Da: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condizione: acceptable. Includes dustjacket.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: Great Matter Books, Grand Rapids, MI, U.S.A.
Prima edizione
Good condition hardcover book, Fair condition dust jacket. Stated First Edition. Shelf wear and smudging to covers. Covers bowed. Heavy toning and light smudging to pages. Dust jacket unclipped. Jacket has shelf wear, toning, and smudging. Sunning to spine and bumping to edges. Few small tears to edges, none more than 1/4 inch. Dust jacket protected by Mylar. Each book individually inspected and described. Never X-Library unless explicitly stated as such.
hardcover. Condizione: New. In shrink wrap.
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione Copia autografata
First edition. Hardcover. First printing. 160 pages. Preface by Wendell Berry. Afterword by Mark Dowie. Additional text by William Kittredge, Susan Griffin, Peter Montague and Maria B. Pellerano, Terry Tempest Williams. A collection of color photographs and essays by Hanson. A very near fine copy with some slight bumping to the corners and spine ends in a near dust jacket with the same slight bumping. Signed by Hanson on the title page. Uncommon thus.
hardcover. Condizione: Good. The item is in good condition and works perfectly, however it is showing some signs of previous ownership which could include: small tears, scuffing, notes, highlighting, gift inscriptions, and library markings.
Editore: (Princeton) The Art Museum, Princeton University (1989)., 1989
Prima edizione
Soft cover. Condizione: Near Fine. 1st Edition. Exhibition catalogue. First printing. Oblong 4to. xxiii, 289 pp. Profusely illustrated with B & W reproductions (including one bi-foldout) and 10 full color reproductions. Printed on coated paper. Original glossy photographic wrappers. Bottom front fore edge corner lightly bumped else tight, fine.
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!
Lingua: Inglese
Editore: Art Museum, Princeton University, Princeton, 1989
ISBN 10: 0943012104 ISBN 13: 9780943012100
Da: Second Story Books, ABAA, Rockville, MD, U.S.A.
Hardcover. Quarto (oblong), xxiii, 289 pages. In Very Good minus condition with a Good minus dust jacket. Spine is grey with black print. Dust jacket has light edge wear, toning to spine. Price unclipped: "$60.00". Boards in grey cloth; slight wear to spine caps. Illustrated: b&w plates, some color (photographs). Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Apr. 27-June 18, 1989 and at other institutions until June 15, 1991. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QC (ND-QC). 1400279. FP New Rockville Stock.
ISBN 10: 9875980951 ISBN 13: 9789875980952
Da: Juanpebooks, MIAMI, FL, U.S.A.
Condizione: New. Enviamos a todo el mundo. We ship worldwide.
Condizione: New. Satisfaction Guaranteed or your money back.
Lingua: Inglese
Editore: Art Museum, Princeton University / Bulfinch Press, Boston, MA, 1989
ISBN 10: 0943012104 ISBN 13: 9780943012100
Prima edizione
Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition. First edition, hardcover, slight lean, one folding plate protrudes slightly at bottom and has light wear to that edge, spot of shelf soiling to bottom edge, otherwise a VG+ copy in like dustjacket.
Lingua: Inglese
Editore: Princeton University, Princeton, NJ, 1989
ISBN 10: 0943012104 ISBN 13: 9780943012100
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione Copia autografata
First edition. Oblong hardcover. 289 pages. Published in conjuction with a traveling exhibition that had seven stops. Features text by Peter Bunnell. A comprehensive and scholarly examination of White's extensive body of work. Includes 10 color and 285 duotones, chronological survey of images, bibliography of published writings, selected bibliography, and checklist. A tight very near fine copy with some slight tapping to the top front corners in a very near fine dust jacket with the same slight tapping and with laid in card for the event with Bunnell. Signed by Bunnell on the half title. A very fresh copy of the less common cloth issue.
Editore: The Art Museum, Princeton University with Bulfinch Press, an imprint of Little, Brown and Company, Princeton, 1989
Da: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Prima edizione
Hardcover in dust jacket. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Oblong 4to. Pp. xxiii; 289. Includes a prefatory biographical chronology; a bibliography of published writings; bibliography. Includes a chronological survey of White's photos. Laden with several portfolios of White's photography; his "Totemic Sequence" is presented in two fold-out leaves. Bound in gray cloth with white lettering stamped on spine. A comprehensive survey of the artist and his work, presented as a catalog to accompany the exhibit that traveled from Princeton to MOMA, the San Francisco Museum of Modern Art, etc.From 1937 to the start of WWII, the photographer lived in Portland and was associated with the Oregon Camera Club. White eventually served as a creative photographer for the Oregon Art Project, an arm of the Works Progress Administration (WPA) Art Program of the Federal Works Agency. In 1942 the Portland Art Museum mounted White's first one-man show. Dust jacket is now preserved in a clear, removable archival protector.