paul bril (27 risultati)

No Binding. Condizione: Good. Postcard in good condition, with writing on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Condizione: Very Good. Postcard in Very Good condition, unmailed, with a little writing on reverse. Cards are sent in stiff mailers. Postcard.

Paperback. Paar lichte gebruikssporen, rechtsbovenhoek wat gevouwen, nog een (zeer) goed exemplaar. Please see description or ask for photos.

Condizione: Good. 4to. 396 pp. Hard cover. Very Good+. Illustrated paper covered boards. Color and B&W plates throughout. Text in English and Japanese. Extremely Scarce.ISBN: 9784907442217 4907442211.Collection from San Francisco Museum of Modern Art.

Condizione: Gut. Format (Bildbereich) / size (image): 152 x 207 mm. Blattgröße / sheet: 410 x 275 mm. *Aus dem wertvollen Galeriewerk der Sammlung des Jean Baptiste Pierre le Brun (1748-1813) "Galerie des Peintres Flamands, Hollandais et Allemands" (Paris, 1792-1796 mit 201 Tafeln). Le Brun stammte aus der bedeutenden französischen Künstlerfamilie der Lebrun, er selbst war vor allem ein großer Kunsthändler und Sammler. Er kaufte das Pariser Hotel Lubert in der Rue de Clery. Dort eröffnete er 1788 seine Galerie, den "Salle Lebrun" mit wertvollen Gemälden der großen alten Meister. Durch den Zusammenbruch des Kunstmarktes in der französischen Revolution mußte er seine komplette Sammlung verkaufen. Zuvor wurden seine Gemälde von den besten französischen Kupferstechern in Kupfer gestochen und in dem o.g. Galeriewerk dokumentiert. Le Brun selbst war den neuen Machthabern in Paris in den Folgejahren unentbehrlich für die Neuausrichtung des Nationalmuseums / Jean Baptiste Pierre le Brun (1748-1813), husband of Vigee Lebrun, besides being a great dealer in paintings. 1788 he opened his art gallery "Salle Lebrun" in Paris with paintings from famous old masters. During the French Revolution the art market lay down and he must sell his complete collection. The paintings has been engraved before from the best French engravers and published in the gallery work "Galerie des Peintres Flamands, Hollandais et Allemands" which appeared 1792-1796 in Paris with 201 engravings. Sprache: Deutsch Gewicht in Gramm: 500.

Paul Bril (illustratore). "'"AND HEE WOULD FAINE HAVE FILLED HIS BELLIE WITH THE HUSKES THAT THE SWINE ATETHE 15 CHAP OF S. LUKE 16:17 VERSE"'This print shows a view on a landscape with buildings and a castle with the lost son between pigs and chickens (Luke 15:11-32). Old English bible text below.Made by Lucas Vorsterman the younger after Paul Bril.Medium: Engraving / etching on hand laid (verge) paper.Sheet size: 33 x 24.8 cm (12.99 x 9.76 inch). Image size: 31 x 24.7 cm. (12.2 x 9.72 inch).\ | RBOS-A10-21BACKGROUND INFORMATIONThis print was published by Vorsterman in c.1650-1655.Reference: Hollstein Dutch 14.Biography engraver: Lucas Emil I Vorsterman (1595-1675) was a Dutch engraver from Zaltbommel. From 1618 to 1622 he worked with Rubens. .Biography artist: Paul Bril (1554-1626)." Condition: good, given age. Remains of paper tape on reverse. Small margins. Small tear at top right. Fold in middle. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

2. Bruxelles, M. Hayez, imprimeur de l'Académie Royale, 1855, in-8°. Article of 20 pp published in the '' Bulletin de l' Académie Royale des Sciences , des Lettres et des Beaux-Arts de Belgique, Issue N° 6 Tome XXII, Bulletin de la Séance du 2 juin 1855 ''. Here on offer is the complete issue, as published, in original imprint. Pagination of the issue is 471-622 (with other articles). Unopened copy, sewn, with original wrapper (wrapper dustsoiled, discolored and torn, some loss of paper at backwrapper, margins dustsoiled).

Paul Bril (illustratore). 'P. BRIL INVENTOR / NIEULANDT FECIT / AVEC PRUIL. DU ROY'Forest landscape with large trees framing a winding path; five travelers, two women and two men walking while another man rests against a tree. Stream or pond on the left with aquatic plants, and scattered figures visible deep in the woods.Made by Willem van Nieulandt II after Paul Bril.Medium: Etching and engraving, brush in brown on hand laid (verge) paper. Watermark: unclear watermark.Sheet size: 31.3 x 23.7 cm (12.32 x 9.33 inch). Image size: 31.3 x 23.7 cm. (12.32 x 9.33 inch).PAUL BRIL, WILLEM VAN NIEULANDT II, 17TH-CENTURY ETCHING, WOODED LANDSCAPE, FOREST PATH, TRAVELERS, FLEMISH ART, EARLY BAROQUE PRINT | PCO-E23-30BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: From series Hollstein 76-III, VI (5), published c. 1610. This is a later impression c.1740.Provenance: Ex. Collection Laurentius.Biography engraver: Willem van Nieulandt II (15841635) was a Flemish artist, poet, and engraver known for his collaborations with other artists such as Paul Bril. His engravings often focused on Italianate landscapes, classical ruins, and mythological themes.Biography artist: Paul Bril (15541626) was a Flemish painter and draughtsman active in Rome. He was known for his detailed and idealized landscapes and frequently worked in etching as well as oil painting. His work influenced the development of landscape art in both Italy and the North. Condition: very good, given age. Trimmed to image. Rear: remains of paper from previous attachment. . General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Paul Bril (illustratore). 'BOTTOM LEFT: "P. BRIL INVEN."; HANDWRITTEN RECTO LOWER RIGHT: "39" (IN PLATE); VERSO: COLLECTOR'S MARKS LUGT 2760 AND LUGT 2228.'Rich wooded landscape with mythological figures, specifically Diana (Artemis) with her companion. Stylized trees, distant architecture, hilly terrain.Made by Guilliam van Nieulandt II after Paul Bril.Medium: Etching on hand laid (verge) paper.Sheet size: 31.4 x 24.3 cm (12.36 x 9.57 inch). Image size: 31.4 x 24.3 cm. (12.36 x 9.57 inch).DIANA, MYTHOLOGY, ARTEMIS, NYMPH, LANDSCAPE, ITALY, FOREST, ETCHING, ENGRAVING | PCO-E23-42BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hollstein Dutch 76-III, state 1.Provenance: Ex collection Laurentius.Biography engraver: Guilliam van Nieulandt II (15841635) was a Flemish painter and engraver active in Rome and Antwerp; known for landscapes.Biography artist: Paul Bril (15541626) was a Flemish painter active in Rome; pioneer of idealized classical landscapes. Condition: fair, given age. Top paper edge a bit chipped, Light soiling and creasing. Staining at bottom right. Rear: with reinforcements at top and bottom middle. Remains of paper from attachment. Nice dark impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Paul Bril (illustratore). 'LOWER LEFT: "A PARIS, CHEZ L'AUT[EUR?] AVEC PRIVILEGE"LOWER RIGHT: "P. BRIL INVENTOR / G. NEULANDT FECIT"'Detailed rustic scene with mill building, large trees, human figures. A romantic depiction of rural life in a dramatic setting.Made by Guilliam van Nieulandt II after Paul Bril.Medium: Etching on hand laid (verge) paper. Watermark: French lilly with grapes.Sheet size: 32.1 x 24.3 cm (12.64 x 9.57 inch). Image size: 32.1 x 24.3 cm. (12.64 x 9.57 inch).WATERMILL, STREAM, ROCKS, BRIL, NIEULANDT, CHILD, FAMILY, BASKET, RURAL LIFE | PCO-E23-30BACKGROUND INFORMATIONPublished by Antoine Bonenfant, Paris and Antwerp.Reference: Hollstein Dutch 76-III, 2 (5).Provenance: Ex collection Laurentius.Biography engraver: Guilliam van Nieulandt II (15841635) was a Flemish painter and engraver active in Rome and Antwerp; known for landscapes.Biography artist: Paul Bril (15541626) was a Flemish painter active in Rome; pioneer of idealized classical landscapes. Condition: good, given age. Light foxing and soiling, mostly at the paper edges. Light staining. Rear: paper from previous attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Paul Bril (illustratore). 'BON. EXCUD. CUM PRIVILEGIO. / P. BRIL INVENTOR. / G. NIEULANDT FECIT.'Landscape with ruins overgrown with trees and ivy. Several women with children and dogs gather in the foreground, with more figures near a door and distant buildings. From the series of Italian landscapes by Paul Bril.Made by Guilliam van Nieulandt II after Paul Bril.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 31.5 x 24.2 cm (12.4 x 9.53 inch). Image size: 31.5 x 24.2 cm. (12.4 x 9.53 inch).PAUL BRIL, GUILLIAM VAN NIEULANDT, ANTOINE BONENFANT, ITALIAN LANDSCAPE, 16TH CENTURY, RUINS, WOMEN AND CHILDREN, ANTWERP PRINTS | PCO-E23-30BACKGROUND INFORMATIONPublished by Antoine Bonenfant in Antwerp and Paris, with privilege. Part of the series Italiaanse landschappen.Reference: Hollstein Dutch 103.Biography engraver: Guilliam van Nieulandt II (15841635) was a Flemish artist, poet, and engraver active in Antwerp and Amsterdam. He is known for classical and Italianate landscapes after Bril and others.Biography artist: Paul Bril (15541626) was a Flemish painter and draftsman who moved to Rome and became a leading painter of landscape frescoes and drawings, influencing generations of artists in Italy and Northern Europe. Condition: good, given age. Trimmed to image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Paul Bril (illustratore). 'AND HEE WOULD FAINE HAVE FILLED HIS BELLIE WITH THE HUSKES THAT THE SWINE ATE THE 15 CHAP OF S. LUKE 16:17 VERSE'Expansive Biblical landscape with hilly terrain, castles, and distant towns. Foreground features the Prodigal Son in destitution among pigs and chickens, referencing Luke 15:1132. Old English caption from the King James Bible included.Made by Lucas Vorsterman the Younger (Lucas Emil I Vorsterman) after Paul Bril.Medium: Engraving / Etching on hand laid (verge) paper.Sheet size: 33 x 24.8 cm (12.99 x 9.76 inch). Image size: 31 x 24.7 cm. (12.2 x 9.72 inch).RELIGIOUS, BIBLICAL, LUKE 15, PRODIGAL SON, 17TH-CENTURY ENGRAVING, CASTLE LANDSCAPE, PARABLE ILLUSTRATION, OLD TESTAMENT, REPENTANCE | EXPO-DUTCHBACKGROUND INFORMATIONPublished by Vorsterman, ca. 16501655.Reference: Hollstein Dutch 14.Biography engraver: Lucas Emil I Vorsterman (15951675) was a Dutch engraver from Zaltbommel. From 1618 to 1622, he collaborated with Peter Paul Rubens.Biography artist: Paul Bril (15541626) was a Flemish painter and draughtsman known for Italianate landscapes, active in Rome. Condition: very good, given age. Remains of paper tape on reverse, small margins, small tear top right, fold in middle. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Paul Bril (illustratore). 'LOWER LEFT: "P. BRIL INVENTOR / G. NIEULANDT FECIT"LOWER RIGHT: "A. BON. EXCUDIT CUM PRIVILEGIO REGIS"'Wide mountainous landscape with trees, towns in the distance, winding roads and a central narrative depicting Judah and Tamar in the foreground. Other travelers appear further down the path.Made by Guilliam van Nieulandt II after Paul Bril.Medium: Etching on hand laid (verge) paper. Watermark: French lilly with grapes.Sheet size: 31.5 x 23.4 cm (12.4 x 9.21 inch). Image size: 31.5 x 23.4 cm. (12.4 x 9.21 inch).TAMAR, JUDAH, SEAL, BRACELET, GENESIS, ITALIAN LANDSCAPE, PAUL BRIL, NIEULANDT | PCO-E23-30BACKGROUND INFORMATIONPublished by Antoine Bonenfant, active in Antwerp and Paris.Reference: Hollstein Dutch 93-2(5).Provenance: Ex collection Laurentius.Biography engraver: Guilliam van Nieulandt II (15841635) was a Flemish painter and engraver active in Rome and Antwerp; known for landscapes.Biography artist: Paul Bril (15541626) was a Flemish painter active in Rome; pioneer of idealized classical landscapes. Condition: good, given age. Light foxing and soiling, mostly at the paper edges. A few tiny pinholes. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Paul Bril (illustratore). 'LOWER LEFT: "P. BRIL INVENT. / NIEULANT FECIT"LOWER RIGHT: "A. BONENFANT EXC. / AVEC PRIVIL. DU ROY"'A dramatic Italian landscape with overgrown ancient ruins, a winding river, scattered figures and flocks, and a city in the distance. The sun rays illuminate the sky.Made by Guilliam van Nieulandt II after Paul Bril.Medium: Etching on hand laid (verge) paper. Watermark: French lilly with grapes.Sheet size: 31.8 x 23.8 cm (12.52 x 9.37 inch). Image size: 31.8 x 23.8 cm. (12.52 x 9.37 inch).TOBIAS, ANGEL, RAPHAEL, RUINS, DOG, CITY, RIVER, BRIL, NIEULANDT, BONENFANT | PCO-E23-30BACKGROUND INFORMATIONPublished by Antoine Bonenfant, active in Antwerp and Paris.Reference: Hollstein series 76-III.Provenance: Ex collection Laurentius.Biography engraver: Guilliam van Nieulandt II (15841635) was a Flemish painter and engraver active in Rome and Antwerp; known for landscapes.Biography artist: Paul Bril (15541626) was a Flemish painter active in Rome; pioneer of idealized classical landscapes. Condition: good, given age. Light foxing and soiling, mostly at the paper edges. A few tiny pinholes. Paper edges with small tears. Rear: tape from previous attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Paul Bril (illustratore). 'LOWER LEFT: "2" (NUMBERED)LOWER CENTER: "P. MARIETTE EXCU. / AVEC PRIVILEGE DU ROY"LOWER RIGHT: "P. BRIL INVENTOR / NIEULANT FECIT"'Italianate landscape with massive trees on the left, hills and water on the right, bridge with figures in the center. Narrative: Abraham and Isaac on the way to the altar.Made by Guilliam van Nieulandt II after Paul Bril.Medium: Etching on hand laid (verge) paper. Watermark: French lilly with grapes.Sheet size: 32.7 x 24 cm (12.87 x 9.45 inch). Image size: 31.5 x 23.3 cm. (12.4 x 9.17 inch).ABRAHAM, ISAAC, SACRIFICE, PAUL BRIL, NIEULANDT, BRIDGE, TREES, MARIETTE, ITALIANATE | PCO-E23-30BACKGROUND INFORMATIONPublished by Antoine Bonenfant, active in Antwerp and Paris.Reference: Hollstein Dutch 77.Provenance: Ex collection Laurentius.Biography engraver: Guilliam van Nieulandt II (15841635) was a Flemish painter and engraver active in Rome and Antwerp; known for landscapes.Biography artist: Paul Bril (15541626) was a Flemish painter active in Rome; pioneer of idealized classical landscapes. Condition: very good, given age. Rear: tape at top from previous attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Kupferstich. ca. 38,5 x 49 cm. Randläsur hinterlegt, sonst leichte Gbrsp.

0. *** Selten. *** Am oberen Rand etwas gebräunt, ansonsten gute Erhaltung. Sprache: Deutschu.

Italianate landscape with a thick woods on the left and a hilly landscape on the right. Walking on a bridge towards the foreground Abraham and Isaac.Numbered on the bottom left: '2'; signed and with address on the bottom: 'P.Mariette excu. / Avec privilege du Roy // P.bril Inventor / Nieulant fecit'. From a set of five italianate landscapes after Bril.On verso collector's mark: Pim van Eekelen (Amsterdam 1923-1984) (L.5101).[NL] Landschap met Abraham en Isaak. Italiaanse landschappen (serietitel). Abraham en zijn zoon Isaak, die het hout draagt, lopen over een houten brug in een bebost en heuvelachtig landschap naar de offerplaats. De twee knechten en de ezel hebben zij achter zich gelaten. Prent uit een serie Italiaanse landschappen. Etching on paper with small margins; plate mark: 233 x 315 mm, total: 240 x 327 mm; state V/5, in very good state despite some smudges along the most external margins; Hollstein 77.

An Italianate river landscape with an opening towards the sea. Figures on foreground left and sailing boats floating on the right.Numbered on the bottom right: '5'. From a set of five prints after Bril.Signed and with the address on the bottom: 'P. Bril Inventor / Nieulant fecit // P.Mariette excu. / Avec privilege du Roy '.On verso collector's mark: Pim van Eekelen (Amsterdam 1923-1984) (L.5101).[NL] Dorp aan een baai. Italiaanse landschappen (serietitel). In een baai ligt een zeilschip voor anker, daarnaast een roeiboot. Aan de baai ligt een dorp met een kerk. De ingang van de baai wordt geflankeerd door twee torens. Op zee varen enkele zeilschepen. Op de voorgrond twee figuren en een herder met zijn schapen. Prent uit een serie Italiaanse landschappen. Etching on paper trimmed to plate mark; total: 236 x 316 mm; state V/5, in very good state; Hollstein 80.

River landscape with old fortess on the left; signed on the bottom left: 'P. Brill Jnu. ' 'M. Merian fec.' 'P. Aubry Excud.' Etching on paper: platemark: 187 x 288 mm, total: 205 x 307 mm; rather dirty and with weak margins reinforced.

Italianate landscape with figures. On the left a large mill operated by streaming water. On the right, two figures and a dog crossing a small bridge. Further on the right a mountainous landscape. Signed and numbered below: 'P. Bril Inventor / G. nieulant fecit // A. Bon enfant excu / Avec privilege du Roy '. "32" on the bottom left, beside names. Etching on paper trimmed to plate mark; total: 234 x 314 mm; state III/5, in very good state despite some damage, namely foldings and creases, close to the corners, due to mounting on a later laid sheet of paper. Small rust stain in the sky on the right; Hollstein 107. The plate was damaged on the right, as visible close to the margin on the right. Published in Antwerp by Antoine Bonenfant, between 1600-1650.

Condizione: Good. Paul Bril (illustratore). Etching / engraving on hand laid (verge) paper. Sheet size: 31 x 23 cm. (12,2 x 9,1 inch). Image size: 31 x 23 cm. (12,2 x 9,1 inch).Source unknown, to be determined.Made by 'Willem van Nieulandt' after 'Paul Bril'. Willem van Nieulandt (1584-1635) Paul Bril (1554-1626)Condition: Good, given age. Small tear in upper paper edge, barely visible, backed. Trimmed inside plate marks. Remains of paper on rear from attachment. Nice dark impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: JOSEPH-MARIA-JESUS-FLIGHT TO EGYPTRBOS-A1-16.

View on a harbour with sailing boats. Ascending land on the left. Fishermen in the center. Signed on the bottom right:'Paulus Bril inventor Raphael Sadeler sculp.' l Engraving on paper, trimmed to platemark; total: 197 x 269 mm; some dirt but good impression; only state; Hollstein 217, W 125, 1.

Venus attempts to keep Adonis from hunting. Adonis holds a spear in his hand. Next to Venus is a hound dog. On the right, a landscape stretches out with a river and a mountain with a castle on top.Signed: P. Bril Inventor / Nieulant fecit / ABon enfant excud / Avec Privilege du Roy.From a set of 36 plates representing Italian landscapes.[NL] Venus tracht Adonis van de jacht te weerhouden. Adonis houdt een speer in de hand. Naast Venus staat een jachthond. Rechts strekt zich een landschap uit met een rivier en een berg met een burcht er bovenop. Gemaakt door van Nieulandt II. Etching on laid paper, cut on or within plate mark; total: 241 x 306 mm;state II/V mounted in paper passepartout; despite some rubbing and a light brown stain at bottom, in very good condition. Hollstein 76/111. Watermark with flower above a hand.

View of landscape from a cave. View of a mountainous landscape from a cave into which a river flows. On the left on the bank two shepherds with a herd of goats.Signed: P. Bril Inventor / Nieulant fecit / ABon enfant excud / Avec Privilege du Roy.From a set of 36 plates representing Italian landscapes.[NL] Uitzicht op landschap vanuit grot. Vanuit een grot, waarin een rivier stroomt, uitzicht op een bergachtig landschap. Links op de oever twee herders met een kudde geiten. Gemaakt door Willem van Nieulandt II. Etching on laid paper, cut on or within plate mark; total: 241 x 306 mm;state II/V mounted in paper passepartout; despite some rubbing and a light brown stain at bottom, in very good condition. Hollstein 76/111.

Landscape with town in the background. High trees on the right Signed on the bottom left:'Iusto sadeler excud' and on the lower right corner:'Paulus Bril inuentor' l Engraving on paper, trimmed within platemark; total: 193 x 270 mm; only state; small stains otherwise in great conditions; Hollstein 69, W. 102? (Aegidius Sadeler).

Riverscape with a stone bridge and a wooden bridge some personnages walking over them. A village on the right and on the left river flowing towards the background.Signed on the bottom center: 'Paulus Bril inuentor' and on the lower right corner:'EGS / scalp.' Engraving on paper, trimmed to platemark; total: 191 x 267 mm; only state; in great conditions; Hollstein 205, W. 401.