scott phoebe (23 risultati)

Hardcover. Condizione: Very Good. Designa: Technical Secrets of the Traditional Visual Arts This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: New. *Price HAS BEEN REDUCED by 10% until Monday, Jan. 12 (weekend SALE item)* 356 pp., Paperback, BRAND NEW!!!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Text clean and tight; Southern Literary Studies; 8vo 8" - 9" tall; 360 pages.

Single Issue Magazine. Condizione: Good. First Edition. Good magazine in stapled wraps with bumping at the corners and a small sticker scuff mark to the front cover. 104 pages, unmarked. Toronto, no date (circa 2003) . ; OVRB5 ; 4to 11" - 13" tall; 104 pages.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. 'How does one define the art of a region without losing sight of cultural specificity? This question has often plagued art historical studies of the "global," but this exceptional collaborative research effort, conceived through archival research, extensive fieldwork and new theoretical perspectives, succeeds where others have failed: in presenting transnational perspectives on post-war artistic practices and the processes of de-colonisation in Southeast Asia without losing sight of national singularities.' - Nora A. Taylor, Alsdorf Professor of South and Southeast Asian Art, School of the Art Institute of ChicagoThis new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand and beyond.The collection sheds new light on the significance of architecture, painting, installation, photography, and sculpture in the historical narratives of this period and offers fresh insights into artistic production and reception within the cultural and political contexts of postcolonialism and the Cold War, the legacies of which continue to shape the region today. This new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand and beyond. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condizione: New.

Softcover. Condizione: Near Fine. Magazine. Printed wrappers. Octavo. 195-256pp. Small pen mark in margin of last page, faint age-toning on wrappers, near fine. Laid in is a typed and Signed letter from Honor Carr, Cultural assistant for The Poetry Society addressed to fellow poet Daniel Hoffman. This issue features "Portrait of Sir Compton Mackenzie." Contributions by C. Day Lewis, Clive Sansom, John Smith, Philip Larkin, Elizabeth Jennings, Peter Redgrove, Celia Randall, Kenneth Hare, A.O. Field, Francis Engleheart, Herbert Palmer, Phoebe Hesketh, Robert Armstrong, Jennifer McConnachie, Gilbert Thomas, Terence Thompson, John Stuart Anderson, Margaret Sackville, Kenneth Wood, Margaret Stanley-Wrench, Stanton Coblentz, Paul Scott, Geoffrey Dearmer, Mabel Parker, Griselda Scott, Dorothea Ramsey, Charles T. Parish, Ruth Duffin, Jill Tyler, and David Holbrook.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New. 2018. Paperback. . . . . .

Condizione: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Condizione: Near Fine. Minimal wear to covers. Spine not creased. Internally clean. 332pp This volume sheds new light on the signi cance of architecture, painting, installation, photography, and sculpture in the historical narratives of this period and offers fresh insights into artistic production and reception within the cultural and political contexts of post-colonialism and the Cold War, the legacies of which continue to shape the region today. Size: 170mm x 245mm. Book.

Paperback. Condizione: new. Paperback. 'How does one define the art of a region without losing sight of cultural specificity? This question has often plagued art historical studies of the "global," but this exceptional collaborative research effort, conceived through archival research, extensive fieldwork and new theoretical perspectives, succeeds where others have failed: in presenting transnational perspectives on post-war artistic practices and the processes of de-colonisation in Southeast Asia without losing sight of national singularities.' - Nora A. Taylor, Alsdorf Professor of South and Southeast Asian Art, School of the Art Institute of ChicagoThis new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand and beyond.The collection sheds new light on the significance of architecture, painting, installation, photography, and sculpture in the historical narratives of this period and offers fresh insights into artistic production and reception within the cultural and political contexts of postcolonialism and the Cold War, the legacies of which continue to shape the region today. This new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand and beyond. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Southeast Asia and beyond.&Uumlber den AutorContributors: Me.

Hardcover without dustjacket, 292 pages, in English; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft Cover. Condizione: F-. First Edition. 4to. original printed paper wraps (a trifle rubbed); pp. 248, with illustrations. Heavy item (1.75 kg), additional postage may be required for international delivery. A near fine copy.

Hardcover. Condizione: g to vg. Manuscript. Octavo. Unpaginated. [144]pp. Original gilt-stamped half morocco over blind-stamped purple cloth notebook. Gold-ruling along joints. All edges gilt. Handsome hand-written copy book of poems written by a young girl whose name is unknown. Begun in Ho-Ho-Kus, NJ, on 7/31/1860, when the young girl was 14, this book was completed in Philadelphia on 2/20/1863, at the age of 17. In her notebook, the young girl copied 88 poems of some of the most famous British and American poets of the 19th century, such as: John Moultrie, Henry Wadsworth Longfellow, Caroline Norton, Walter Scott, Lord Alfred Tennyson, Phoebe Cary, Felicia Hemans, Elizabeth Barrett Browning, and Dinah Maria Mulock Craik. The poems were copied from the following papers and books: "The Harper's Magazine," "The Churchman's Magazine," "John Halifax, Gentleman," "The Church Journal," "The Eclectic Magazine," "Littell's Living Age," "The Angel Visitor," and other magazines or newspapers only mentioned by "copied from a paper." At the end of each poem is featured the source from which the poem came from, as well as the place, and the date when the poem was finished to be copied in the notebook. Head of spine slightly chipped. Moderate rubbing along edges. Some soiling to endpapers. Previous owner's stamp at upper margin of front leaf (Property of Louis Gauch - Received May 13, 1936). Binding in overall good- to good, interior in very good condition.