robert cenedella (18 risultati)

Soft cover. Condizione: Near Fine. 1st Edition. First Edition, First Printing of this Collection of 13 Short Stories. Featured are Accommodation Vacant by Celia Fremlin, Auld Lang Syne by Ian Rankin, The Tale of the Blind Man's Lantern by James Powell, The Geronimo Option by Edward D Hoch, One Hot Saturday by Blanche Boshinski, Once a Writer . by Robert Cenedella, Blue Ice by Marianne Strong, The Jury Box by Jon L Breen, Rink Rat No More by William Bankier, They Won't Get Hodge by Frank McConnell, Secrets Can Be Dangerous to Your Health by George Baxt, My Lips are Sealed by Donald Olson, Three-Ten to Yuma by Elmore Leonard. In Near Fine Condition.

Soft cover. Condizione: Very Good. 1st Edition. First Edition, First Printing of this Collection of 13 Short Stories. Featured are Accommodation Vacant by Celia Fremlin, Auld Lang Syne by Ian Rankin, The Tale of the Blind Man's Lantern by James Powell, The Geronimo Option by Edward D Hoch, One Hot Saturday by Blanche Boshinski, Once a Writer by Robert Cenedella, Blue Ice by Marianne Strong, The Jury Box by Jon L Breen, Rink Rat No More by William Bankier, They Won't Get Hodge by Frank McConnell, Secrets Can Be Dangerous to Your Health by George Baxt, My Lips are Sealed and Three-Ten to Yuma by Elmore Leonard. In Very Good Condition.

SingleIssueMagazine. Condizione: Good. Vol. 101, No. 1. Cover photo of Elmore Leonard. Includes "Accomodation Vacant" by Celia Fremlin; "Auld Lang Syne" by Ian Rankin; "The Tale of the Blind Man's Lantern" by James Powell; "The Geronimo Option" by Edward D. Hoch; "One Hot Saturday" by Blanche Boshinski; "Once a Writer. . ." by Robert Cenedella; "Blue Ice" by Marianne Strong; "The Jury Box" by Jon L. Breen; "Rink Rat No More" by William Bankier; "They Won't Get Hodge" by Frank McConnell; "Secrets Can Be Dangerous to Your Health" by George Baxt; "My Lips Are Sealed" by Donald Olson; "Three-Ten to Yuma" by Elmore Leonard. Creasing; tanning; glue-shrink; label ghosts; stain to spine head/corners and hinge areas.

Unknown. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.

mass_market. Condizione: Good. Book shows common (average) signs of wear and use. Binding is still tight. Covers are intact but may be repaired. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed!

First edition Fine and bright tall illustrated stiff wraps with strong spine and clean text throughout. Nicely illustrated showcasing artist's work all in color.

Hardcover. Condizione: Fair. Condizione sovraccoperta: Fair. 1st Edition. This courtroom drama title received the 1963 Editor's Choice Award for being "a book of unusual merit by an author making his initial appearance on the Putnam list." Former library book with all typical faults. Looks like it would make a good movie featuring excellent character development. Author was a radio scriptwriter and was known mostly for his numerous short stories.

Softcover. Condizione: Near Fine. Vol. 11, No. 7. Small quarto. Stapled wrappers. Covers with a bit of wear, near fine. Includes an interview with Salvador Dali, as well as contributions by William Saroyan, Shel Silverstein, Robert Cenedella, and others.

Hardcover. Condizione sovraccoperta: Very good. MJF Books. xv, 1014 pp. LCC: 97756520 Very good condition; light color toning on extreme top and bottom edges of covers; previous owner's name on inside front cover.

Paperback. 188p., + [1p.], 9.5x6 inches; wrappers with dustjacket, 1 out of 700 published, in very good condition.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. edgeworn dust jacket; usual library markings.

Paper. Condizione: Very Good +. First Thus. A courtroom novel from the `Editors' Choice' series. 349 pages plus book adverts which include one for `To Kill a Mockingbird '.

Trade Paperback. Condizione: Very Good. number201/700. inscribed by Robert Cenedella and includes a loose limited edition print XXV/L (25 of 5) pencil signed and numbered by Robert Cenedella inserted. book shows light exterior wear. print is as new. Signed by Author(s).

Spiral bound. Condizione: Near Fine. INSCRIBED AND SIGNED BY THE ARTIST AT THE TITLE PAGE and also with a SIGNED NOTE on a sheet with a picture of the author laid in. Near Fine in Spiral-Bound heavy card wraps: shows a faint bit of creasing just below the cut-out for the bottom spiral at the lower front panel; a touch of paint spotting at the inside of the rear panel; a short, superficial scratch to the lower front panel; the spiral binding is secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, structurally sound and tightly bound, showing the mildest wear and minor, unobtrusive imperfections. Bright and clean. Corners sharp. Very close to "As New". NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.55 x 7.35 x 0.8 inches). 25 full-color 'framed' plates with facing titles and informative text. Introduction by William Zimmer. Language: English. Weight: 22.8 ounces. First published in 1957. Trade Paperback. Robert Cenedella, Jr. (born May 24, 1940) is an American artist. He became well known for his paintings. IRobert Cenedella's works are known for their pictorial satire, humor and fantasy. His art chronicles the changing rituals and myths of society in contemporary America. In the last 20 years, Cenedella has amassed considerable international praise as well as inclusion in numerous public and private collections. Cenedella's life and works are the subject of the 2016 documentary film, Art Bastard. The film was submitted to the Academy of Motion Picture Arts and Sciences for the 2016 Oscars and was in consideration for the Documentary Feature category for the 89th Academy Awards. It has received multiple awards in the festival circuit, such as Winner of Best Documentary at the Manchester Film Festival and Winner of Best Documentary and Best Director Documentary at the Idllywild International Festival of Cinema. ; 8vo 8" - 9" tall; 150 pages.

Soft cover. Condizione: Very Good. Signed by Robert Cenedella on the table of contents page with a small drawing. Paperback, spiral-bound. Signed by Author(s).

Farbig illustrierter Kunstkatalog (20 SS. 8°, zweisprachig Deutsch-Englisch, Einband vorne und hinten leichter Wasserrand) der Galerie am Scheunenviertel Berlin 1994, sonst gut erhalten.

3 vol. : [4] pp. ; [2] pp. ; [5] pp.; 1 vol. : 21.6 x 14.7 cm. cm ; 2 vol. : 28 x 21.6 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Set of three parts documenting the exhibition one-man "Yes Art : The Cultural Miracle" held at Fitzgerald Gallery, New York, October 19 - November 6, 1965 by Robert Cenedella. Exhibition was composed of 57 individual works attributed to various artists all pseudonyms for Cenedella. This grouping of materials consists of color one fold, four page, announcement; a two page press release; and a five page exhibition checklist. Exhibition was a parody of Pop, Op and Abstract Expressionist art. "It is an impossibility to write about YES ART and convey all that it is and is not. The next paragraphs can only serve as a guide as to what YES ART means and does not mean. One must see YES ART, because it is of course the works of art that are YES ART's real statement. Although YES ART is a frank outgrowth of Abstract. Pop and Op art movements, YES ART is vitally different, because it transcends itself in each form and thus becomes itself, a sensual, uninhibited, beautiful and above all affirmative express of the times we live in or don't live in. It has been called a freak out of nowhere, going nowhere, staying as it has to in no place by itself." -- from first two paragraphs of the press release. "Manifestoes flyer, a new aesthetic expression know as Yes Art opened last week at Fitzgerald Gallery. It might be described as a kind of counter-Pop, that puts Andy Warhol square in the enemy camp. "Yes Art is a sensual, uninhibited, beautiful and above all affirmative expression of the times we live in or don't live in says the manifesto. 'A Yes Artist doesn't necessarily have to see anything or paint anything to create a painting. A work of art can be made merely by coming across an object that strikes an artist's fancy, and by signing it, he can make it into art.' Sure to it's manifesto, the gallery shows a single Brillo carton signed by Dillon Dillon for $1,000, plus fold-your-own for $4.95. Further variations on the Brillo theme are a stippled, Seurat-type painting called 'Brillo Pointilliste,' a cubist work called 'Brillo Descending a Staircase, and a Brillo trademark does in needlepoint by the wire of the Brillo Company treasurer, Mrs. John Loeb. . The gallery will give S&H Green Stamps (known as "the camp stamp") with every purchase . 'It's kind of a humorous protest against the promotional aspect of art today,' said Ed Fitzgerald, the gallery's director. 'The promotion, not the painting, is what counts. Some galleries today are simply circuses. So ours is a Yes circus. There's no reason to scratch eyes and pull hair. If we can get back at them in their own way, OK." -- Grace Glueck, "No! Says Yes Art," The New York Times, October 24, 1965. Very Good. Light overall wear to color brochure; press release with light overall wear; checklist with light overall wear with three small ink markings on checklist.

Pamphlet. 24p., color illustrations, staplebound pamphlet. Very Good. Seemingly unrecorded catalogue of Cenedella?s lithographs, screenprints, giclées, and posters. Accompanied by four articles?one by Cenedella (Yes Art Manifesto), and the other three reprints of articles about him (including Bryan Miller?s write up in the New York Times about ?2001?A Stock Odyssey,? about a painting that was sold as stock shares). Typeset in Comic Sans. The final entry is for a painting on the 9/11 World Trade Center attack, noting that the painting was displayed in 2002, but the copyright date on the back cover is given as 2001.