lisa kereszi (30 risultati)

Hardback or Cased Book. Condizione: New. The More I Learn about Women. Book.

Paperback. Condizione: Fine. Paperback. Crisp and clean condition, almost like new. 38 page, illustrated exhibition catalogue. Hard-to-find title. Book.

Hardcover. Condizione: new. Hardcover. While photographer Lisa Kereszi (born 1973) was researching for her previous book, Joe's Junk Yard, her father, Joe Jr., gave her a worn and tattered old photo album that he had compiled in the 1970s and 80s. Inside were 4 x 6-inch color photographs taken by Joe Jr. of biker babes in bars, at bike rallies and drag races, in various states of undress. As Kereszi says, "It's really a very odd group of images for a daughter to find--pics of biker babes showing off their tattoos, their boyfriends' bikes and hot rods, and, well, breasts." Kereszi appropriated the photographs, and re-cropped them for this volume. "The edit goes through various different types of pictures," she notes, "from the expected, posed shots, to the money shots,' then on to some very interesting and beautiful images of women unawares." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Fine. Text in ENGLISH and ITALIAN. 230 x 285 mm. 94 pp. illustrated throughout, mostly in colour. [ISBN: 978-8862080293] Printed pictorial boards. A fine copy.

Magazine. The October 2, 2005, issue of the Sunday New York Times Magazine, on New York City as the capital of US politics, with: all portraits by Platon; Matt Bai on Senator Hillary Clinton as a Centrist; Noam Scheiber on Eliot Spitzer; Sam Tanenhaus on How William F. Buckley's 1965 Run for Mayor Changed America; Suketu Mehta profiles Alex Martins, the new immigrant fixer; Rick Lazio as the G.O.P. backup candidate, by Nicholas Confessore; Downtown for Democracy photographed by Neal Slavin; Russell Shorto on Why Manhattan Became the Nation's Ideology Factory; James Traub on Bloomberg's city; William Weld interviewed by Deborah Solomon; a poll of New Yorkers with questions by Christopher Buckley and John Tierney with poll photos by Lisa Kereszi; Building Stories, Part 3, by Chris Ware; Chapter 3 of Comfort to the Enemy by Elmore Leonard; William Safire, On Language; and much more. Staple-bound magazine; 118 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Bound in the center is a 32-page cancer treatment ad featuring Patti LaBelle. Condition: Near Fine with light signs of handling/storage. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Magazine. First edition. Near Fine magazine with a hint of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The March 14, 2004, issue of the Sunday New York Times Magazine, with: a profile of Tom Ford as he bids goodbye to Gucci, by Lynn Hirschberg with a portrait by Alfred Seiland; a tour of the objects in the home of Rufus Wainwright, photographed by Lisa Kereszi and interviewed by Amy Barrett; a tour of a new house in Bavaria by the British architect John Pawson, photographed by Todd Eberle and with text by Herbert Muschamp; Michael Ignatieff on his second thoughts on supporting the war in Iraq with photos by Antonin Kratochvil and Tyler Hicks; a profile of Ronald L. Motley and examination of his suit against the Saudis for the September 11, 2001, terrorist attacks, by Jennifer Senior, with photographs by Jeff Riedel; a profile of Jeanne Woodford, former warden of San Quentin and advocate of rehabilitation, tapped to run the California Department of Corrections by Arnold Schwarzenegger, by David Sheff and with a portrait by Justin Stephens; an essay by James Traub on the 100th anniversary of Times Square; an interview with Jonathan Schwartz; a profile of Kerry Conran who created Sky Captain and the World of Tomorrow on his computer, by John Hodgman, with a portrait by Catherine Ledner; and much more. Staple-bound magazine; 82 pages + an 8-page ad booklet bound-in; color and b&w illustrations throughout; 9.5 x 11.5 inches.

Hardcover. Condizione: Brand New. 112 pages. 8.50x6.00x0.50 inches. In Stock.

Hardcover. Condizione: As New. 1st Edition. Joe's Junk Yard by Lisa Kereszi from Damiani 2012 Fantastic Photographs. Very interesting story about this photo book. Looks unread/unopened. Great photographer Pages are tight and clean Covers look good, glossy Dustjacket NONE.

Oversize hardcover without dustjacket as issued, 72 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. SIGNED. First edition. Very Good+ hardcover with a bump to the fore edge of the back board, a touch of rubbing to the extremities, and some scratches to the back; interior clean and bright; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Spanning 50 years and three generations, Joe's Junk Yard is a personal narrative that explores the achievement and subsequent demise of the American Dream. Lisa Kereszi's grandfather was a first-generation American and boxer-turned-junkman, who built an empire of used cars and scrap metal in Chester, Pennsylvania, during the 1950s boom era, which was gradually eroded by a series of misfortunes. Kereszi's disquieting, tender photographs of the last decade of the junkyard, accompanied by business ephemera and family scrapbook photographs, tell the story of this family and its struggles with a changing economy, urban decline, family feuds, tragic and untimely deaths and the challenges of an independent business. In this photographic series, begun before she pursued formal studies in photography and continued during her years at Bard College and at Yale University, Kereszi repeatedly locates themes and motifs of impermanence and loss in the landscape of the junkyard." Photographs and essay by Lisa Kereszi; essay by Ginger Strand; foreword by Larry Fink. SIGNED BY KERESZI on the title page, placed and dated in the year of publication; no inscription. 146 pages; color plates and text illustrations throughout; 11.75 x 9.75 inches. Contributors biographies.

Hardcover. Condizione: New. When Rudolph Giuliani's administration cracked down on Times Square strip clubs in the 1990s, a whole new burlesque movement was born in New York, concentrating less on the strip and more on the tease. The young New York photographer Lisa Kereszi, then an assistant to Nan Goldin, was there with her camera to catch it all happening. She began by shooting Show World, a club that was in the process of being closed down by the new laws. In her flash, Kereszi caught abandoned lockers, dressing rooms filled with old shoes and costumes and the grimy elegance of the empty theater--which was never meant to be seen by the light of day. Simultaneously, she began to photograph the new burlesque scene--which went underground in the late 1990s and has since evolved into a conceptually sophisticated, funny and rebellious medium. More pinup than porn, in just a few years, the new burlesque is no longer invisible, and has been gleefully appropriated into mainstream culture by way of Hollywood and the print media. A graduate of Yale University's MFA program, Kereszi's editorial work has appeared in books and magazines, including 'The New York Times Magazine,' 'Nest,' 'Harper's,' 'Wallpaper' and 'GQ'; she is represented by Yancey Richardson Gallery in New York.

Magazine. The October 3, 2004, issue of the Sunday New York Times Magazine, a special New York issue, titled The Next Cultural Establishment, with: a portfolio of portraits by Tina Barney of young female arts patrons; a portfolio of work by Elizabeth Peyton; Rob Walker deconstructs new graffiti, from photographs by Lisa Kereszi; Arthur Lubow on how the Museum of Modern Art will retell the story of 20th-century art, with photos by Andrew Moore; Paper magazine; Jesse Green on the Public Theater after Joe Papp; Russell Shorto on Nonesuch Records and building a post-industry record label with photos by Jeff Riedel; an interview with Wynton Marsalis; A.O. Scott on life without Miramax; the gallery owner Lucas Schoormans' lemon tart with a portrait by Elinor Carucci; and much more. Staple-bound magazine; 130 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine magazine with a hint of handling/shelving and light stress marks along the spine on the back. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. Condizione: Good. zingmagazine a curatorial crossing ISSUE 16 WINTER 2002 with works by or about Kenny Schachter, Vito Acconci, Yeon-doo Jung, Vik Muniz, Sico Cartier, Ben Laious, Lisa Kereszi, James Fuentes, Patricia Cronin, Paul Ramirez Jonas, William Pole L, Ken Dyber, Oneil Edwards, Serge Onnen. It includes "Preliminary Proposal for Kenny Schacter's Gallery, a 15 page spread. 270 pages, paper with stiff cover. Color and black and white reproductions. Good condition.

Soft cover. Condizione: Fine. Crisp catalog. 40 pages. Well-produced color prints. Photography. Measures 8 3/8" x 9 1/8".

Softcover, 40 pages, very good condition; clean and crisp; no internal marks. An edition of 500.

Rilegato. Condizione: fine. Testo Italiano e Inglese.Bologna, 2008; ril., pp. 94, 55 ill. b/n e col., cm 29,5x23,5. A book dedicated to the New Burlesque movement: performers reviving the art of striptease, which is more "tease" than "strip".These girls are more like pin-ups than porn.Lisa Kereszi's photographs tell how in just a few short years, the movement has gone from being underground and underappreciated to being featured in films and practiced by celebrities in Hollywood. Libro.

Hardcover. Condizione: New.

Hardcover. Condizione: New.

Hardcover without dustjacket as issued, 144 pages; as new condition; clean and crisp; signed by Lisa Kereszi on title page; no other internal marks. Foreign shipping may be extra.

Softcover, 60 pages; in French and English; as new condition; clean and crisp; signed by both photographers under their printed names on the title page; no other internal marks. Foreign shipping may be extra.

Encuadernación de tapa dura. Condizione: Nuevo. Condizione sovraccoperta: Nuevo. Inglés/Italiano. Cuando la administración de Rudolph Giuliani tomó medidas contra los clubes de striptease de Times Square en los años 90, nació en Nueva York todo un nuevo movimiento de burlesque, que se concentraba menos en el striptease y más en la burla. La joven fotógrafa neoyorquina Lisa Kereszi, entonces asistente de Nan Goldin, estaba allí con su cámara para captarlo todo. Comenzó fotografiando el Show World, un club que estaba en proceso de cierre por las nuevas leyes, donde captó taquillas abandonadas, camerinos llenos de zapatos y trajes viejos, y la mugrienta elegancia del teatro vacío. Este libro recoge ese momento. Al mismo tiempo, Kereszi empezó a fotografiar la nueva escena del burlesque, reflejando la transición entre los clubes tradicionales, la oleada de reconversión moralista de la ciudad y la escena emergente.

Condizione: Buone. Condizioni dell'esterno: leggermente rovinata ai bordi Condizioni dell'interno: Buone.

Hardcover. Condizione: Very good. Hardcover. First Edition. 750cc. Very good hardback bound in publisher's illustrated boards and issued without a jacket. Signed by Kereszi on the title page.

Hardcover. Condizione: Brand New. 150 pages. 10.00x12.00x0.75 inches. In Stock.

Hardcover. Condizione: Fine. 1st Edition. First edition, first printing. Signed, dated and inscribed in black ink on the title page by Kereszi, to an important figure in contemporary photography (please inquire), "For [name] - To Fantasy. 12/08." Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs and text (in English and Italian) by Lisa Kereszi. Essay (in English and Italian) by Lynne Tillman. Includes a list of plate and a brief biography of the artist. 96 pp., with 58 four-color plates finely printed on matte paper by Grafiche Damiani, Bologna. 9-3/8 x 11-3/4 inches. Fine. From the publisher: "When Rudolph Giuliani's administration cracked down on Times Square strip clubs in the 1990s, a whole new burlesque movement was born in New York, concentrating less on the strip and more on the tease. The young New York photographer Lisa Kereszi, then an assistant to Nan Goldin, was there with her camera to catch it all happening. She began by shooting Show World, a club that was in the process of being closed down by the new laws. In her flash, Kereszi caught abandoned lockers, dressing rooms filled with old shoes and costumes and the grimy elegance of the empty theater--which was never meant to be seen by the light of day. Simultaneously, she began to photograph the new burlesque scene--which went underground in the late 1990s and has since evolved into a conceptually sophisticated, funny and rebellious medium. More pinup than porn, in just a few years, the new burlesque is no longer invisible, and has been gleefully appropriated into mainstream culture by way of Hollywood and the print media. A graduate of Yale University's MFA program, Kereszi's editorial work has appeared in books and magazines, including The New York Times Magazine, Nest, Harper's, Wallpaper and GQ; she is represented by Yancey Richardson Gallery in New York." Signed by Author.

Paperback. First edition, 2004, first printing. Fine paperback with French flaps. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs by Lisa Kereszi and Andrew Moore; introduction by James F. Lima; preface by Tom Eccles and Susan Freedman; edited by Anne Wehr. 64 pages; full-page color photos + maps; 9.5 x 11.25 inches. Biographies, caption list. In early 2003 Governor's island, a former U.S. Army base, was returned to the people of New York for a dollar. The island is documented here by Kereszi and Moore who show the casual American landscape, express the history of the place--both public and private--and reveal the crossroads at which it stands today. This is the catalogue for a 2004 exhibition.

Hardcover. Condizione: New. No Jacket. 1st Edition. New York: Nazreli Press (2009). First edition, first printing. Hardbound. New, with illustrated boards, issued without dust jacket. A pristine unread copy, tight and clean. SIGNED BY author on title page (Lisa Kereszi). Smoke free shop. Shipped in well padded box. Lisa Kereszi's work is included in the permanent collections of the Whitney Museum of American Art, New York; the Brooklyn Museum of Art; and the Study Collection of the Museum of Modern Art, New York. This first edition of Fun and Games is limited to 750 hardbound copies. FERRY-Art. Signed by Author(s).

127 S., zahlr. Abb. Br. *Rücken aufgehellt, sonst neuwertig*.

brossura editoriale a risvolti. Condizione: ottimo. New York, Anne Wehr / Governors Island Preservation and Education Corporation & Public Art Fund, 2004. Formato oblungo (mm. 280,8x240), pp. 60, con 40 fotografie a colori nel testo, a piena pagina, di Lisa Kereszi e Andrew Moore, che documentano l'isola di Governors nel suo stato attuale. Nel testo anche mappe geografiche. Brossura editoriale a risvolti, illustrata a colori al piatto anteriore ("Bus Stop with Sea Spray") e posteriore ("Craig Road North"), con titolo e nomi dei fotografi, impressi in rilievo, al piatto anteriore. Prefazione di Susan K. Freedman e Tom Eccles. Introduzione di James F. Lima. Alle pp. 54-55: brevi profili biografici dei fotografi. Testi in inglese. Fotografie scattate tra l'autunno del 2003 e la primavera del 2004. Catalogo della mostra del 2004. Dalla Prefazione: "Lisa Kereszi, a Brooklyn-based photographer, is drawn to the margins and details of everyday spaces. Her photographs portray a quintessentially American landscape, but reveal small elements that the casual observer overlooks? Although the human figure rarely appears in her work?". "Andrew Moore's nuanced and elegiac photographs, made with a large-format camera, use architectural form to express the history of public and private spaces". "Both artists have created a remarkable document that literally records a moment in time". Prima edizione. Ottimo.