morehead allison (20 risultati)

Soft cover. Condizione: Very Good. Has CD. Minor shelf wear. Binding tight, pages clean. Pictures available upon request.

Hardback. Condizione: New. 1.

Condizione: New.

Paperback. Condizione: Brand New. 1st edition. 180 pages. 10.50x7.75x0.50 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condizione: New.

Paperback. Condizione: Brand New. 192 pages. 12.01x9.01x0.75 inches. In Stock.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Paperback. Condizione: new. Paperback. This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices.Looking at avant-garde figures such as Maurice Denis, Edouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of natures experimentsthe belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and bodyextended from the scientific realm into the world of art, underpinned artists solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siecle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange.Focusing on the scientific, psychological, and experimental tactics of symbolism, Natures Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism. Examines the influence of experimental science, concerned with the workings of the body, the mind, and their various pathologies, on the works of late nineteenth-century artists Maurice Denis, Edouard Vuillard, August Strindberg, and Edvard Munch. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 192 pages. 12.01x9.01x0.75 inches. In Stock.

Condizione: New. &Uumlber den AutorFreyda Spira With an essay by Allison Morehead and contributions by Catherine Woodard and Nelson BlitzKlappentextA revealing examination of how mental illness informs and connects the highl.

Condizione: new.

4°, Broschiert. Condizione: Sehr gut. 438 S. Ausstellungskatalog in einem sehr guten, praktisch neuwertigen Zustand. B10-03-01F Sprache: Französisch Gewicht in Gramm: 2480.

Paperback. Condizione: new. Paperback. This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices.Looking at avant-garde figures such as Maurice Denis, Edouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of natures experimentsthe belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and bodyextended from the scientific realm into the world of art, underpinned artists solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siecle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange.Focusing on the scientific, psychological, and experimental tactics of symbolism, Natures Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism. Examines the influence of experimental science, concerned with the workings of the body, the mind, and their various pathologies, on the works of late nineteenth-century artists Maurice Denis, Edouard Vuillard, August Strindberg, and Edvard Munch. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New. This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices.Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of "nature's experiments"-the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and body-extended from the scientific realm into the world of art, underpinned artists' solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siècle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange.Focusing on the scientific, psychological, and experimental tactics of symbolism, Nature's Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism.

Hardback. Condizione: New. This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices.Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of "nature's experiments"-the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and body-extended from the scientific realm into the world of art, underpinned artists' solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siècle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange.Focusing on the scientific, psychological, and experimental tactics of symbolism, Nature's Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism.

Hardback. Condizione: New. 1.