Editore: Ivan Obolensky
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.75.
Editore: Ivan Obolensky
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.75.
Editore: Pavilion Books, 1990
ISBN 10: 1851453601 ISBN 13: 9781851453603
Da: Better World Books Ltd, Dunfermline, Regno Unito
Condizione: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Condizione: Good. First edition copy. . Acceptable dust jacket. (irish poets).
Editore: Ivan Obolensky, NY, 1963
Da: Ann Becker, Houston, TX, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good-. Condizione sovraccoperta: No Dust Jacket. First Edition. No DJ minor wear on edge of cover.
Editore: London. Jonathan Cape. (Second impression)., 1964
Da: Richard V. Wells ABA, ILAB, TEIGNMOUTH, Regno Unito
Condizione: UNSPECIFIED. (217 x 145). pp, 316, (2). Black and white frontispiece. Very ligh occasional spotting on endpapers. Grey and gilt cloth. Repaired dustjacket with light wear and sometime covered in clear film, in clear protective wraps.
Condizione: Very Good. First edition copy. . Good dust jacket. Dust jacket price clipped. In protective mylar cover. (Irish Authors, Biography).
Editore: Pavilion, London, 1990
ISBN 10: 1851453601 ISBN 13: 9781851453603
Da: Karen Millward, Bantry,Co.Cork., IRL, Irlanda
Hardcover. Condizione: Very Good +. Condizione sovraccoperta: V.GOOD +. First Edition in This Form. D/J is un clipped and covered with a protective wrapper, a lovely copy. This book is a wide-ranging anthology and enables the reader to appreciate the contribution and great diversity of this great literary figure. Interspersed throughout this collection are more than fifty poems illustratring Yeats development from dreamy romanticism of his youth to the symbolist phase and the more austere but always passionate voice of his maturity.