Editore: Ward Ritchie Press, 1973
ISBN 10: 0378025023 ISBN 13: 9780378025027
Da: Katsumi-san Co., Cambridge, MA, U.S.A.
Soft cover. Condizione: Very Good. 1973 printing of 1961 edition. Binding has light wear; old, small price label at bottom of back cover; tight, text clean. 127 p., well illustrated. Oversize [br 3 rt].
Editore: New York: Bonanza Books, 1961
ISBN 10: 0517186160 ISBN 13: 9780517186169
Da: Betterbks/ COSMOPOLITAN BOOK SHOP, Burbank, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Quarto. B&W photographs. Fine in fine DJ. 127 pages.
Editore: BONANZA, 1961
Da: Princeton Antiques Bookshop, Atlantic City, NJ, U.S.A.
HARDBACK GREEN. Condizione: GOOD. JACKET: GOOD. General wear, frontispiece, foxed and creased DJ interior, rubbed cover, contains BW photographs DATE PUBLISHED: 1961 EDITION: 127.
Editore: Literary Licensing, LLC 10/1/2011, 2011
ISBN 10: 1258209195 ISBN 13: 9781258209193
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Photographer of the Southwest: Adam Clark Vroman, 1856-1916 0.67. Book.
Editore: The Ward Ritchie Press, 1961, 1961
Prima edizione
Hardcover First Printing. First Edition. Tall hardcover. Near fine in tape-repaired and price-clipped dust jacket, in mylar cover.
Editore: Literary Licensing, LLC 9/14/2011, 2011
ISBN 10: 1258104164 ISBN 13: 9781258104160
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Hardback or Cased Book. Condizione: New. Photographer Of The Southwest: Adam Clark Vroman, 1856-1916 1.31. Book.
Editore: The Ward Ritchie Press, [Los Angeles], 1961
Da: Jeffrey H. Marks, Rare Books, ABAA, Rochester, NY, U.S.A.
Prima edizione
Edited by Ruth I. Mahood. Introduction by Beaumont Newhall. 127 p. Illustrated throughout from photographs. 4to, publisher's illustrated cloth in dust jacket. First edition. Very faint musty odor upon opening the book; otherwise a fine copy in a near fine jacket.
Editore: Ward Ritchie Press, 1961
Da: Court Street Books/TVP Properties, Inc., Florence, AL, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. 1st Edition. Book is in excellent condition. Jacket with some scuffing and tears, small piece missing from rear panel. Laid in is a signed typed letter from Ward Ritchie, the publisher. The book contains 104 photos by Vroman, of which 92 are full page. Bookplate on front pastedown. Signed by Author(s).
Editore: Ward Ritchie Press, Los Angeles, CA, 1961
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Hardcover. 127 pages. A monograph on photographer Adam Clark Vroman edited by Ruth I. Mahood. Features an introduction by Beaumont Newhall. Includes over 100 black and white images. A very near fine copy in a very near fine acetate dust jacket. A fresh copy.
Editore: Ward Ritchie Press, 1961
Da: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Plates (illustratore). 1st Edition. 127 Pp. White Cloth Spine Printed In Black, Orange Cloth Covers With Tipped On Illustration. Clear Dust Jacket With Printed Information. First Edition. Fine. Dust Jacket With 3/4" Roundish Chip At Top Of Front Spine Edge. Per The Getty Museum Website, Adam Clark "A. C." Vroman (1856-1916), Vroman Worked For The Chicago, Burlington And Quincy Railroad Company For Sixteen Years Before Moving To California In 1893. Upon Opening A Store That Sold Books, Stationery, And Photographic Supplies In Pasadena--Which He Gifted To His Employees And Which Remains In Operation As "Vroman's Bookstore" Today--He Began To Pursue His Interest In Photography. From 1895-1905, Vroman Travelled Throughout Southern California And Made Eight Trips To Arizona, Colorado, New Mexico, And Utah, Where He Photographed Local Indian Communities. His Extensive Travels And Repeated Collaborations With The Bureau Of American Ethnology, A Research Unit Of The Smithsonian Institution. In His Photographic Work, Vroman Concentrated On The Daily Lives, Customs, And Ceremonial Activities Of The Hopi, Zuni, And Navajo Peoples. A Member Of The Pasadena Camera Club, He Often Travelled With Other Photographers Involved In Its Activities, Such As His Friend, Los Angeles Times Editor Charles Fletcher Lummis. In 1897, Vroman Was Employed By The Bureau Of American Ethnology To Photograph Katzimo ("Enchanted Mesa") In Central New Mexico. His Sweeping Views From Its Summit Were Used As Evidence Of The Prior Native American Habitation Of The Area And Were Later Published In Benjamin Brooks's Book The Enchanted Mesa (New York: Charles Scribner's Sons, 1904). In 1899, Vroman Again Accompanied The Bureau Of American Ethnology To The Southwest, This Time On A Survey To Document The Pueblos And Cliff Dwellings Of New Mexico. Several Of The Photographs He Made Were Included In The Smithsonian's Multivolume Handbook Of American Indians North Of Mexico (Washington: Government Printing Office, 1907), An Encyclopaedic Classification Of Over 2,500 Cultural And Linguistic Groups. In 1901, Vroman Served As The Official Photographer On The Museum-Gates Expedition, An Archaeological Survey Of The Southwest Led By Ethnologist Walter Hough. Alongside His Work On Native American Communities, Vroman Documented Spanish Missions In California Over A Ten-Year Period (1895-1905), Often With Friends And Photo Enthusiasts Who Constituted The "Club Of Four," A Group He Founded. In Addition To Vroman, The Group Comprised Homer Eachus Hoopes, H.C. Chatfield, And G.J. Kuhrts. A Collector Of Netsuke (Miniature Japanese Carved Objects), Vroman Toured And Photographed In Japan In 1903 And 1909. He Also Made Photographs In France And Germany (1912), Canada (1914), And On The East Coast Of The United States (1914). Vroman's Images Of Native American Peoples Have Long Been Regarded As Respectful Portrayals, In Part Because He Purportedly Gifted Prints To Numerous People He Depicted. More Recently, However, Re-Evaluation Of His Work Has Revealed A More Complicated History, Situating His Aesthetic Choices Within The Scientific Aspirations Of The Bureau Of American Ethnology, A Prominent Institutional Exponent Of Social Evolutionary Theory.