Tipo di articolo
Condizioni
Legatura
Ulteriori caratteristiche
Spedizione gratuita
Paese del venditore
Valutazione venditore
Editore: Editorial Seix Barral, 2002
ISBN 10: 9507313257ISBN 13: 9789507313257
Da: Juanpebooks, MIAMI, FL, U.S.A.
Libro
Condizione: New. Libro nuevo, sellado, fisico, original. Enviamos a todos el mundo por USPS, Fedex y DHL. 100% garantia en su compra. Sealed, new. Unopened. 100%guarentee. We ship worldwide.
Editore: Planeta
ISBN 10: 9507313958ISBN 13: 9789507313950
Da: Juanpebooks, MIAMI, FL, U.S.A.
Libro
Condizione: New. Libro nuevo, sellado, fisico, original. Enviamos a todos el mundo por USPS, Fedex y DHL. 100% garantia en su compra. Sealed, new. Unopened. 100%guarentee. We ship worldwide.
ISBN 10: 9878220753ISBN 13: 9789878220758
Da: Juanpebooks, MIAMI, FL, U.S.A.
Libro
Condizione: New. Libro nuevo, sellado, fisico, original. Enviamos a todos el mundo por USPS, Fedex y DHL. 100% garantia en su compra. Sealed, new. Unopened. 100%guarentee. We ship worldwide.
Editore: Ciudad de Mexico: 1950, 1950
Da: Peter Harrington. ABA/ ILAB., London, Regno Unito
Copia autografata
A highly unusual manuscript poem by Neruda, handmade in booklet format with illustrations by the poet, created as a "único ejemplar par Juan Florit", a fellow Chilean poet. "Bío-Bío" appears in part III of Canto General, published in Mexico City the same year as this manuscript was made. Carlos Fuentes, in his lyrical memorial for Neruda in the New York Times, 11 November 1973, picked "Bío-Bío" out as one of the pieces by which Neruda's inspiring influence would live on: "And so, on his death, Neruda's poetry returns as a promise of freedom to his muzzled and shackled people, his poetry once again becomes sea and desert, mountain and rain, his poetry is again, as in the beginning, named Temuco, Atacama, Bio Bio. The poetry will survive. The people will survive. Temuco, Atacama, Bio Bio. From the names of Pablo Neruda's poetry will also rise the men of the Chilean revolution. Because he gave us a past and a present, Pablo Neruda will be with us in the perilous conquest of our future." 2 bifolia of thick pale green paper (folded to 236 x 105 mm), all pages with manuscript and drawings. Discreet professional restoration to spine and gutters, small perforation not affecting text to third leaf, small chips to a few page edges, some light browning and a few marks, very good.
Editore: México: Talleres Gráficos de la Nación, 1950, 1950
Da: °ART...on paper - 20th Century Art Books, Lugano, Svizzera
Membro dell'associazione: ILAB
Libro Prima edizione
Hardcover. Condizione: Very Good. 1st Edition. Description: Gr.4° (250x360mm) - 567pp - Endpapers created especially for this edition by Diego Rivera and David Alfaro Siqueiros. Canto General (General Song) by Pablo Neruda (1904-1973) consists of 15 sections, 231 poems, and more than 15,000 lines. This work attempts to be a history or encyclopedia of the entire American Hemisphere, or New World, from a Hispanic American perspective. This edition consists of 500 300 copies destined to the subscribers, bear the signature of Pablo Neruda, Diego Rivera and David Alfaro Siqueiros. Text in Spanish language. Original binding (green). In Very good condition.
Editore: Warsaw, 1950
In original cloth. Condizione: In fine condition. In original cloth. Signatures by Pablo Neruda, Ilya Ehrenburg, Arnold Zweig, Wiktor Woroszylski, Helene Weigel, George Ashmore Fitch, Xiao San, and others. In 1950, the World Congress of the Supporters of Peace adopted a permanent constitution for the World Peace Council, which replaced the Committee of Partisans for Peace. The opening congress of the WPC condemned the atom-bomb and the American invasion of Korea. It followed the Cominform line, recommending the creation of national peace committees in every country, and rejected pacifism and the non-aligned peace movement. It was originally scheduled for Sheffield but the British authorities, who wished to undermine the WPC, refused visas to many delegates and the Congress was forced to move to Warsaw. British Prime Minister Clement Attlee denounced the Congress as a "bogus forum of peace with the real aim of sabotaging national defence" and said there would be a "reasonable limit" on foreign delegates. .
Editore: EL LABERINT, BARCELONA, 1965
Da: EL ACCIPIES, MADRID, Spagna
Prima edizione
Encuadernación de tapa dura. Condizione: Como Nuevo. 1ª Edición. El Laberint, 1965, 92 pp, 53x43, encuadernación en tapa dura en tela arpillera especial, como nuevo el exterior e interior, incluye un estuche en tela marrón claro, es una edición limitada y numerada de 216 ejemplares, siendo este el nº 168, firmado por el autor y la ilustradora, primera edición, incluye 10 ilustraciones de 40x26 realizadas con la técnica "aguafuerte" por Roser Brú. Los aguafuertes se estamparon en los tórculos de Jaume Pla, con papel de hilo especial. Neruda. Odas. Firmado por el Autor(es). Libro.
Editore: [Third Programme: Future], 1960
Da: James Cummins Bookseller, ABAA, New York, NY, U.S.A.
Copia autografata
16 typescript sheets (title, and 15 numbered pages of poems, printed recto only). Small folio. Sylvia Plath's Copy, signed with her name and address. In early 1960 they had met the poet W.S. Merwin and his wife Dido, who became close to the couple and helped Plath and Hughes find a London Flat. In the spring of 1961 Merwin gave Plath the use of his studio, and she began work on the novel that was to become the Bell Jar, "working seven days a week from eight to one," and finishing the novel just before moving to Court Green, the house in Devon that Plath and Hughes had recently purchased, where she wrote the majority of her book Ariel, and where Hughes lived in for the rest of his life. The transmission of Merwin's translations of Neruda's poems (all from his Residence on Earth, 1934-1945) was not aired on the Third Programme until 19 April, 1962. Merwin's lively, imagistic, translations of Neruda would not be published until 1969 in Twenty Love Poems, and his version of Neruda's Selected Poems in 1970, both published by Jonathan Cape. Provenance: Frieda Hughes; Clark, Heather, Red Comet: The Short Life and Blazing Art of Sylvia Plath, New York: Knopf, 2020 Held by metal tab in upper left, first sheet loose, one letter corrected in black ink on p.2, some spotting to first and last sheet; signed on upper right of first sheet "Sylvia Plath, Court Green, North Tawton, Devonshire" 16 typescript sheets (title, and 15 numbered pages of poems, printed recto only). Small folio.
Editore: Left Review by Furnell and Sons Ltd, London, 1937
Da: TBCL The Book Collector's Library, Montreal, QC, Canada
Membro dell'associazione: IOBA
Prima edizione
First Edition. First Edition. RARE pamphlet AUTHORS TAKE SIDES ON THE SPANISH WAR 6 1/4" x 9 3/4" pp.28 plus cover printed on cream colour paper inside with black ink and red ink, recto verso on the thicker cover stock. Slight wear on the outside right cover as per photos otherwise in fine shape. The editors of AUTHORS TAKE SIDES ON THE SPANISH WAR, which was published in London by the Left Review in 1937, posed two questions to a list of influential poets and writers of the 1930's: "Are you for, or against, the legal Government and the People of Republican Spain? Are you for, or against, Franco and Fascism?" This historical and important document consists of 148 contributors and 10,000 words on their stand on fascism and democracy. Among the contributors were: Leonard Woolf, Vita Sackville-West, Aliester Crowley (with his name misspelled) T S Eliot, Ezra Pound, W H Auden, T.S. Eliot, C. Day Lewis, Rebecca West, Sylvia Townsend Warner, Evelyn Waugh, George Bernard Shaw to name but a few influencers! Some responses were long and some such as with Samuel Beckett were quite short! '¡UPTHEREPUBLIC!' This significant pamphlet is very rare and a handful can only be found in library archives,
Editore: Santiago: privately printed, 1959, 1959
Da: Peter Harrington. ABA/ ILAB., London, Regno Unito
Prima edizione Copia autografata
First and limited edition, sole printing, one of 250 copies signed by the author and with a lithograph by Chilean artist Nemesio Antúnez, signed by him in pencil, this copy out of series; there were also 50 copies issued with an original watercolour by Antunez and a manuscript sonnet by Neruda. Neruda wrote the sonnet sequence over a period of three years for his wife, Matilde Urrutia, and dedicated it to her; it is widely regarded as one of his greatest works. Folio. Original white wrappers, spine and front wrapper lettered in black and red. With original glassine. With a lithographic centrefold by Nemesio Antunez, signed by him in pencil. Bookseller's ticket to front pastedown. Illustrated plate discreetly reinserted, a couple of tiny nicks to glassine, a near-fine copy.
Hardcover. Condizione: Good. Limited Edition. Limited edition of 600 copies, this is number 489. Double signed by Neruda; once with just his last name in green pen on the limitation page and then again on the verso of the half-title page in red pen with a large doodle of a kite and an inscription to Chilean author Juan Agustin Palazuelos, dated 1963. Published in Mexico City in March of 1950, this copy was printed on "Malinche" paper (colophon). Folio, measuring approximately 14 x 10 inches; 568 pages, plus subscriber list (subscribers include Frida Kahlo and Pablo Picasso). Publisher's red cloth boards with gilt fish imprint on cover and gilt lettering on spine. Gilt is quite faded and the cloth is somewhat soiled and faded as well. Rubbing to edges, exposing boards at the corners. Cloth on spine is wrinkled. Binding is in a delicate condition with cracking gutters and a downward slant to the text block. Interior is clean except for a stain to the top edge of about the first 200 pages that does not impact content. Text block has a very faded purple top stain and uneven trim on the fore-edge. Features stunningly colorful endpapers decorated with an illustration by Diego Rivera in the front and another by David A. Siqueiros in the rear. Red cloth ribbon bookmark is faded. Overall, good condition. Content is entirely in Spanish. This is a highly collectable copy of an epic book of poetry by Nobel Prize winning Chilean poet and diplomat Pablo Neruda. Canto General, which translates to General Song, consists of hundreds of poems separated into 15 sections and is widely considered to be one of Neruda's essential works. Together, the poems present a history of Latin America with a focus on depicting struggles against oppression. ; Folio - over 12" - 15" tall; 568 pp; Signed by Author.
Editore: Ediciones El Laberint, 1965
Da: Libros del Ayer ABA/ILAB, Santiago, Cile
Libro Prima edizione Copia autografata
Encuadernación de tapa dura. Condizione: Bien. 1ª Edición. Barcelona: Ediciones El Laberint, 1965. Cuero, 49 x 43 cms, pp.91. Tiraje de 216 ejemplares, 172 ejemplares numerados del 29 al 200. Este es el ejemplar n° 30, ejemplar firmado por los autores. Tiene manchas de humedad y algun deterioro en el empaste. Firmado por el autor.
Editore: Sabadell, Juventud-Teide, 1965
Da: Apartirdecero, CAPITAL FEDERAL, BUE, Argentina
Libro Copia autografata
Encuadernación de tapa dura. Condizione: Muy bien. Neruda, Pablo (1904-1973). Diez Odas para Diez Grabados de Roser Bru . Ejemplar profusamente intervenido con dibujos originales de Roser Bru (1923-2021), son 10 páginas con dibujos en pastel color, con dedicatoria dirigida a Emilio Ellena (1934-2011). Sabadell, Juventud-Teide, 1965. Primer volumen de la colección El Laberint . Ejemplar n° 145 de la tirada de 216 numerados a prensa, sobre papel de hilo con filigrana dibujada por Roser Bru, fabricado especialmente para esta obra por las Manufacturas L. Guarro Casas de Gelida. Con las firmas manuscritas, en el colofón, del poeta y la artista. 85 páginas. Medidas: 52 x 42 cm. Encuadernación en plena arpillera, tapa con título en dorado. Con estuche entelado. (código 2294). Firmado por el autor.
Editore: Prensas de la Editorial Universitaria, Santiago, Chile, 1959
Da: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
Prima edizione Copia autografata
Condizione: Near Fine. First Edition. Folio. First edition with text in the original Spanish language. Copy number 198 of a limited 270 signed by Pablo Neruda in his characteristic green ink. In publisher's original wraps printed in black red, with lithograph signed by the illustrator laid in. Near Fine with toning and light wear. A collection of sonnets written by the Chilean poet and Nobel Laureate dedicated to his beloved wife (at the time), Matilde Urrutia. It is divided into the four stages of the day: morning, afternoon, evening, and night.
Editore: Racolin Press, New York, 1968
Da: Whitmore Rare Books, Inc. -- ABAA, ILAB, Pasadena, CA, U.S.A.
Prima edizione Copia autografata
Condizione: Fine. Condizione sovraccoperta: Near Fine. First thus. Out of a limitation of 235, one of ten lettered copies A-J (this copy being J), signed by the artist on the limitation page and on each of the 10 lithographs. A truly striking combination of poetry and visual arts, measuring an impressive 1040 x 600mm. Complete as issued in 63 pages with 10 lithographed and signed illustrations. Housed in the original publisher's linen clamshell with just a touch of fraying to spine ends. Of the 14 copies listed at institutions according to OCLC, only three are of the lettered limitation (B at Illinois, D at Hamilton, and G at Stony Brook). While individual lithographs frequently come up at auction, only one complete copy is documented in Rare Book Hub. A collaborative masterwork, Poems from the Canto General pairs some of Neruda's most important political lyrics with muralist David Alfaro Siqueiros large-scale lithographs. Originally conceived as a more traditional livre des artistes, the scale of Siqueiros' contribution altered the production, leading to the lithographs being included as a separate suite of gently folded pages rather than intermixed with Neruda's text. Prior to the collaboration, the two artists had already achieved fame; they had also worked on earlier iterations of the Cantos. "The friendship between Neruda and Siqueiros was born in Mexico, when Neruda worked there as Chilean consul and the painter languished in jail after having organized an armed assault on the home of Leon Trotsky" (Trinity). From this "ideological affinity" as well as their shared "artistic and social sensibilities" that the groundwork of their friendship was laid (Trinity). Canto General was in many ways the most perfect outcome -- a complete artistic call for the liberation of all peoples on the continent. Fine in Near Fine dust jacket.
Editore: [N.p., Santiago, 1962
Da: James Cummins Bookseller, ABAA, New York, NY, U.S.A.
Published: Discursos (Editorial Nascimiento, 1962). Carbon typescript, corrected in blue ink and typing. 24 pp., numbered 1-14, 14a, 15-23. 4to (8-1/2 x 11). 'Yo soy un patriota poético, un nacionalista de las gredas de Chile'. Yo llegaba de la lluvia sureña y de la monosilábica relación de las tierras frías. (I come from the southern rains, and the monosyllabic exchanges of the cold lands.) Typescript of the address of poet Pablo Neruda's (1904-1973) to the Facultad de Filosophia y Educacion at the Universidad de Chile upon his appointment to the university in March 1962. This is a discursive and wide-ranging contemplation of Chilean authors Mariano Latorre and Pedro Prado, the question of influence, and the history of Latin America and its place in the world. In resonant cadences, Neruda singles out the clarity of Latorre and "his great wish to turn us towards the ancient essence of our land", while noting that for the taciturn adolescent, it was the directness and "conversación" of Prado, "the joyous maturity of his understanding of nature, his perennial philosophical rambling, made me comprehend the possibilities of association or society, the expressive ccommunication of intelligence". Neruda quotes an extended passage from La Joie Rousse of Appolinaire, and mentions the wandering nature of the poet's profession, and the powerful emotion he felt when saying his poems in remote mining camps, slums, and before the longshoreman's union, to see the audience of workers listen attentively. Many poets and writers are mentioned, Garcia Lorca during a discussion of the creative process, as well as Rimbaud and Baudelaire. He talks of seeing the first car and the first airplane in his youth, and notes that the world has changed, and so his poetry has changed. "Yo soy un patriota poético, un nacionalista de las gredas de Chile" (I am a patriotic poet, a nationalist of the clay of Chile). Neruda turns to world affairs: "En America latina temblaron los tiranos. Cuba proclamó su inalienable derecheo a escoger su sistema social" (In Latin America, tyrants tremble. Cuba proclaimed its inalienable right to change its social system). A substantial and powerful essay. Pablo Neruda was awarded the Nobel Prize in literature in 1971. Some marginal wear to first leaf; last leaf is tipped to another sheet (toned). Very good Carbon typescript, corrected in blue ink and typing. 24 pp., numbered 1-14, 14a, 15-23. 4to (8-1/2 x 11) Published: Discursos (Editorial Nascimiento, 1962).
Editore: Ministerio de Educación Pública de Chile, 1972
Libro Prima edizione Copia autografata
Soft cover. Condizione: Good. 1st Edition. About the book: Softcover. First Printing. Published in celebration of Neruda's Nobel Prize this book was distributed to libraries and unions free of charge. Neruda waived his rights to any royalties. Book has been inscribed on title page by Neruda. Also inscribed by Allende at the end of his introduction to book. First page has a doodle/drawing by Neruda. Recipient of book was a man named "Rene Zorrilla" There is an auditorium at the Metropolitan University of Technology in Chile named after Zorrilla, however, we are unsure if they are one and the same. Additional photos available upon request. Signed by Author(s).
Editore: Talleres Graficos de la Nacion, 1950
Da: International Book Hunting, Manuel Alberti, BSAS, Argentina
Prima edizione Copia autografata
Encuadernación de tapa dura. Condizione: Muy bien. Condizione sovraccoperta: Regular. 1ª Edición. Primera edicion de la obra de Pablo Neruda Canto General, edicion numerada, 1950, talleres graficos de la nacion, Firmado Por Neruda, Siqueiros y Rivera, en su respectivo estuche. Ejemplar 271 de 500. Muy buen estado, sobrecubierta de papel con faltante en el lomo. Firmado por el autor.
Editore: New York, 1943., 1943
Da: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manoscritto / Collezionismo cartaceo Copia autografata
Oblong 8vo. 1 p. Reverse with autograph musical quotation signed by Arthur Rubinstein. The second verse of his famous poem "Un Canto para Bolivar", read by Neruda at the University of Mexico on July 24, 1941, for the 101st anniversary of the death of Simon Bolivar, and published in an edition of 500 copies (Imprenta Universitaria, 1941). Neruda noted this stanza in an autograph album in New York in 1943. "Tu pequeño cadáver de capitán valiente | ha extendido en lo inmenso su metálica forma, | de pronto salen dedos tuyos entre la nieve | y el australien pescador saca a la luz de pronto | tu sonrisa, tu voz palpitando en las redes". - Two years earlier, Rubinstein penned four bars of the Polish national anthem "Himno Polaco" in the autograph album from which this sheet originates.
Editore: Santiago: Nascimento, 1954, 1954
Da: Peter Harrington. ABA/ ILAB., London, Regno Unito
Copia autografata
Signed limited edition, number 24 of 1,000 copies signed by the author; there were also 10 hors commerce copies, lettered A to J. The collection was originally published in 1948, and was translated into English in 1966. This limited edition, illustrated with 11 images by Peruvian photographer Martín Chambi (1891-1973), was printed on the occasion of Neruda's 50th birthday. Folio. Original wrappers lettered in blue and yellow, sepia photograph by Martín Chambi to front wrapper, publisher's device to rear wrapper in yellow. With original glassine. With 11 photographs by Chambi; 4-page bibliography by Jorge Sanhueza loosely inserted, as issued. Wrappers slightly marked, glassine creased and torn at extremities, a few small chips to extremities, a near-fine copy.
Editore: Ediciones Sociedad De Amigos Del Arte Contemporianeo, Santiago, 1966
Da: WAVERLEY BOOKS ABAA, Santa Monica, CA, U.S.A.
Prima edizione Copia autografata
Softcover. Condizione: Very Good+. Condizione sovraccoperta: No Dust Jacket. First Edition; First Printing. Limited edition. Copy #194 of 200 SIGNED ny pablo Neruda in his preferred green ink, and by 3 ofthe features artists: Mario Carreno, Hector Herrera & mario Toral. Very good+ in oversize paper wrappers. (105pp. ) (15 1/4" X 13 1/2") Features 17 full-color tipped-in paintings that accompany Neruda's poems. (Near fine, but for some tears along the top and bottom seam at spine. A few short edge tears. ) Scarce in the limited issue. ; 15 1/4" X 13 1/2"; 105 pages.
Editore: Kaldewey Press, Poestenkill, NY, 1989
Da: Bromer Booksellers, Inc., ABAA, Boston, MA, U.S.A.
Copia autografata
Keever, Kim (illustratore). Oblong folio. 106pp. One of twenty deluxe copies printed on papier de Chine and bound in flexible blue textured leather by Christian Zwang. With twenty-five linoleum cuts in several colors by Kim Keever. Signed by the artist. Keever's linocuts draw directly from the theme of love, with imagery of women and men and handwritten text. These are displayed to greatest effect in this deluxe edition, as the translucent Chinese paper allows the text and images to show through. Designed and printed by Gunnar Kaldewey, who combines the traditional with the experimental, bringing together the work of an early twentieth-century poet with the techniques and ideas of the late twentieth-century artist. In this work, Kaldewey utilizes an inventive index format in which the pages for each poem are one inch wider than the poem before, allowing for each section to be accessed easily and directly. The title page, as it were, is printed letter by letter across these tabs. Housed in a grey chemise and slipcase. Very fine. (von Lucius, pp. 184-187).
Editore: Ediciones Lagargola, 1963
Da: Libros del Ayer ABA/ILAB, Santiago, Cile
Libro Prima edizione Copia autografata
Encuadernación de tapa dura. Condizione: Excelente. 1ª Edición. Santiago, Ediciones lagargola, 1963. Encuadernación editorial en tapa dura con letras en relieve, 25 páginas, ilustraciones de Toral, más 2 páginas de colofón y justificación. Tirada de solo 80 ejemplares numerados a mano. El presente ejemplar lleva el No. 30. Firmado por Neruda y Toral. Firmado por el autor.
Editore: Empresa Letras, Santiago de Chile, 1933
Da: La Social. Galería y Libros, Barcelona, BCN, Spagna
Libro Prima edizione Copia autografata
Tapa blanda. Condizione: Muy bien. 1ª Edición. PRIMERA EDICIÓN DEDICADA Y FIRMADA POR EL AUTOR. FIRST EDITION DEDICATED AND SIGNED BY THE AUTHOR. Colección "Cuadernos de poesía" núm. 2. EXCELENTE ejemplar con bella encuadernación holandesa. 34pp. Firmado por el autor.
Editore: Eds. Heroe, (por Concha Méndez y Manuel Altolaguirre), 6 de marzo de 1936., Madrid, 1936
Da: Carmichael Alonso Libros, Cantabria, Spagna
Prima edizione Copia autografata
Condizione: Bueno. 1ª ed. 11.7x18.6. 29 (+1) pp. 2h. Cartoné naranja editorial, en una caja de tela. Lomo nuevo; restos de marcas de celo en la zona del lomo. Falta la portada. Este ejemplar contiene dos acuarelas originales y un dibujo en negro de José Caballero. En la cubierta hay un dibujo original a plumilla, de un cabeza sobre el mar, una constelación, y un barco naufrageando, con un banderín que lleva las palabras "¡Todo en tí fue naufragio!". En la guarda anterior hay una acuarela de una escena amorosa de una parje hablando por una ventana; en el reverso del colofón hay otra acuarela de un angel que aguanta una cortina roja, una mujer con un pájaro y un hombre que llora, sentado en una silla un el agua. Las dos hojas con acuarelas han sido recortadas del libro, y ahora profesionalmente reinjeratadas. La mujer del dibujo de la cubierta y de la segunda acuarela es Carmen Guardia Amer (Palma de Mallorca 1923 - 2007); fue una mujer de espectacular belleza, campeona de natación de España en 1940 y 1941; también fue bailarina de mérito, y parece que fue como conoció a José Caballero: el pintaba los decorados para un espectáculo de bailes regionales de la Sección Femenina. Después de Lorca, el poeta y cónsul chileno Pablo Neruda fue el escritor con quien más relación tuvo el joven José Caballero; ilustró un número de su revista ?Caballo Verde para la Poesía?, y Neruda le encargó las ilustraciones para su próximo libro, ?La Furia y las Penas?, que no se llegó a publicar al empezar la Guerra Civil. En 1935, el poeta de dedicó unos hermosos versos: ?José Caballero es el joven / señor de los sueños, el / vencedor de las manzanas, el / gran disparo entre las hojas, / el catalejo de coral humeante, / y es aún más: es el jefe del / fuego de siete manos?. Vuelven a colaborar en un libro años más tarde, con ?Oceana?, publicada en 1971, y Caballero realiza una serie de dibujos sobre Lorca y Neruda en Madrid en el mismo año. Parece probable que este ejemplar de 'Primeros Poemas de Amor? fue la del artista, y que llavara una dedicatoria de Neruda que Caballero recortó en algún momento después del principio de la Guerra Civil. El 18 de Julio le sorprendió en Huelva, se alista a las filas de las tropas nacionales y empieza a colaborar en publicaciones falangistas como Vértice, donde ya encontramos su firma a partir de 1937. Esto fue, probablemente la mejor manera de evitar sospechas sobre él, y la barbarie de la represión franquista en Huelva. Las 3 obritas que dejó en este libro no están fechadas, pero claramente datan de los primeros años 40 cuando conoció a Carmen Guardia. Ella se casó en 1946, apartandose definitivamente de la danza y la natación competitiva. Ninguna de estas ilustraciones está firmada, pero el estilo del artista es evidente, y Carmen Guardia había contado algo sobre su amistad con José Caballero a sus hijos. Procedencia: familia Alvarez de Sotomayor Guardia. Cartoné naranja editorial, en una caja de tela.
Editore: Vol. 1 : Left Review, London : 1937. Vol.2 : The League Of American Writers, NY : 1938, 1937
Da: Ashton Rare Books ABA : PBFA : ILAB, Market Harborough, Regno Unito
Libro Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. 2 Vols. set :Vol.1 'Authors Take Sides on the Spanish War'. The sole UK printing published by Left Review, London in 1937. The pamphlet BOOK is in Very Good condition. Original printed yellow and red card covers. A few ink stains to the front cover with some light age related markings. The corners are gently bumped and lightly rubbed. Internally the 32 pages are staple bound and the binding remains tight. Some early light rusting to the staples internally. Light spotting throughout due the quality of the paper stock used, a little heavier in places. Free from inscriptions and erasures. A scarce survivor of what was a cheap production. The book is protected in a removable Mylar archival cover. A very scarce pamphlet containing contributions from 148 British and Irish authors on their personal stance on the Spanish Civil War. The question posed is: 'Are you for, or against, the legal Government and the People of Republican Spain? Are you for, or against, Franco and Fascism?' and is signed off by Aragon, W. H. Auden, Jean Richard Bloch, Nancy Cunard, Brian Howard, Heinrich Mann, Ivor Montagu, Pablo Neruda, Ramon Sender, Stephen Spender, and Tristan Tzara. The publisher states its limitations within a six penny pamphlet, i.e. that it has indeed selected the responses, likely based on its own motivation (though it does say the responses herein are representative) but more so from the weight of the authors themselves. Indeed, it contains most of the powerhouse names of British and Irish literature; W. H. Auden, Samuel Beckett (who perhaps satirically simply writes ¡UPTHEREPUBLIC! , Cyril Connolly, Alastair Crowley (with his name misspelt) , C. Day Lewis, Liam O Flaherty, Ford Madox Ford, David Garnett, Victor Gollancz, Aldous Huxley, Storm Jameson, John Lehmann, Sylvia Pankhurst, Herbert Read, Stephen Spender, Olaf Stapledon, Leonard Woolf and many others. T. S. Eliot, Ezra Pound, Vera Brittain, H. G. Wells, and Vita Sackville-West among others declare themselves neutral, the latter questioning the publication s terminology in the question regarding a legal government. And against the government appears Arthur Machen, Edmund Blunden, Evelyn Waugh and others. An extremely scarce pamphlet, a rare survivor in all senses, which gave audiences direct insights into ideas and worlds some authors seldom expressed themselves in and a hugely important booklet. JSIC reports 13 holdings at institutions. Vol.2 : Writers Take Sides On The Question : Are you for, or are you against Franco and Fascism? Letters about the War in Spain from 418 American Authors . The sole USA printing published by the League of American Writers, New York in 1938. The BOOK is in near Fine condition. Stapled, blue wraps with writers' names in white and titles in black. Some very light, edge and corner wear along with some age-toning on edges. A sharp copy. The 418 authors responses include those from : Franklin P. Adams, Sherwood Anderson, Maxwell Anderson, Gertrude Atherton, Brooks Atkinson, Earl Browder, Kenneth Burke, Countee Cullen, William Faulkner, Edna Ferber, Felix Frankfurter, Dashiell Hammett, Ernest Hemingway, Langston Hughes, James Weldon Johnson, Rockwell Kent, Stanley Kunitz, Katharine Ann Porter, George Seldes, Upton Sinclair, John Steinbeck, I. F. Stone, Genevieve Taggard, Clara Weatherwax ,Richard Wright, Felix Frankfurter, James Weldon Johnson, Rockwell Kent, Stanley Kunitz, I. F. Stone, Genevieve Taggard, Clara Weatherwax, et al. Both Volumes housed in a custom solander box with gilt titling, marbled inserts and a red silk tie. More images available on request. Ashton Rare Books welcomes direct contact.
Editore: Jonathan Cape, London, 1966
Da: Raptis Rare Books, Palm Beach, FL, U.S.A.
Prima edizione Copia autografata
First edition in English of Neruda's masterpiece. Octavo, original cloth. Signed by Pablo Neruda on the half-title page in green ink. Fine in a near fine price-clipped dust jacket with light rubbing. Jacket design by Peter Barber and Nathaniel Tarn. Translated by Nathaniel Tarn. Preface by Robert Pring-Mill. Rare and desirable signed. "The Heights of Machu Picchu" has been called Pablo Neruda's greatest contribution to poetryâ "a search for the "indestructible, imperishable life" in all things. Inspired by his journey to the ancient ruins, Neruda calls the lost Incan civilization to "rise up and be born," and also empowers the people of his time.
Editore: Ercilla, 1937
Da: LIBROS EL CID CAMPEADOR, Santiago de Chile, Cile
(CA42) - Santiago de Chile - Primera Edición - Contiene 43 páginas - Láminas - Encuadernado en media tela roja - Conserva tapa original - Timbre de librería anterior en la hoja de respeto - Ejemplar muy raro - Buen estado. hardcover.
Editore: Edición de la Sociedad de Arte Contemporáneo. Editorial Universitaria, 1969
Da: LIBROS EL CID CAMPEADOR, Santiago de Chile, Cile
(CA23) - Santiago, Chile - Primera edición firmada por Neruda - Ejemplar Numerado, N°99 - Edición de la Sociedad de Arte Contemporáneo - Firmado por Neruda en anteportada y por: Mario Carreño, María Martner, Pedro Millar, Julio Escamez, al costado de sus láminas - Con láminas de: Mario Carreño, María Martner, Pedro Millar, Julio Escame y Osvaldo Guayasamin - Encuadernado en medio cuero rojo, en lomo y en media tapa, mantiene tapas originales - Guardas marmoladas - Con 246 páginas - Exterior con roces en lomo, tapas y perímetro - Interior en buen estado, sin detalles. leatherbound.
Editore: n/a
ISBN 10: 8432096598ISBN 13: 9788432096594
Da: Iridium_Books, DH, SE, Spagna
Libro
PAPERBACK. Condizione: Good. 8432096598.