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Editore: Grove Press, 1961., 1961
Da: Sara Armstrong - Books, Cedarville, CA, U.S.A.
Membro dell'associazione: IOBA
6th printing of this edition. 112pp, (5.25 x 8 inches), b&w photos. Good condition in wrappers (soft cover). Covers barely soiled, opened too wide at pages 30-31, otherwise binding is sound, no bumps, tears or creases, no markings. Includes an introduction, synopsis and notes by Duras, the complete script of the film, and over 70 pnotographs.
Editore: [Paris] : L'Avant-Scéne, [, 1966
Da: PRISCA, Paris, Francia
Prima edizione
Couverture souple. Condizione: Très bon. Edition originale. In-8° , broché , 82 pages , nombreuses illustrations.
Editore: Grove Press, Inc., NY, 1961
Da: Clausen Books, RMABA, Colorado Springs, CO, U.S.A.
Wraps. Condizione: Very Good. B&W Photographs (illustratore). Sixth Printing. Textblock is clean and tight. Reading crease along the spine, minor cover soil, creased corners. 112p. Size: 8vo - over 7¾" - 9¾" tall. Paperback.
Editore: Grove Press, 1994
ISBN 10: 0802131042ISBN 13: 9780802131041
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Editore: Gallimard 2011-05-16, Paris, 2011
ISBN 10: 2070360091ISBN 13: 9782070360093
Da: Blackwell's, London, Regno Unito
Libro
paperback. Condizione: New. Language: FRE.
Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Editore: Grove Press Inc, 1961
Da: Hammonds Antiques & Books, St. Louis, MO, U.S.A.
Softcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Very good except for mild soiling to covers and discoloration to pages.
Editore: nrf Libraire Gallimard , Paris 1961 ( 1960 ), 1961
Da: Johann Peter Hebel Antiquariat, Lörrach, Germania
Orig. Brosch. 8° mit Orig. Umschl. (bon etat) 140 (2) pages S. avec nombreuses photos de films.
Editore: Gallimard, Paris, 1960
Da: Hirschfeld Galleries, Saint Louis, MO, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. Alain Resnais (illustratore). 1st Edition. In the original stiff wrappers, with three parts of the original dust jacket. the basis for and the original screenplay for the famous film by Alain Resnais of the New Wave. A landmark in cinema and literature a love affair between a French woman and a Japanese man. Risque.
Editore: Paris, Gallimard. 1960, 1960
Da: Antiquariaat Schot, Hendrik-Ido-Ambacht, Paesi Bassi
Original publisher's sewn paperback, title spine and frontcover, pictorial dustjacket, large 8vo: frontispiece, 140pp., [ij], illustrations, appendices.
Editore: Gallimard / nrf, Paris, 1960
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Prima edizione
Softcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition, trade issue. Large octavo. Illustrated, reproducing photographs of scenes from the film. Text in French. White wrappers printed in red and black in publisher's dust jacket. A near fine copy, with slight tanning on covers and endpapers in near fine dust jacket. Glossy white pictorial dust jacket has one one small tear on rear cover, with light tanning on spine and flaps, else quite bright. An uncommon publication in nice dust jacket. Screenplay for the motion picture *Hiroshima mon amour.*.
Mappe Wie neu. Condizione: 0. Ein Constantin-Film. In Mappe zur deutschen Herausgabe des französischen Kino-Film " Hiroshima mon amour" von Alain Resnais, Hauptdarsteller Emmanuelle Riva und Eizi Okada. Mit 1 Original s/w Filmfoto, 1 Programm (illustrierte Film-Bühne), eine Presse-Mappe (Typoskript, 34 Blätter), 6 Zeitungsartikel zum Thema. Eine Unikat-Sammlung für Kinofans, die das Intellektuelles und das Erotisches verbindet. +++ Hiroshima, mon amour gilt wegen seines innovativen Einsatzes von Jump Cuts und Rückblenden als einer der ersten Vertreter der französischen Nouvelle Vague (aus Wikipedia). +++ Im Umschlag 36 x 25 cm, 0,3 kg. NUR ALS PAKET. +++ Stichwörter: Film Neue Welle Frankreich Japan Gewicht in Gramm: 300.
Editore: NY, Grove, 1961
Da: NUDEL BOOKS, New York, NY, U.S.A.
Libro Copia autografata
Soft cover. Condizione: Fair. Paper Back as issued.a fair copy only.WORN.but INSCRIBED "Pour Lucia, tres l'amour, Alain Resnais" to the American Composer Lucia Dlugozewski.a hard signature.(HMV2). Inscribed by Author(s).
Editore: N.p., N.p., 1959
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of five vintage oversize double weight reference photographs from the 1959 film. Two photographs with the stamp of the Lérida Ministry of Information of Spain on the verso, and all five with annotations in manuscript ink regarding cropping and identifying the film. Two photographs with titles tipped on the recto, one crediting director Alain Resnais. Resnais' meditation on memory, history, and forgetfulness proved to be a major catalyst for the Rive Gauche movement, earning Resnais a Palme d'Or nomination and screenwriter Marguerite Duras an Academy Award nomination. Set in Hiroshima, shot on location in Hiroshima, Japan and Nievre, France. 12 x 9.5 inches. Poor, with moderate wear and pinholes at the corners, and light creasing overall.
Editore: Argos Films, Neuilly-sur-Seine, France, 1959
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of eight vintage, borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films, seven with a sticker noting they are from the collection of film historian, collector, and founder of the Tele Cine Documentation (TCD) cinema photo library Daniel Bouteiller, one with both a sticker and stamp from the collection of film historian Maurice Bessy, and all with manuscript annotations on the versos. A series of conversations about memory, history, and forgetfulness between a departing French actress and the married Japanese architect with whom she had a brief affair, the film was a major catalyst for the Rive Gauche film movement. Screenwriter Marguerite Duras was nominated for an Academy Award, and Alain Resnais received a Palme d'Or nomination at Cannes. 7 x 5 inches. Generally Near Fine. Criterion Collection 196. Rosenbaum 1000. Vogel, Film as Subversive Art.