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Editore: Columbia Pictures, Culver City, CA, 1968
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manoscritto / Collezionismo cartaceo
Vintage pressbook for the first release of the groundbreaking 1968 film, based on the nonfiction book by Truman Capote. Laid in are all 4 of the original pressbook inserts, drawing equal attention to the best selling book and its filmed realization. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 11 x 17 inches. Unfolded. Fine.
Editore: Columbia Pictures, Culver City, CA, 1967
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Manuscript annotations in pencil and press agency stamps on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 781. Ebert II. Penzler 101.
Editore: Bernie Abramson, N.p., 1967
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage silver gelatin reference photograph from the brutal 1967 film, based on Truman Capote's nonfiction book. A candid photograph that captures the essence of the story's cold-blooded killers in transit, driving the vehicle in which they spend much of the film. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 9.5 x 7.5 inches. Near Fine.
Editore: Bernie Abramson, N.p., 1967
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage silver gelatin reference photograph from the brutal 1967 film, based on Truman Capote's nonfiction book. Stamped twice on the verso, once in red (Columbia Pictures) and once in black (ORIGINAL PRINT / Pictorial Press, Ltd., with contact information). This image shows Dick (Scott Wilson) taking a rifle from the back seat of his car, just prior to entering the house and committing the vile crime that is the subject of the film. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 8 x 10 inches. Near Fine.
Editore: Columbia Pictures, Culver City, CA, 1967
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in manuscript pencil and the stamp of photographer Michel Ciment stamp on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Very Good plus, some light creasing and edgewear. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.
Editore: N.p., N.p., 1967
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso, along with the stamp of still photographer James Johnson. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus, with light creasing and edgewear, one Very Good, with a tear to the top right corner, repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.