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Paperback or Softback. Condizione: New. Page and Stage: Intersections of Text and Performance in Ancient Greek Drama. Book.
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Paperback. Condizione: new. Paperback. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles Antigone; the significance of the use of deictic pronouns in Sophocles Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus Eumenides and Diktoulkoi. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished collection of internat Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: New. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles' Antigone; the significance of the use of deictic pronouns in Sophocles' Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus' Eumenides and Diktoulkoi.
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Aggiungi al carrelloPaperback. Condizione: New. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles' Antigone; the significance of the use of deictic pronouns in Sophocles' Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus' Eumenides and Diktoulkoi.
Hardcover. Condizione: VG-. No Jacket. used hardcover copy, lacking a dust jacket (as issued). light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight, and tight. there are no marks to the text or other serious flaws.
Hardcover. Condizione: New. New. Clean, unmarked pages. Fine binding and cover. Hardcover.
Lingua: Inglese
Editore: De Gruyter, De Gruyter Jan 2024, 2024
ISBN 10: 3112215370 ISBN 13: 9783112215371
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles' Antigone; the significance of the use of deictic pronouns in Sophocles' Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus' Eumenides and Diktoulkoi.
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Aggiungi al carrelloPaperback. Condizione: New. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles' Antigone; the significance of the use of deictic pronouns in Sophocles' Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus' Eumenides and Diktoulkoi.
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Aggiungi al carrelloHardback. Condizione: New. 1st. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles' Antigone; the significance of the use of deictic pronouns in Sophocles' Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus' Eumenides and Diktoulkoi.
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Lingua: Inglese
Editore: Vandenhoeck & Ruprecht Dez 2014, 2014
ISBN 10: 3938032812 ISBN 13: 9783938032817
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Aggiungi al carrelloBuch. Condizione: Neu. Neuware - Die Reihe Fragmenta Comica wird die vollständige Kommentierung der Fragmente der griechischen Komödie bieten. Ziel der Kommentare ist es, einerseits die in der Regel schwierig zu verstehenden Texte unter allen möglichen Gesichtspunkten zu erschließen, andererseits, wo dies möglich ist, eine Rekonstruktion der Stücke zu versuchen und eine literaturgeschichtliche Einordnung der Autoren vorzunehmen. Die Fragmente und Testimonien werden übersetzt.
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Aggiungi al carrelloBuch. Condizione: Neu. FrC 8.3 Eupolis frr. 326-497 | Fragmenta incertarum fabularum, Engl/griech, Fragmenta Comica 8 Heft 3 | Stuart Douglas Olson | Buch | 288 S. | Englisch | 2014 | Vandenhoeck & Ruprecht | EAN 9783938032817 | Verantwortliche Person für die EU: Vandenhoeck & Ruprecht, Theaterstr. 13, 37073 Göttingen, ute[dot]schnueckel[at]brill[dot]com | Anbieter: preigu.
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