moos stanislaus corbusier (21 risultati)

Softcover, 380 pages, good condition, small piece of linen tape around bottom of creased spine; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 322 pages, very good condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Hardcover. Bound in grey cloth with red title and glossy paper jacket, 322 pages. Near fine in near fine dust jacket -- scuffed along fore-edge, else fine. In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This text examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922 - the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier. The contributors to the book offer an account of Le Corbusier's formative years and the cultural, intellectual and artistic concerns that absorbed him as a young artist in Switzerland and Paris.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 322 p.: ill. (some col.); 29 cm. Notes; "This catalogue is published in conjunction with the exhibition "Le Corbusier Before Le Corbusier: applied arts, architecture, painting, and photography, 1907-1922" held at the Langmatt Museum, Baden, Switzerland, with the title, "Der Junge Le Corbusier" (March 30 - June 30, 2002), and at The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York (November 22, 2002 - February 23, 2003)." Includes bibliographical references (p. 313-316) and index. Published for the Bard Graduate Center for Studies in the Decorative Arts, Design and Culture, New York with the Langmatt Foundation, Baden, Switzerland. Summary; In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This text examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922 - the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier. The contributors to the book offer an account of Le Corbusier's formative years and the cultural, intellectual and artistic concerns that absorbed him as a young artist in Switzerland and Paris. From 1907 to 1922 Jeanneret learned the art and craft of architecture and design, and defined his own image as an artist. The volume discusses the cultural climate of his Swiss hometown, La Chaux-de-Fonds; his early mentors, friends and clients; his educational pursuits, including his self-designed Grand Tour; and his first successes as an architect and designer. More than 350 illustrations - including architectural drawings and models, watercolours, sketches, photographs and furniture - show the wide range of young Le Corbusier's work and illuminate the principal themes and issues of his formative years. Subjects; Le Corbusier 1887-1965. Furniture design. Painting, Modern - 20th century - Switzerland. Architecture - France - 20th century. Interior decoration - France - History - 20th century. Painting, French - 20th century. Dates covered: 1907-1922. Individual architects; Individual artists; Individual photographers. c 1900 - c 1914. First World War, 1914-1918. Inter-war period, 1918-1939. ARCHITECTURE / Individual Architects & Firms / General. ARCHITECTURE / History / General. ART / European. 2 Kg.

Soft Cover. Condizione: Very Good. First American Edition. softcover., some faint non-tobacco toning to some outer margins. no other flaws or wear. no markings. no bumps, tears. strong sewn binding.; english text.; 150pp., b/w illustrations throughout. five essays. texts by loos and corbusier. examines 16 houses. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condizione: Near Fine. 1st Edition. Cambridge: The MIT Press, 1979. 8vo, 379 p., original white cloth with spine lettered in silver. First hardcover edition of this posthumous overview of Le Corbusier's life and work, illustrated throughout. Faint soiling to front page ends, else a VG+ copy in like jacket.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 322 p.: ill. (some col.); 29 cm. Notes; "This catalogue is published in conjunction with the exhibition "Le Corbusier Before Le Corbusier: applied arts, architecture, painting, and photography, 1907-1922" held at the Langmatt Museum, Baden, Switzerland, with the title, "Der Junge Le Corbusier" (March 30 - June 30, 2002), and at The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York (November 22, 2002 - February 23, 2003)." Includes bibliographical references (p. 313-316) and index. Published for the Bard Graduate Center for Studies in the Decorative Arts, Design and Culture, New York with the Langmatt Foundation, Baden, Switzerland. Summary; In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This text examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922 - the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier. The contributors to the book offer an account of Le Corbusier's formative years and the cultural, intellectual and artistic concerns that absorbed him as a young artist in Switzerland and Paris. From 1907 to 1922 Jeanneret learned the art and craft of architecture and design, and defined his own image as an artist. The volume discusses the cultural climate of his Swiss hometown, La Chaux-de-Fonds; his early mentors, friends and clients; his educational pursuits, including his self-designed Grand Tour; and his first successes as an architect and designer. More than 350 illustrations - including architectural drawings and models, watercolours, sketches, photographs and furniture - show the wide range of young Le Corbusier's work and illuminate the principal themes and issues of his formative years. Subjects; Le Corbusier 1887-1965. Furniture design. Painting, Modern - 20th century - Switzerland. Architecture - France - 20th century. Interior decoration - France - History - 20th century. Painting, French - 20th century. Dates covered: 1907-1922. Individual architects; Individual artists; Individual photographers. c 1900 - c 1914. First World War, 1914-1918. Inter-war period, 1918-1939. ARCHITECTURE / Individual Architects & Firms / General. ARCHITECTURE / History / General. ART / European. 2 Kg.

Condizione: Neuf. Lucien Hervé; Cemal Emden. (illustratore).

296 S. Zahlreiche Abbildungen und Tafeln. Kartoniert. 4°. Kanten leicht berieben, sonst sehr gut erhalten. Sprache: deu.

Erste Auflage. 28 x 23 cm. 296 S. OKarton. Einbandkanten mit kleinen Bereibungen, Deckel minimal aufgebogen. Sonst gutes Exemplar. Katalog zu den Ausstellungen Zürich 28. März bis 10. Mai 1987, Berlin 19. Mai bis 21. Juni 1987 und Strassburg 10. Juli bis 13. September 1987 durchgehend mit Abbildungen versehen.

Hardcover with title band dustjacket, 398 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. First Thus. 27 x 28cm 264pp near fine hardback in dust jacket.Ernst Scheidegger's photo book designed in 1956 on the creation of Le Corbusier's city of Chandigarh in India is the earliest documentation of the architect's pilgrimage site. With German and English text plus colour reproductions. Near fine in near fine dustjacket.

Lucien Hervé; Cemal Emden. (illustratore). Au cours des vingt dernières années de sa carrière, Le Corbusier a expérimenté une nouvelle esthétique qui a fortement marqué ses oeuvres ultimes. Sa volonté vise alors à s'écarter de tout académisme en utilisant la forme comme instrument pour inventer une nouvelle écriture très vite désignée du nom de «brutalisme».Cette orientation se définit comme une « véritable synthèse des arts » associant autour de l'architecture l'ensemble des arts majeurs. L'ouvrage illustrera avec de nombreux documents photographiques et filmés et une anthologie de ses textes l'interaction des différentes pratiques formelles et théoriques de Le Corbusier autour des différentes thématiques abordées : le brutalisme, le rationalisme constructif, la composition, la matière, la lumière, la couleur.

Softcover. Condizione: Comme neuf. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: Gut. 4°. 296 Seiten. Orig.-Karton. Wegleitung Nr. 361. - In der Zeit Zeit von 1920-1925 veröffentlichte Le Corbusier gemeinsam mit Amédée Ozenfant die Zeitschrift L'Esprit Nouveau, die als Sprachrohr für eine neue, funktionalistische Ästhetik diente. Hier propagierte er die Idee, dass Architektur sich an industriellen Prinzipien orientieren sollte. Corbusier sah in der Industrie nicht nur eine technische, sondern auch eine kulturelle Revolution. Diese Ideen wurden 1987 in einer Ausstellung im Museum für Gestaltung Zürich sowie im Bauhaus-Archiv Berlin und in Straßburg aufgearbeitet. Der begleitende Katalog herausgegeben von Stanislaus von Moos beleuchtet Le Corbusiers Verhältnis zur Industrie anhand von Texten, Zeichnungen, Fotografien und Architekturmodellen. Gä-II-7-28 Bei Bestellungen auf Rechnung bleibt Vorkasse vorbehalten. Bestellungen erfolgen ohne Gewähr und gelten erst nach Bestätigung der Verfügbarkeit. Payment in advance is reserved for orders on account. Orders are made without guarantee and are only valid after availability has been confirmed. The shipping costs to non-EU countries may vary depending on the weight. We also offer cheaper shipping options for books up to 1000g. Sprache: Deutsch Gewicht in Gramm: 2000.

Berlin, Ernst & Sohn, 1987. 28,2 : 23 cm. 295 S. mit zahlr. teils farb. Abb. Orig.-Leinen mit Schutzumschlag. Buchhandelsausgabe des Ausstellungskatalogs Umschlagrücken verblasst, Kopfschnitt minimal feuchtwellig, sonst gutes Exemplar. Sprache: fr.

Leinen. Condizione: Gut. de, fr (illustratore). 1. Le Corbusier - Vers une architecture - Collection de L'Esprit Nouveau - orig. Ausgabe von 1924 - Nouvelle édition, revue et augmentée - Les Èditions G. Crès et Cie., Paris. Table des Matières - Introduction à la seconde édition; Température à l'occasion de la troisième èdition; Argument; Esthétique de l'ingénieur, Architecture; Trois rappels à MM. les Architectes - Le volume, La surface, Le plan; Les tracés régulateurs; Des yeux qui ne voient pas. - Les paquebots, Les avions, Les autos; Architecture - La lecon de Rome, L'illusion des plans, Pure création de l'espirit; Maisons en série; Architecture ou Révolution. XXI + 243 S., 16,2x24,7 cm mit zahlreichen s/w Abbildungen. Privater Leineneinband vermutlich aus der Zeit. Einband (sehr) gut und sauber. Besitzvermerk (Stempel) auf dem Vortitel und auf dem Titelblatt. Einige lose oder nur lockere Seiten vermutlich von Buchbinder fixiert. Seiten leicht lchtrandig, etwas angebräunt. Gesamtzustand: gut. 2. L'Esprit Nouveau - Le Corbusier und die Industrie 1920-1925 - Ernst & Sohn 1987. Herausgegegeben Stanislaus von Moos. Aus dem Inhalt: Stanislaus von Moos: Im Vorzimmer des Machine Age; Beatriz Colomina: Le Corbusier und die Fotografie; Winfried Nerdinger: Standard und Typ - Le Corbusier und Deutschland 1920-27; Francoise Ducros: Der Purismus und die Kompromisse einer modernen Malerei; L'Espirit Nouveau etc. 294 S., 23,5x28,5 cm mit zahlreichen Abb. Sehr gutes, sauberes Exemplar mit orig. SU. Sprache: de, fr Size: 4°.

4°, 296 S., zahlr. teilw. farb. Abb., Broschur., Min. gebrauchsspurig, gutes Exemplar. (= Wegleitung Nr. 361). Katalog anlässlich der gleichnamigen Ausstellung im Museum für Gestaltung Zürich. 1600 gr. Schlagworte: Architektur - ArchitektInnen.

Condizione: Gut. 4°, 296 Seiten mit zahlreichen auch farbigen Abbildungen, farbig betitelter Okart. - guter Zustand - 1987. A65086 ISBN: 3433022550 Sprache: Deutsch Gewicht in Gramm: 1140.

Ln. im Original Schuber. Condizione: Gut. Quer-Gr.8°, Faksimile: 43 S., tlw. farb. Abb limitiert auf 300 Exempla. (OHNE dem Begleitband.) Schuber minimale Gebrauchsspuren, sonst gutes Exemplar (NUR das Faksimile Begleitband FEHLT) Sprache: Deutsch Gewicht in Gramm: 1072.

Brosch. 4°, 296 S., zahlr., tlw. farbige Abb. (oft auf Tafeln). Einband etw. unsauber u. gebrauchsspurig. EA. (= Wegleitung Nr. 361 [des Museums für Gestaltung Zürich). Mit ca. 120 «Musterseiten» aus der Zeitschrift. Erschienen zur Ausstellung Zürich, Berlin und Strassburg.