Paperback. Condizione: new. Paperback. Montez Press is very pleased to present The Interjection Calendar 010, celebrating a decade of artist-led contributions, guest edited by Rhea Dillon.The Interjection Calendar is a project devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. The Calendar reflects the current importance of online content media, pushing the relationship between image and text in this domain.From the Editors Note by Rhea Dillon:In editing there is no space. A lack of space due to the length of a piece. A lack of space due to time with the piece. And, a lack of space to hide from the reality of those outside of yourself. How do you learn to be in between first-person desire and third-person reception? Secondness, perhaps. Secondary, absolutely.All I know is that a mirror makes a reflection,anda reflection makes a symbol, and minelooks likea spade.A Mirror, A Symbol; A Spade Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: New. Montez Press is very pleased to present The Interjection Calendar 010, celebrating a decade of artist-led contributions, guest edited by Rhea Dillon.The Interjection Calendar is a project devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. The Calendar reflects the current importance of online content media, pushing the relationship between image and text in this domain.?From the Editor's Note by Rhea Dillon:?In editing there is no space. A lack of space due to the length of a piece. A lack of space due to time with the piece. And, a lack of space to hide from the reality of those outside of yourself. How do you learn to be in between first-person desire and third-person reception? Secondness, perhaps. Secondary, absolutely.??All I know is that a mirror makes a reflection,?and?a reflection makes a symbol, and mine?looks like a spade.?A Mirror, A Symbol; A Spade.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: David Zwirner Books/52 Walker, 2023
ISBN 10: 1644231085 ISBN 13: 9781644231081
Da: Strand Book Store, ABAA, New York, NY, U.S.A.
Hardcover. Condizione: Good.
Lingua: Inglese
Editore: David Zwirner Books/52 Walker, 2023
ISBN 10: 1644231085 ISBN 13: 9781644231081
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: David Zwirner Books/52 Walker, 2023
ISBN 10: 1644231085 ISBN 13: 9781644231081
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Lingua: Inglese
Editore: David Zwirner Books/52 Walker, 2023
ISBN 10: 1644231085 ISBN 13: 9781644231081
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Aggiungi al carrelloPaperback. Condizione: Brand New. In Stock.
Lingua: Inglese
ISBN 10: 3945247373 ISBN 13: 9783945247372
Da: Majestic Books, Hounslow, Regno Unito
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Aggiungi al carrelloCondizione: Used - Very Good. VG paperback. A clean, tidy copy. Used - Very Good. VG paperback.
Lingua: Inglese
ISBN 10: 3945247373 ISBN 13: 9783945247372
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New.
Paperback. Condizione: new. Paperback. Tate Britain Art Now exhibition: 23 May 2023 - 1 January 2024An Alterable Terrain, the solo exhibition by Rhea Dillon at Tate Britain from May 2023 until January 2024, brought together new and existing sculptures as a conceptual fragmentation of a Black woman's body. Probing material histories and Black feminist epistemologies, Dillon evokes the fragments of a conceptual body - eyes, hands, feet, mouth, soul, reproductive organs, and lungs - in this poetic assemblage of responses to colonialism, patriarchy, and Black female labour. Viewed together, these disparate elements underline the foundational role Black women's physical, reproductive, and intellectual labour has played in the history of the British Empire.Accompanying this major exhibition, this publication showcases Dillon's poetically insightful work. Edited by Dillon it features her poetry, alongside newly commissioned texts, posthumously published poems from the poetry archives in Jamaica, and illustrations of the exhibition and individual works. Published by Tate Publishing, An Alterable Terrain features contributions from Patricia Noxolo, Barbara Ferland, Zoe Samudzi, Vanessa Onwuemezi, Francoise Verges, Katherine McKittrick, and Martine Syms.This powerful volume illuminates the links between historical sites of dispossession and contemporaneous sites of exploitation and overwork, and underlines how structures of power - including colonialism, racial capitalism, and patriarchy - have an enduring presence in the production of Caribbean and British identities.A signed special edition of Rhea Dillon's An Alterable Terrain , designed, produced and hand-finished by the artist, OK-RM and Book Works, in a limited edition of 200 copies. Signed and numbered by the artist, it includes several hand-bound publications collected together within a specially produced folder and a limited-edition poster.An Alterable Terrain, the solo exhibition by Rhea Dillon at Tate Britain from May 2023 until January 2024, brought together new and existing sculptures as a conceptual fragmentation of a Black woman's body. Probing material histories and Black feminist epistemologies, Dillon evokes the fragments of a conceptual body - eyes, hands, feet, mouth, soul, reproductive organs, and lungs - in this poetic assemblage of responses to colonialism, patriarchy, and Black female labour. Viewed together, these disparate elements underline the foundational role Black women's physical, reproductive, and intellectual labour has played in the history of the British Empire.Accompanying this major exhibition, this publication showcases Dillon's poetically insightful work. Edited by Dillon it features her poetry, alongside newly commissioned texts, posthumously published poems from the poetry archives in Jamaica, and illustrations of the exhibition and individual works. Published by Tate Publishing, An Alterable Terrain features contributions from Patricia Noxolo, Barbara Ferland, Zoe Samudzi, Vanessa Onwuemezi, Francoise Verges, Katherine McKittrick, and Martine Syms.This powerful volume illuminates the links between historical sites of dispossession and contemporaneous sites of exploitation and overwork, and underlines how structures of power - including colonialism, racial capitalism, and patriarchy - have an enduring presence in the production of Caribbean and British identities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
ISBN 10: 3945247373 ISBN 13: 9783945247372
Da: Biblios, Frankfurt am main, HESSE, Germania
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Aggiungi al carrellopaperback. Condizione: New. **PAPERBACK**.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condizione: Near fine. First Edition. In this issue, WORMS explore New Narrative alongside writers working today that incorporate some of it's themes. Our cover star Saidiya Hartman talks with Rhea Dillon about the limits and processes of creating stories from the archive, while Camille Roy and Dodie Bellamy give us insight into New Narrative from their experiences involved in the movement. Savannah Knoop tells us about their life playing the character of J.T Leroy, while Calla Henkel delves into ideas of using other people's narratives as our own. There's lots of gleaning, lots of stealing and lots of hard truths coming from the human body. We have poetry and fiction and all of the usual bits, as well as an experimental cut up piece demonstrating the appropriation method that Kathy Acker (via William Burroughs) used in so much of her work. Many more worms to be found in these pages. - Worms MagazineFeaturing: CALLA HENKEL, JENNY ZHANG, CAMILLE ROY, DODIE BELLAMY, ESTELLE HOY, SAIDIYA HARTMAN, RHEA DILLON, SAVANNAH KNOOP, TOP STORIES, MADELYNE BECKLES, LAUREN FOURNIER, JOANNA WALSH, LYNNE TILLMAN. 140 pages, paper with stiff cover. Black & white reproductions. Near fine condition.
Lingua: Inglese
Editore: David Zwirner Books/52 Walker, 2023
ISBN 10: 1644231085 ISBN 13: 9781644231081
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Aggiungi al carrelloHardcover. Condizione: Brand New. 96 pages. 9.25x6.50x0.27 inches. In Stock.