mason rainer michael (380 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Saddle Stitch / Broché. Condizione: Near Fine/Excellente Condition. Dos très peu passé. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Saddle Stitch / Broché. Condizione: Fine / État De Neuf. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Saddle Stitch / Broché. Condizione: Near Fine/Excellente Condition. Dos très peu passé. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Saddle Stitch / Broché. Condizione: Near Fine/Excellente Condition. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Saddle Stitch / Broché. Condizione: Fine / État De Neuf. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

69 pp.; 27 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 14 - September 15, 1991. Texts by Henry-Claude Cousseau, Ann Hindry, Rainer Michael Mason, and Michel Enrici. Includes checklist of the exhibition, and a bio-bibliography. Text in French. Very Good. Moderate yellow discoloration to covers and a 1.5 cm. area of soiling to recto. Contents clean and unmarked.

Soft cover. Condizione: As New in Original Wraps. Brand new hard cardboard/softcover still protected in its publisher's plastic shrink-wraps. Thus; offered For Sale- AS NEW. Stored in yet, a second layer of sealed plastic protection and mailed (bubble-wrapped) in a sturdy Jiffy Rigi Bag envelope. We ship daily from Roswell, Ga, Serving satisfied customers since 1999.

Saddle Stitch / Broché. Condizione: Near Fine/Excellente Condition. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Saddle Stitch / Broché. Condizione: Fine / État De Neuf. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Saddle Stitch / Broché. Condizione: Near Fine/Excellente Condition. Dos très peu passé. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Saddle Stitch / Broché. Condizione: Fine / État De Neuf. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Saddle Stitch / Broché. Condizione: Near Fine/Excellente Condition. Dos très peu passé. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair Size: 8vo / in-8o. Book.

Hardcover. Condizione: As New. Sm 4to, hardcover. No dj. Near fine condition., exterior very slightly soiled, contents bright, crisp & clean, virtually unopened. 183 p., 125 illus., some color. Verein der Freunde des Kunstmuseums und des Museums fur Gegenwartskunst (Basel).

Soft Cover. Condizione: Near Fine. First Edition; First Printing. Numerous full page plates. Introduction by Henry-Caude Cousseau. With essays by Ann Hindry, Rainer Michael Mason, and Michel Enrici. Text in French. Published on the occasion of the exhibition, June 14 - September, 1991. ; Tight, clean and crisp. A hint of sunning to spine with a few very minor spots to rear, otherwise As New. No inscriptions. No remainder mark. Not ex-library. As New. ; 4to ; 70 pages.

172 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Richard Prince: Notes Toward A Supreme Fiction," by James Lewis; "Real Monochrome Images," by Helmut Friedel; "Time Of Painting, Time Of Representation," by Ulrich Loock; "Franz Gertsch," by I. Michael Danoff; "How Can You Tell A Franz Gertsch From A Chuck Close?," by Amei Wallach; "Engraver: A Process Of Purification," by Rainer Michael Mason; "Lack Of Faith," by Mac Freidus; "Street And Interior," by Jörg Johnen; "Thomas Ruff: Spectacle And Surveillance," by Trevor Fairbrother / Norman Bryson; "The Invisible Dragon," by Dave Hickey; "Interview James Rosenquist," by Paul Taylor; "Les Infos Du Paradis: Inquiry," by David Lynch; "Cumulus From America," by Martin Guttmann / Michael Clegg "Cumulus Aus Europa," by Claude Ritschard. Insert by Liz Larner. Text in German and English. Very Good / Fine. Small prrinter's blemish to bottom center of front cover as seen in image. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condizione: Very Good. Book is in very good condition. 67pp with colour and b/w illustrations.

Soft cover. Condizione: Very Good. 47 pages. Illustrated.(K3/2).

Taschenbuch. Condizione: Neu. Neu -Katalog, Genf 2002. Lüthi hat seine Karriere der Suche und Hinterfragung der menschlichen Identität gewidmet. Thema und Hauptmaterial seiner Werke war oftmals der Künstler selbst. Slogans, die die Banalitäten des Alltagslebens in Frage stellen, zieren seine Werke. Der Katalog zeigt Arbeiten des Künstlers aus 32 Jahren und Lüthi selbst- von einem hageren, androgynen Jugendlichen, der sich der Bewegung der Körperkunst verbunden fühlte, zu einem beleibten, kahlen Mann in den Fünfzigern. Gezeigt werden Arbeiten von »The Numbergirl« bis zu einer Reihe von neun Videos, die den Künstler selbstironisch bei der Durchführung alltäglicher Arbeiten zeigt sowie Abbildungen der Gemälde, Skulpturen, Pop art und Installationen. (Text franz.) Deutsch.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover without dustjacket as issued, unpaginated; in English, and German; as new condition, no internal marks, clean and crisp. Price list laid in. Foreign shipping may be extra.

In-8 carré ( 250 X 240 mm ) de 70 pages, broché. Nombreuses illustrations dans et hors-texte. Bel exemplaire. Beaux-arts peinture sculpture.

4°, kart. Condizione: Gut. 206 S., zahlr. Abb. Gebraucht: Einband leicht berieben, innen sehr guter Zustand. Sprache: Spanisch Gewicht in Gramm: 1152.

Softcover. Condizione: Très bon. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.