rodland torbjorn (33 risultati)

hardcover. Condizione: New.

Softcover. As-new in shrinkwrap.

Soft cover. Condizione: New. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Edited by Shane Lavalette. Guest Editor Michael Bühler-Rose. Essays by Adam Bell, Alex Klein, Lesley A. Martin, Arthur Ou, Lyle Rexer, Noel Rodo-Vankeulen and James Welling. Photographs by Claudia Angelmaier, Sema Bekirovic, Charles Benton, Walead Beshty, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Sam Falls, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Noel Rodo-Vankeulen, Torbjørn Rødland, Joachim Schmid, Penelope Umbrico, Useful Photography (Hans Aarsman, Claudie de Cleen, Julian Germain, Erik Kessels and Hans van der Meer), Charlie White, Ann Woo and Mark Wyse. Includes notes on the contributors. Designed by Katherine Hughes. 104 pp., with 53 four-color plates. 10 x 7-3/4 inches. This first edition was limited to 2000 copies. New in publisher's shrink wrap. From the publisher: "Lay Flat 02: Meta brings together a selection of contemporary artists whose photographs are conceptually engaged with the history, conventions and materiality of the medium itself.".

Hardcover with dustjacket, 136 pages, in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

hardcover. Condizione: New.

Hardback. Condizione: New. In The Model, Torbjørn Rødland examines one of the defining principles of his approach to photography: that the notion and meaning of 'the model' is open-ended. Hyper-aware that we view the world through endless filters that arbitrate our relationship with people, objects and images, from the mid 1990s Rødland's photography has sought to penetrate postmodern surfaces in order to redefine the possibilities of psychological, erotic and spiritual subjectivity and interconnectivity. He attempts to tap into subliminal thoughts and feelings through images that are both sensual and cerebral.Synthesizing an array of photographic genres and approaches The Model comprises elements of critical appropriation, diaristic snapshot, reportage, commercial and staged photography - all strung together by the iconic face of Polish actress and fashion model Malgosia Bela. The book brings together pictures of Malgosia made over a ten-year period in Los Angeles, New York, Paris, London, Warsaw, Oslo and Lofoten. In Rødland's words, "We see her interacting with pictures, becoming pictures, being pictures." Serving as an experiment in photographic language and code, each image elicits a response that equivocates between alienation and intimacy. With this in mind, The Model can also be seen as a love letter to both a medium and to a mediated woman.

Hardback. Condizione: New. New copy - Usually dispatched within 2 working days.

hardcover. Condizione: New.

Hardback. Condizione: New. The title of this new book from renowned photographer and book-maker Torbjorn Rodland suggests that the artist is looking for the divine in his sitters. If the child in Madonna and child paintings sym-bolises truth, then the pregnant virgin might represent a temporarily concealed truth - one masked or hidden behind compromised shells and failing bodies, young and old. The photographs in this arresting new collection negotiate surface and interiority and welcome tensions between contingent reality and archetypes, often uncannily recalling day-to-day life in intensely physical and opaquely allusive scenes. Constructed with characteristic precision and an instinct for surrealism and surprise, this sequence feeds on symbolism and visual texture in a sense reminiscent of classic 'art' photography or religious painting, but its self-conscious edge gives it a distinct and hard-to-fathom charge. With The Pregnant Virgin, Rodland explores analogue photography in dialogue both with online digital culture and visual art from before photography existed as a stable medium.

Hardback. Condizione: New. New copy - Usually dispatched within 2 working days.

Paperback. Condizione: Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. "With I Want to Live Innocent, Torbjørn Rødland takes a break from the nomadic lifestyle reflected in his first book and returns to Stavanger, the city he grew up in. He doesn't revisit old haunts and the images aren't dominated by the geography of the region but Stavanger becomes a generous theatre for Rødlands exploration of the incongruous complexities both of his own mind and that of our culture. The centre of Norway's oil industry, this Protestant coastal city has seen a tremendous economic growth since the late 1960s and Rødland utilises a diverse array of pictorial languages to reflect on the paradoxes which arise with the addition of newfound wealth and materialism. Torbjørn Rødland was born in 1970 in Stavanger, Norway. Since the mid-90s his photographs and experimental video works have been exhibited extensively." (Description taken from Abe Books).Please note: this title does contain some images that may not be suitable for a younger audience. This copy is in Good condition (the clean pages, which contain no noted marks or annotations, are in good condition). The block is good (just minor spotting) and the binding tight. The cover has numerous small grubby marks but is in otherwise good condition with barely a hint of bumping or wear and tear.

Hardcover. Condizione: New. Signed by the Photographer, This signed edition includes a slip signed by the artist and bound into the inside back cover.\n\nThe title of this new book from renowned photographer and book-maker Torbjørn Rødland suggests that the artist is looking for the divine in his sitters. If the child in Madonna and child paintings symbolises truth, then the pregnant virgin might represent a temporarily concealed truth one masked or hidden behind compromised shells and failing bodies, young and old. The photographs in this arresting new collection negotiate surface and interiority and welcome tensions between contingent reality and archetypes, often uncannily recalling day-to-day life in intensely physical and opaquely allusive scenes.\n\nConstructed with characteristic precision and an instinct for surrealism and surprise, this sequence feeds on symbolism and visual texture in a sense reminiscent of classic 'art' photography or religious painting, but its self-conscious edge gives it a distinct and hard-to-fathom charge. With The Pregnant Virgin, Rødland explores analogue photography in dialogue both with online digital culture and visual art from before photography existed as a stable medium.\n\n \nEmbossed hardcover\n21 x 27cm, 112 pages\n\nISBN 978-1-915743-06-0.

Hardback. Condizione: New. In The Model, Torbjørn Rødland examines one of the defining principles of his approach to photography: that the notion and meaning of 'the model' is open-ended. Hyper-aware that we view the world through endless filters that arbitrate our relationship with people, objects and images, from the mid 1990s Rødland's photography has sought to penetrate postmodern surfaces in order to redefine the possibilities of psychological, erotic and spiritual subjectivity and interconnectivity. He attempts to tap into subliminal thoughts and feelings through images that are both sensual and cerebral.Synthesizing an array of photographic genres and approaches The Model comprises elements of critical appropriation, diaristic snapshot, reportage, commercial and staged photography - all strung together by the iconic face of Polish actress and fashion model Malgosia Bela. The book brings together pictures of Malgosia made over a ten-year period in Los Angeles, New York, Paris, London, Warsaw, Oslo and Lofoten. In Rødland's words, "We see her interacting with pictures, becoming pictures, being pictures." Serving as an experiment in photographic language and code, each image elicits a response that equivocates between alienation and intimacy. With this in mind, The Model can also be seen as a love letter to both a medium and to a mediated woman.

Hardback. Condizione: New.

Paperback. First edition. Fine paperback with a gatefold front cover with only a touch of shelf wear. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The ninth issue of Whitewall, the contemporary arts magazine, Issue 9, Spring 2008, with: features on Elizabeth Peyton, Renzo Piano, Torbjorn Rodland, Paul McCarthy, and Dakis Joannou; articles/profiles on Wangechi Mutu, Marilyn Minter, Mary Heilmann, Karim Rashid, Ron Arad, and others; plus much more. 160 pages; color illustrations throughout; 10 x 13.75 inches.

Hard cover. Condizione: New. With I Want to Live Innocent, Torbjørn Rødland takes a break from the nomadic lifestyle reflected in his first book and returns to Stavanger, the city he grew up in. He doesn't revisit old haunts and the images aren't dominated by the geography of the region but Stavanger becomes a generous theatre for Rødlands exploration of the incongruous complexities both of his own mind and that of our culture. The centre of Norways oil industry, this Protestant coastal city has seen a tremendous economic growth since the late 1960s and Rødland utilises a diverse array of pictorial languages to reflect on the paradoxes which arise with the addition of newfound wealth and materialism.\n\nTorbjørn Rødland was born in 1970 in Stavanger, Norway. Since the mid-90s his photographs and experimental video works have been exhibited extensively. Rødlands White Planet Black Heart was released in 2006 by SteidlMack. I Want to Live Innocent is co-produced by Stavanger2008 European Capital of Culture. \n\n \n\nEmbossed linen hardcover\n25 x 20 cm, 144 pages\n83 plates\n\nISBN: 9783865216175.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: New. 1st Edition. 112 pages, colour & b/w ill., 24.5 × 20.5 cm, English Torbjorn Rodland is to photography what the Pet Shop Boys are to pop: a master of the delicately orchestrated cliche overload, a surcharge of the too obvious, too cute or too inane, played to the point where, drained of all trace of common sense, it suggests a new sense of silence, of mystery. Rodland has a knack for producing images that make you ask what are, in fact, appropriate motives for art photography: Images of single audio or video cassettes? Bleak black-and-white renditions of countryside churches? George W. Bush's favorite ice cream? A black banana? Girls and pets, pets and girls? He creates a complex of readings that inveigles the viewer into spending time with each single image, to reconsider its meaning and relevance. White Planet, Black Heart makes no excuses as it reinvents the romantic impulses of popular culture. This is Rodland's first book. VERY GOOD (barely perceptible signs of shelf wear, clean and unmarked pages).

First Edition. 24 x 20 cm unpaginated with colour and b&w illustrations throughout.

Hard cover. Condizione: Very good. No jacket. First edition of 1,400 copies published on the occasion of the exhibition "Sasquatch Century" at the Henie Onstad Kunstsenter, Høvikodden, Norway from January 23 to April 26, 2015, Top edges of spine is lightly bumped, but binding is tight. Inside is clean and unmarked.

Hardback. Condizione: New. The title of this new book from renowned photographer and book-maker Torbjorn Rodland suggests that the artist is looking for the divine in his sitters. If the child in Madonna and child paintings sym-bolises truth, then the pregnant virgin might represent a temporarily concealed truth - one masked or hidden behind compromised shells and failing bodies, young and old. The photographs in this arresting new collection negotiate surface and interiority and welcome tensions between contingent reality and archetypes, often uncannily recalling day-to-day life in intensely physical and opaquely allusive scenes. Constructed with characteristic precision and an instinct for surrealism and surprise, this sequence feeds on symbolism and visual texture in a sense reminiscent of classic 'art' photography or religious painting, but its self-conscious edge gives it a distinct and hard-to-fathom charge. With The Pregnant Virgin, Rodland explores analogue photography in dialogue both with online digital culture and visual art from before photography existed as a stable medium.

112 S. Leinen mit Schutzumschlag. Gr. 8°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig Sprache: eng.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. design by Torbjørn Rødland, 674 gr, 24,3 x 30,3 cm.

Hardcover. Condizione: As New. 1st Edition. Paper covered boards (hardcover), 128 pages : illustrations (chiefly color) ; 23 cm. As new. First edition.

hardcover. Condizione: Perfetto (Mint). Prima edizione (First Edition). 64 fotografie a colori di Torbjørn Rødland . Cm 28x21. pp. 112. . Perfetto (Mint). . Prima edizione (First Edition). . Un dizionario vi dirà che le confabulazioni sono disturbi della memoria; la produzione di ricordi fabbricati e distorti su se stessi e sul mondo, ma senza una consapevole intenzione di ingannare."La soggettività non è il significante principale dell'immagine", scrive Ina Blom a proposito del lavoro di Rødland, "né si perde in un vortice di astrazioni: è semplicemente un punto di connessione tra tanti. La macchina fotografica, con la sua gamma di obiettivi, impostazioni di apertura, dispositivi di illuminazione e tipi di pellicola, è un altro. [.] La lucentezza enfatica, il glamour elegante e la perversione disinvolta prosperano ancora, ma assumono un'esistenza indipendente come nuove realtà testuali, come se parlassero di un mondo materiale che non possiamo mai conoscere appieno".Con Confabulations, Torbjørn Rødland presenta una serie di fotografie analogiche che travisano sottilmente i ricordi infranti e le fantasie dell'infanzia. Confabulations distorce i fatti per arrivare alla verità. La frammentazione non è né rifiutata né indotta in questo approccio unitario, ma vista come punto di partenza per nuove connessioni. Tra un milione di sciocchi meme, Rødland è alla ricerca di una nuova anima. Book.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

hardcover. Condizione: As New. Prima edizione (First Edition). Volume realizzato in occasione della mostra tenutasi presso l'Haugar Art Museum, Norvegia 10 giugno - 3 settembre 2006. Testi di Gil Blank, Ina Blom, Hillary Raphael. Fotografie a colori e in bianco e nero di Torbjørn Rodland . Cm 24,5x20,5. pp. 112. . Perfetto (Mint). . Prima edizione (First Edition). . Torbjorn Rodland è per la fotografia quello che i Pet Shop Boys sono per il pop: un maestro del cliché delicatamente orchestrato, del troppo ovvio, troppo carino o troppo folle, giocati fino al punto in cui, svuotati da ogni traccia di senso comune, suggeriscono un nuovo senso di silenzio e mistero. Rodland ha la capacità di produrre immagini che ti fanno chiedere quali siano, in effetti, i motivi appropriati per la fotografia d'arte: immagini di cassette audio o video? Squallide immagini in bianco e nero di chiese di campagna? Il gelato preferito di George W. Bush? Una banana nera? Ragazze e animali domestici, animali domestici e ragazze? Egli crea un complesso di letture che induce lo spettatore a passare del tempo con ogni singola immagine, a riconsiderarne il significato e la rilevanza.Questo è il primo libro di Rodland. Book.

Hardcover. Condizione: New. Torbjørn Rødland Confabulations Signed by the Photographer A dictionary will tell you that confabulations are memory disturbances; the production of fabricated, distorted memories about oneself and the world, but without a conscious intention to deceive. ?Subjectivity is not the master signifier of the image,? writes Ina Blom of Rødland?s work, ?Nor is it lost in a vortex of abstractions: it is quite simply one point of connectivity among many. The camera, with its associated range of lenses, aperture settings, lighting devices, and film types, is another. [?] The emphatic sheen, sleek glamour and casual perversity still thrive, but they take on an independent existence as new textural realities ? as if to speak of a material world that we can never fully know." With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul. Hardcover. 112 pages 64 colour plates 21.6 cm x 28 cm Publication date: June 2016 ISBN 9781910164631.

Condizione: New. Torbjørn Rødland's photography is direct but idiosyncratic, pushing at the boundaries of aesthetic and social norms. His fifth book, Vanilla Partner, continues in this vein, combining images of fetishized isolation in a layout that rejects the linear structure of thematic photography books. Rødland's practice navigates through the problematic and seemingly unchanging heart of popular photography. Accepting neither the humanist realism of most photographic portraiture nor the postmodern role-play, Vanilla Partner explores the cultural complexities and archaic foundation of contemporary image-making. Reconstructed scenes of ultrasoft BDSM read like twisted metaphors for photography's ability to freeze or capture. The book title, dripping in innuendo, also poses a question about the ambiguity of the relationship between the artist and his medium. Is Rødland acknowledging the medium's straight foundation or does he see himself dominated by it? Many of the images also have explicit political references, often linked to the 1980 US Presidential election. Vanilla Partner brings together works made in Oslo, Tokyo, Beijing and Rødland's current home, Los Angeles. Torbjørn Rødland was born in 1970 in Hafrsfjord, Norway. Since the mid-90s his photographs have been exhibited widely.\n\n\nEmbossed linen hardcover\n26 x 22 cm, 156 pages\n87 plates\n\nISBN: 9781907946318.

Condition: new, unopened (shrink-wrapped).

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.