ronald bladen (41 risultati)

Softcover, staple-bound, 40 pages, good condition, 2-inch crease to upper right corner of pages; library stamps and pencil writing to cover and first page; no other internal marks.

Trade Paperback. Condizione: Used - Good.

Stapled Paperback. Condizione: Good. No Jacket. Bladen, Ronald (illustratore). Cover is in good condition, save for corner bumping/wear, wear along length of spine, and minor rubbing. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: 4to - over 9¾" - 12" tall.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition.

Softcover, staple-bound, 40 pages, very good condition, name in pen on last blank page; no other internal marks.

Soft cover. Condizione: Near Fine. 1st Edition. Softcover, 60pp. Essays, interview, chronology, b&w images. Light rubbing to cover, else fine.

Softcover, 60 pages, good condition, light waterstain to bottom edge of first 2 pages; no internal marks. Foreign shipping may be extra.

Softcover. Quarto. Softcover. Black paper wraps with glossy stamped titles. 59 pages : illustrations (some color) ; 28 cm. Catalog of an exhibition held at Weatherspoon Art Gallery, Dec. 10, 1995-Mar. 23, 1996; Sculpture Center, New York, N.Y., Oct. 24-Dec. 7, 1996./ Includes bibliographical references (pages 40-41). VG. Two inches of toning along bottom edge of front wrap, museum sticker inside, otherwise clean and unmarked.

Unknown. Condizione: Used - Good. 'One of the characteristics, I think, of all my pieces is that they have a front and they have a back. They seem very human to me -- they always do. In much abstract sculpture it does not matter where you see it from but I want my pieces read in sequence: you see them from the front first, then around, and the back is another identity'. 'The white and black are philosophically opposed. The white of the inside of the piece is -- well -- it's acceptance, it's love, it's gentle, it's very moving; and the black becomes slightly forbidding -- totally different in experience'. 'The curve was just worked out by eye. It was not drawn: it was simply laid out on the floor and it seemed a very nice curve and that was it. As you approach the piece -- as you are drawn into it -- you find there is really nothing for the eye to relate to except for an expanse of light that's involving you. And there is the quality of flowing into the piece and not quite being able to determine where the piece begins or stops. You reach a point of stillness in the white.'. 'Going around the black outside is really very nice because it is disappearing in front of your eyes. You can only see a little bit of it at a time, and it takes quite a long while to walk around. And the other interesting thing is that the back is the same template curve as the front, though the structure is different -- that's hard to realize because the experience of walking on the outside is so different'. Some mild shelf wear.

Condizione: Good. Hardcover, spiral-bound, ex library, covers rubbed else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Very Good. RONALD BLADEN / ROBERT MURRAY is the catalog for their 1970 sculpture show at the Vancouver Art Gallery. Text by Tont Emery, Doris Shadbolt, Ronald Bladen and Robert Murray. Black and white photographs with text on velumn interleaves. Unpaginated, hardcover with spiral binding and photographic front cover. 8 1/2" x 12 3/4". Very good condition.

Softcover, 60 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Metal spiral bound exhibition catalog, 88+ pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra for this book.

Softcover, staple-bound exhibition catalog, 8 pages, as new condition, clean and crisp; no internal marks.

Hardcover without dustjacket as issued; 96 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Spiral bound. Spiral bound tan wraps with black lettering; bw portrait frontispiece of artist; 88 pp, profusely illustrated throughout in bw. End papers are reproduced in the original size from a 1973-74 sketchbook by Ronald Bladen. Exhibition of work from artist, Ronald Bladen. Includes bibliographical references (pages 87-88). VG+ (as new in original cardboard box).

Hardcover. Condizione: Very Good. Cover has modest rubbing/scuffing, one tiny tear to spine, and ~0.5in dent with one tiny tear to outer edges, but otherwise overall looks presentable. Tight binding, pages are clean and crisp. Overall a solid copy with interior in great condition, in between good and very good condition.

hardbound. Condizione: Very Good. profusely illustrated (illustratore). Published on the occasion of the exhibition of Ronald Bladen's sculptures chosen from the Marzona Collection, 22 March - 6 May 2007 Neue Nationalgalerie Berlin; bi-lingual text German and English; b&w illustrations throughout; includes biography, select bibliography, and catalog of Bladen's sculptures in the Marzona Collection; illustrated boards, no dustwrapper (as issued); Very Good. no dustwrapper. 96pp. sm 4to. Very Good.

Slim quarto, an 8-page pamphlet including covers, black and white photographic illustrations of works, staple-bound (toned with moderate wear, creases from spine, hint of dog-ears at corners, good to very good).

Hardcover with dustjacket; 168 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

Soft cover. Condizione: Fine. No Jacket. First English language edition. First edition 1998, fist English language edition. Published by Delano Greenidge Editions. Large softcover with spiral without DJ as issued. Condition new inside, square tight and clean book, corners not bumped, no edgewear, rubbing from price sticker removal on front cover, no names, no underlinings, no highlights, no bent page corners, not a reminder. 4to, 98 pages, illustrated throughout.

Illustrated boards with metal spiral binding; unpaginated; good condition; moderate edgewear and some light creases to covers internally fine; tissue text pages clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. 1st edition. VG. 8vo, 258pp, printed wrappers. The thick final issue of this influential avant-garde literary journal edited by John Ashbery and others. This copy is from the collection of contributor Bill Berkson, who has editorially marked his printed piece on Frank O'Hara here. Otherwise unmarked with a little reading wear and soil. Not Signed.

Condizione: as new. Köln : Walther König, Köln, 2007.Hardcover. Dustjacket. 80 pp.-English text. Condition : as new. The sculptural works of the American Minimalist Ronald Bladen seem like three-dimensional bodily signs that have been reduced to their most elementary stereometric forms. Often called the "father" of Minimal art, Bladen emerged along with Andre, Flavin, Judd, LeWitt, Morris and Tony Smith in the mid-1960s. This book presents works from the renowned Marzona Collection. Condition : as new copy. ISBN 9783865602145. Keywords : ART, sculpture.

Condizione: Sehr gut. 95 Seiten Zustand: Einband etwas berieben, Papier mit leichter Randverfärbung, sonst sauber und frisch // Mit zahlreichen Fotos. Herausgegeben von Fritz Jacobi. Bilingual: Englisch/Deutsch /// Versand gratis Innerhalb Deutschlands - Portofrei in Deutschland- ab 20 Euro mit Post ID - Gratisversand deutschlandweit innerhalb Deutschlands gratis Versand -Versandkostenfrei innerhalb Deutschlands /// Sprache: Deutsch Gewicht in Gramm: 650 4°, 27,5 x 24,5 cm, Hardcover in Pappband.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Tentoonstellingscatalogus. Papieren omslag. 82 p. -(Omslag verkleurd, het grootste deel van de pagina's ligt los, naam in ink aan binnenzijde achterplat.).

[2] pp.; 11 x 21 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with meeting the artists held at Project Studio One / P.S. 1 on November 25, 1979. Good. Mailed copy mailing marks on recto and verso, otherwise Very Good.

Condizione: Good. 10.5 x 16.5 inches. Very Good. Single sheet, printed both sides, and folded into 3 panels. Color plates. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.