his music is characterized by a disarming diatonic simplicity, his ambitious works tend towards greater harmonic and textural complexity. Interest in his music has centred chiefly around his operatic, choral and vocal works, which seem to stimulate his most deeply felt efforts. Some of these works - for example Summer and Smoke, Galileo Galilei and The Tempest - achieve an eloquence comparable to the later works of Barber. With greater critical acceptance of more conservative musical styles from the early 1980s onwards, Hoiby's music has been performed and recorded with increasing frequency." Richard Jackson and Walter G. Simmons in Grove Music Online.
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Copia autografata
Notated in pencil on green, ivory, and onionskin 16-stave music paper. - Always it's Spring. [1] (collective title in manuscript) to Betty Throne-Holst, pp. 2-6. Dated Christmas Day 1985 on final page and with copyright notice at foot of first page. - What if.? [1] (manuscript title) to Judith and John Saly. What if., pp. 2-4. Dated "3 Jan 86" at foot of final page. - Jabberwocky. [1] (manuscript title) to Paul C. Echols, pp. 2-10. Dated "Jan 7 1986" on final page. Together with: Two photographic copies of the fair copy of the manuscript of all three songs with occasional autograph corrections. "As a composer Hoiby was a modern Romantic from the lineage of Barber and Menotti. The influence of the former is evident in his warm lyricism, while that of the latter is found in a propensity for light, genial humour. Though much of his music is characterized by a disarming diatonic simplicity, his ambitious works tend towards greater harmonic and textural complexity. Interest in his music has centred chiefly around his operatic, choral and vocal works, which seem to stimulate his most deeply felt efforts. Some of these works. achieve an eloquence comparable to the later works of Barber. With greater critical acceptance of more conservative musical styles from the early 1980s onwards, Hoiby's music has been performed and recorded with increasing frequency." Richard Jackson and Walter G. Simmons in Grove Music Online.