mooz peter (31 risultati)

Condizione: Good. 1ST. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condizione: Good. 1ST. Used book that is in clean, average condition without any missing pages.

Large Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. First edition. Jacket faintly toned. 1973 Large Hardcover. 352 pp. Includes 64 color plates and approximately 270 black-and-white illustrations. Contents include: Colonial Art; The First Half of the 19th Century; The Second Half of the 19th Century; The Forming of the Avant-Garde, 1900-1930; The 1930s and Abstract Expressionism; From the 1960 to the Present Day; Notes; Bibliography; Index.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Good+. A NEAR FINE clean, tight hardcover copy with faint shelf wear. GOOD+ DJ in mylar cover has faint creasing and age-toning, one closed tear at spine head.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Turquoise cloth, lettered in gold foil. As issued. Color illus. dust jacket as issued, now in mylar. Size: 4to - over 9¾" - 12" tall. Book.

Soft cover. Condizione: Fine. Side-stapled softcover, 16 pgs. Catalog for exhibition held May 8-July 1, 1979 (inaugural exhibition) at the Institute of Contemporary Art of the Virginia Museum. Essays, chronology, checklist, b&w and color illus. Fine.

Soft cover. Condizione: Very Good. 1st Edition. Side-stapled softcover, 36 pgs. Mostly b&w, two color illus. Catalog for exhibition held May 9 - June 1, 1980 featuring artists who had been recipients of the aid-to-artists program through the museum during its 40-year history. Artists listed include Cy Twombly, Nell Blaine, Gerald Donato, Emmet Gowin, Richard Carylon, and many others. Ghost sticker spot on back cover, else fine.

Softcover, 110 pages; good condition; pen writing spine; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Fine. 1st Edition. 22453 shelf. Unpaginated. Stapled art catalog, maroon covers. Designer: David Berreth. No names, clean text. 35 works, with b/w repros of John Trumble, Rembrandt Peale, Thomas Sully, John Neagle, Charles Codman, James Hamilton, James Hope, et al. Book.

Unknown. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. First edition. Very Good minus paperback with a smudge to the front, a moisture stain to one corner which is only slightly visible on the first page, and light soiling and light tanning to the covers. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of American furniture, held at the Bowdoin College Museum of Art, Brunswick, ME, April 7 - May 12, 1974, with: an introductory essay by Peter Mooz; an annotated checklist for 43 works; and 43 b&w plates printed in collotype by Meriden Gravure. The exhibition featured 29 pieces of exquisite American furniture made between 1660 and 1860 plus 14 pieces of European make. Photographs by William Pooley; color cover photograph by John McKee. 12 pages + 43 b&w plates [55 pages]; 8.5 x 9.25 inches.

Softcover. Condizione: Very Good. Gift inscription from "Robert" to Cedric Boulter in pen on titlepage. Creasing along spine. ; Contents: A Ram's head Rhyton Signed by Charinos; Eastern Echoes in the art of Ancient Greece; A Squat Lekythos in the manner of Meidias Painter; Architectural Terra Cottas from Phrygia. ; AIV Arts in Virginia Vol. 21, Number 2 Winter 1981; 36 pages.

Soft cover. Condizione: Fine. 1st Edition. 27597 shelf. Unpaginaged. Oblong slim stapled booklet, pictorial cream covers w/ blue deckled edge. No names, clean text. Andrew Wyeth, Rockwell Kent, Adolf Dehn, et al. With b/w repros. Laid in: additional deckled edge note: "on the painting of Samuel Green." Collectible condition. Book.

Hardcover. Condizione: Gut. 30,5 x 20,5 cm 36 S. Helft mit Klammern. Sprache: Englisch, Zustand: Gut (Innen); Einband (Außen) hat leichte Gebrauchsspuren; Außenecke des Buchs gering bis leicht gebogen-weillig; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Soft cover. Condizione: Very Good. Slim, square octavo, 16pp, publisher's black and white stiff wrappers with a rear flap meant to be inserted in slot at front panel (rubbing, creases, minor soiling and toning, else very good). Laid-in: 3 folded handbills from Davis and Long bearing Homer's engraving "The Nooning" at front panels.

Soft cover. Condizione: Near Fine. 16 pages. Black stapled wrappers. An exhibition organized by The Virginia Museum. Richmond, Virginia. February 26 through April 6, 1980. Near fine copy.

First edition (not stated per publisher's usual practice). xxii, 194 pages. Hardcover: H 29cm x L 23.5cm. Green dust jacket rubbed with wear, creasing, and some short tears at dj edges but most prevalent at spine ends and heads of flap folds. Maroon cloth; specks of discoloration at lower boards; spine and front board's gilt stamped lettering remains bright. Ink ownership inscription/signature on front free endpaper's recto and verso; foxing upon half-title and page 194; interior pages otherwise bright and clean. Binding is firm. A very good copy in a very good- dust jacket. With illustrated endpapers, frontispiece, Forewords by Virginia Museum of Fine Arts Director R. Peter Mooz and The Colonial Williamsburg Foundation Vice President and Director of Collections Graham Hood, color and b/w photographs, Preface, Appendix, List of References Cited, and Index. Gusler divides the book's text into two parts: THE FURNITURE OF WILLIAMSBURG and FURNITURE FROM OTHER AREAS OF EASTERN VIRGINIA. The former features an examination of the Williamsburg furniture production of Peter Scott and Anthony Hay as well as other noted craftsmen. In the latter section Gusler reviews furniture manufacture in Norfolk, southeast Virginia in general, Richmond, Fredericksburg, and the Eastern Shore as well as furniture of unknown origin. Bibliographic reference: Ames and Ward Decorative Arts - pages 93 and 338. An excellent regional study which remains an authoritative reference. Description copyright David Hallinan, Bookseller. {DecArts Shelf #3} ISBN 0917046056.

First edition (not stated per publisher's usual practice). xxii, 194 pages. Hardcover: H 29.25cm x L 23.5cm. Green dust jacket rubbed, spine head worn with nicks at heel, a few nicks and short tears at panel edges, slight scuffing along flap folds, top corner of front flap is price-clipped; dj now presented in a mylar Brodart protector. Maroon cloth with bright gilt stamped lettering upon spine and front board. There-line non-authorial 1982 Christmas gift inscription at front free endpaper's top left now obscured under several swaths of black marker. Interior pages are otherwise clean. Binding is firm. A very good copy in a very good dust jacket. With illustrated tan endpapers, frontispiece, Note, two Forewords by Virginia Museum of Fine Arts Director R. Peter Mooz and The Colonial Williamsburg Foundation Vice President and Director of Collections Graham Hood, Preface, Introduction, color and b/w photographs, Appendix, List of References Cited, and Index. Gusler divides the book's text into two parts titled as "The Furniture of Williamsburg" and "Furniture from Other Areas of Eastern Virginia." The former features an examination of the Williamsburg furniture production of Peter Scott and Anthony Hay as well as other noted craftsmen. In the latter section Gusler reviews furniture manufacture in Norfolk, southeast Virginia in general, Richmond, Fredericksburg, and the Eastern Shore as well as furniture of unknown origin. {Bibliographic reference: Ames and Ward Decorative Arts - pages 93 and 338.} An excellent regional study which remains an authoritative reference. Description copyright David Hallinan, Bookseller. {DecArts Shelf #4} ISBN 0917046056.

Softcover. Condizione: VG. White ill. wraps. 51 pp. 43 bw plates. Introductory essay by Peter Mooz, followed by checklist and illustrations of really fine furniture pieces. Published to accompany the exhibition held in Brunswick, ME: Bowdoin College Museum of Art, April 7 to May 12, 1974.

Softcover. Wraps. 40 pp. 20 bw plates. Co-organized with the Boston Museum of Fine Arts, this exhibition examines the role of the Winslow Family in the development and encouragement of the fine arts in the Boston area during the 17th and 18th centuries. VG, May have small stain on cover or slght crease.

Paperback. Condizione: Brand New. 204 pages. 10.91x8.46x0.59 inches. In Stock.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: Good. 4to. 32 pp. Softcover. Color image on cover. Color and black and white images. Staple bound. Very good, but with some wear to cover.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: New. Satisfaction Guaranteed or your money back.

Hardcover. Condizione: Brand New. 204 pages. 11.30x8.86x0.79 inches. In Stock.

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

First edition (not stated per publisher's usual practice) INSCRIBED, SIGNED, AND DATED BY THE AUTHOR. xxii, 194 pages. Hardcover: H 29cm x L 23.5cm. Green dust jacket nicked at spine and flap ends, short closed tear at spine head, rear panel rubbed with several spots of mild abrasion, some negligible wear along panel edges and lengthwise along flap folds; dj now presented in a mylar Brodart protector. Maroon cloth, bright gilt stamped lettering upon spine and front board. Light foxing upon top edge. A very good+ copy in a very good dust jacket with Gusler's April 1979 signed inscription on the title page. Illustrated endpapers. Frontispiece. Forewords by R. Peter Mooz, Director, Virginia Museum of Fine Arts and Graham Hood, Vice President and Director of Collections, The Colonial Williamsburg Foundation. Color and b/w photographs. Preface. Appendix. List of References Cited. Index. Gusler divides the book's text into two parts: THE FURNITURE OF WILLIAMSBURG and FURNITURE FROM OTHER AREAS OF EASTERN VIRGINIA. The former features an examination of the Williamsburg furniture production of Peter Scott and Anthony Hay as well as other noted craftsmen. In the latter section Gusler reviews furniture manufacture in Norfolk, southeast Virginia in general, Richmond, Fredericksburg, and the Eastern Shore as well as furniture of unknown origin. {Bibliographic reference: Ames and Ward Decorative Arts - pages 93 and 338.} An excellent regional study which remains an authoritative reference. Description copyright David Hallinan, Bookseller. {DecArts Shelf #1} ISBN 0917046056.