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Editore: Yale University Press, 2007
ISBN 10: 0300123434ISBN 13: 9780300123432
Da: Half Price Books Inc., Dallas, TX, U.S.A.
Libro
Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Editore: Tate Publishing, United Kingdom, London, 2012
ISBN 10: 1849760489ISBN 13: 9781849760485
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. "Exploring Art and Visual Culture: A Reader" brings together essential primary texts by artists, critics and art historians ranging from the medieval period right through to our own times. There is no other reader available that covers such an extensive period. Selected by leading academics in their field, and published in conjunction with the Open University, the reader will be an essential sourcebook for every student of art history as well as all those seeking a greater understanding of art and of the cultural and historical context in which it is made. "The Reader" is organised in three parts. The first section, Medieval to Renaissance, 1000 - 1600, includes extracts from the writings of the Venerable Bede, Vasari, Bernard of Clairvaux, Aristotle, Erwin Panofsky, Nikolaus Pevsner, Erasmus and Walter Pater, among others, and sections on sacred art, Gothic architecture, the art of the crusades and the Renaissance. The second part Patronage to the Public Sphere, 1600 - 1850 includes texts by W.J.T. Mitchell, Sir Joshua Reynolds, Thomas Crowe, Richard Shiff and Caspar David Freidrich and examines the city and the country, the golden age of Dutch painting, London and Paris, landscape design, exploration, neoclassicism and the birth of Romanticism. The section on Exploring Art from Modernity to Globalisation, 1850 - 2010 includes writings by Marinetti, Gauguin, John Ruskin, William Morris, John Berger, Clement Greenberg, Lucy Lippard and Miwon Kwon examining modernism, the rise of abstraction, conceptual art and globalisation. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Tate Gallery, London, 2012
Da: Parrott Books, Nr Faringdon, Regno Unito
Libro
Soft cover. Condizione: Very Good Plus. First. 384pp.Well illus throughout. Interesting art culture reference interest. First ed. An excellent copy. PARROTT BOOKS - established for over 20 years offering a prompt friendly and efficient service Size: 8vo - over 7¾" - 9¾" tall.
Editore: Pindar Press, 2006
ISBN 10: 1904597521ISBN 13: 9781904597520
Da: ISD LLC, Bristol, CT, U.S.A.
Libro
paperback. Condizione: New.
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Editore: Routledge, 2020
ISBN 10: 0367602423ISBN 13: 9780367602420
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Taylor & Francis 2020-08-14, London, 2020
ISBN 10: 036759191XISBN 13: 9780367591915
Da: Blackwell's, London, Regno Unito
Libro
paperback. Condizione: New. Language: ENG.
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Editore: Yale U. P. London 2007, 2007
Da: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
Prima edizione
1st edition softback with stiff wrappers As New large octavo 333pp., colour & b/w plates, notes, bibliog., index, Open University: Renaissance Art Reconsidered.
Editore: Taylor & Francis 2016-09-09, London, 2016
ISBN 10: 1138273872ISBN 13: 9781138273870
Da: Blackwell's, London, Regno Unito
Libro
paperback. Condizione: New. Language: ENG.
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Editore: Pindar Press, 2006
ISBN 10: 1904597319ISBN 13: 9781904597315
Libro
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Still shrink wrapped. A heavy volume that may require additional postage for destinations outside of the USA,
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Editore: Taylor & Francis 2018-03-08, 2018
ISBN 10: 0815372671ISBN 13: 9780815372677
Da: Chiron Media, Wallingford, Regno Unito
Libro
Hardcover. Condizione: New.
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Editore: Routledge 2011-02-18, 2011
ISBN 10: 1409407764ISBN 13: 9781409407768
Da: Chiron Media, Wallingford, Regno Unito
Libro
Hardcover. Condizione: New.
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Editore: Routledge, 2013
ISBN 10: 1409420388ISBN 13: 9781409420385
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: ASHGATE PUBLISHING GROUP, Farnham,Surrey, 2013
Da: Luigi De Bei, PREGANZIOL, TV, Italia
Libro Prima edizione
Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Byzantine Art and Renaissance Europe (Hardback) Editore: Ashgate Publishing Group, United Kingdom (2013) ISBN 10: 1409420388 ISBN 13: 9781409420385 Nuovi Rilegato Quantità: 1 Prezzo: EUR 200,00.- Descrizione libro: Ashgate Publishing Group, United Kingdom, 2013. Hardback. Condizione libro: New. New edition. 236 x 162 mm. Language: English Brand New Book. Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context. Codice libro della libreria 008921 Size: 162 X 236 mm.
Editore: Cambridge University Press, 2020
ISBN 10: 110869070XISBN 13: 9781108690706
Da: PBShop.store US, Wood Dale, IL, U.S.A.
Libro
UNK. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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