robert orledge (94 risultati)

paperback. Condizione: Good. Il cofanetto (se previsto) può presentare modeste tracce d'uso, piccole lesioni, fioriture e macchie non invasive. Sovraccoperta con modeste tracce d'uso. Può presentare piccole mancanze, leggere bruniture, rade fioriture o macchiette. Copertina con modeste tracce d'uso. Può presentare minime mancanze, qualche rada fioritura o macchietta, leggere bruniture o piccole pieghe. Dorso in buone condizioni. Può presentare un fisiologico stress da lettura, piccole mancanze e segni di cedevolezza in prossimità delle cerniere. Tagli moderatamente bruniti . Buono (Good). Book.

Paperback. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Good. revised edition Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Condizione: Very Good. No Jacket. 8½"x11"; 98 pages; Soft Pictorial Cover; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. Due to USPS regulations, this item may require additional postage. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. BBC Music Magazine is a British monthly magazine that focuses primarily on classical music. Each edition comes together with an audio CD, often including BBC recordings of full-length works. The first issue appeared in September 1992. The magazine includes regular columns and reviews of new releases as well as several in depth feature articles by noted music writers. Each issue contains a CD featuring complete works by the greatest composers, performed by world-class artists and ensembles. This issue includes the audio CD "Purcell; Dido & Aeneas the Complete Opera" performed by the Taverner Choir & Players, conducted by Andrew Parrott, featuring Emily Van Evera (Dido) and Ben Parry (Aeneas); This issue contains the following articles: "Counterpoint: Company Profile" (Conifer Classics) by Nick Kimberley; "from an ivory tower: Java's music caught in the act by 'a gentleman at Semarang" by John Milsom; "Music in Art" (St. Cecelia with attendant saints by Raphael and St. Cecelia by Domenichino) by Tom Phillips; "A Lasting Inspiration: Jacqueline du Pre" by Piers du Pre, Hilary du Pre, George Pratt and Steven Isserlis; "Composers of the Year": Henry Purcell by Robert King; John Taverner by Henry Chadwick; Gabriel Faure by Robert Orledge; Bela Bartok by Peter Paul Nash, Anton Webern by Eleonore Buning, Jerome Kern by Eric Salzman, Paul Hindemith by Paul Silverthorns, Carl Orff by David Drew; "Today's Composers look to the year ahead" (Luciano Berio, Giya Kancheli, Priti Paintal, Dave Brubeck, Nicolas Maw, Mark-Anthony Turnage); "Kissin's not telling" (profile of pianist Evgeny Kissin) by Jeremy Siepmann; "Building a Library" (Richard Wagner's Die Meistersinger von Nurnberg) by John Warrack; "Brian Kay's Starter Collection" (essential performances from the classical repertoire) by Brian Kay; "Strange bedfellows" (jazz-rock fusion) by Ian Carr; "Quodlibet; Modes of expression" (composers expression marks) Fritz Spiegl; "Music that changed me" (Robert Lloyd, bass) interview by Margaret Rand.

Condizione: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Soft cover. Condizione: Fine (As New). The UK's oldest classical music journal, with 165 years of continuous publication (established in 1844) - this being its 1,908th issue. CONTENTS: (Articles) Whither 'music studies' (Williams); Purcell, the anthem, and the culture of preaching (Plank); Erik Satie's 'Uspud' (Orledge); The narrative of a composer's biography: Szymanowski (Cesetti); 'Miss Bonwick' identified: an 18th-century composer and organist (Cooper); An incident at Severn Stoke, 11 September 1830 (Bruce); Confused identities: the two Master Hummel(l)s (Simlett-Moss); Modern Nigerian Music: the postcolonial experience (Sadoh); The Emperor of Atlantis: the first British production (Graubart); plus book reviews and additional brief articles. 120 pages. CONDITION: a new, uncompromised copy - now in a clear, protective polypropylene bag with backing board.

Softcover. Condizione: Near Fine. A nice, clean copy. ; B&W Plates; 8.5 X 5.3 X 0.9 inches; 232 pages.

Paperback. Condizione: new. Paperback. (Piano). This new, completely revised and reset centenary edition of Satie s complete piano music in three volumes has returned to Satie's manuscripts and first editions to give pianists completely accurate and reliable texts to play from. As well as presenting every piece for piano solo or piano reduction that Satie published, this edition also includes some previously unknown pieces, like the Petite Sonate that he wrote for Vincent d Indy at the Schola Cantorum, as well as some interesting first versions of well-known pieces, like San Bernardo, a trial version of Espanana (1913) and the markedly different first version of Les Pantins dansent (1914). In addition, there are examples of the different types of exercises that Satie completed at the Schola between 1905 and 1912, some extra trial Enfantines, and some earlier drafts of his famous Sports et divertissements. To help pianists, suggested metronome marks have been added throughout, and there are also some performance suggestions for the Rose+Croix pieces of the 1890s, which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible, without detracting from Satie's concerns about the exteriorisation of his musical thought in print. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:0903873419.

Paperback. Condizione: new. Paperback. (Piano). This new, completely revised and reset centenary edition of Satie s complete piano music in three volumes has returned to Satie's manuscripts and first editions to give pianists completely accurate and reliable texts to play from. As well as presenting every piece for piano solo or piano reduction that Satie published, this edition also includes some previously unknown pieces, like the Petite Sonate that he wrote for Vincent d Indy at the Schola Cantorum, as well as some interesting first versions of well-known pieces, like San Bernardo, a trial version of Espanana (1913) and the markedly different first version of Les Pantins dansent (1914). In addition, there are examples of the different types of exercises that Satie completed at the Schola between 1905 and 1912, some extra trial Enfantines, and some earlier drafts of his famous Sports et divertissements. To help pianists, suggested metronome marks have been added throughout, and there are also some performance suggestions for the Rose+Croix pieces of the 1890s, which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible, without detracting from Satie's concerns about the exteriorisation of his musical thought in print. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback or Softback. Condizione: New. Satie the Composer. Book.

Soft cover. Condizione: As New (Fine). The UK's oldest classical music journal, with 165 years of continuous publication (established in 1844) - this being its 1,908th issue. CONTENTS: (Articles) Whither 'music studies' (Williams); Purcell, the anthem, and the culture of preaching (Plank); Erik Satie's 'Uspud' (Orledge); The narrative of a composer's biography: Szymanowski (Cesetti); 'Miss Bonwick' identified: an 18th-century composer and organist (Cooper); An incident at Severn Stoke, 11 September 1830 (Bruce); Confused identities: the two Master Hummel(l)s (Simlett-Moss); Modern Nigerian Music: the postcolonial experience (Sadoh); The Emperor of Atlantis: the first British production (Graubart); plus book reviews and additional brief articles. 120 pages. CONDITION: a new, uncompromised copy - now in a clear, protective polypropylene bag with backing board.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. Little wear to boards. Content is clean. DJ is faded with small loss to spine.

Paperback. Condizione: Brand New. revised edition. 214 pages. 12.00x9.00x0.52 inches. In Stock.

hardcover. Condizione: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Size: 8vo. xvii, 383pp. Publisher's black cloth. Music examples and illustrations.

Paperback. Condizione: New. Illustrated. Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.

Soft cover. Condizione: Good. An excellent study of Fauré's life and music.

Paperback. Condizione: VG. xxxviii, 226 pages : illustrations. Very nice and clean. Text free of highlighting and writing. Tightly bound. Satie, Erik, -- 1866-1925. Satie, Erik, -- 1866-1925 -- Amis et relations. Compositeurs -- France -- Biographies.

Soft cover. Condizione: Very Good. There is a small tear on the inner edge of both the half title page and title page, else a clean and solid copy. A title in the series "Eulenburg Books" edited by Sir William Glock. "Gabriel Urbain Fauré was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers.".

Condizione: As New. Unread book in perfect condition.

Condizione: New. In.

Paperback. Condizione: New.

Condizione: New.

Condizione: very_good.

Hard Cover. Condizione: Good +. Condizione sovraccoperta: No Dust Jacket. First Hardback Edition. 235 x 160mm. pp. 367. English text. Inscribed first hardback edition of 'Gabriel Faure'. Association inscription to Rollo Myers (musicologist) reads 'To Rollo Myers in sincere & grateful thanks for much helpful advice & for 'setting the ball rolling' so to speak. I hope you will think that it was all worth while. With all best wishes. Robert Orledge. 1 October 1979'. Also features later owenrship inscription or Professor David Brown on half-title. Black and white illustrations. Bound in original green boards. No dust jacket. Moderate marking to edges andd bumping to corners of boards. Binding strong. No underlining. See images. Inscibed.